Universal Pictures: Difference between revisions
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'''Variants:''' Several renditions of this logo have been discovered. This is going to get complicated, so let's explain this simply: | '''Variants:''' Several renditions of this logo have been discovered. This is going to get complicated, so let's explain this simply: | ||
* 1963-1973: "A UNIVERSAL PICTURE/RELEASE", with the "UNIVERSAL" text sandwiched between "A" and "PICTURE" or "RELEASE". This can also be seen on newer movies that use this logo for a retro effect. | * 1963-1973: "A UNIVERSAL PICTURE/RELEASE", with the "UNIVERSAL" text sandwiched between "A" and "PICTURE" or "RELEASE". This can also be seen on newer movies that use this logo for a retro effect. | ||
* "PRESENTS" is underneath the "UNIVERSAL" text. Sometimes, "UNIVERSAL PRESENTS" starts blurred, but becomes clearer as the globe zooms in fast. This variant is seen on movies like ''Secret Ceremony'', ''The Killers'' (1964), ''Two-Lane Blacktop'' and ''Anne of the Thousand Days'' and this variant appearance in [[Walter Lantz Productions|Walter Lantz]] Cartoons as like Woody Woodpecker cartoon since " | * "PRESENTS" is underneath the "UNIVERSAL" text. Sometimes, "UNIVERSAL PRESENTS" starts blurred, but becomes clearer as the globe zooms in fast. This variant is seen on movies like ''Secret Ceremony'', ''The Killers'' (1964), ''Two-Lane Blacktop'' and ''Anne of the Thousand Days'' and this variant appearance in [[Walter Lantz Productions|Walter Lantz]] Cartoons as like Woody Woodpecker cartoon since "Woody's Clip Joint" (1964) until "Bye, Bye, Blackboard" (1972). | ||
* 1971-1990: The byline "'''{{color|gold|AN MCA COMPANY}}'''", in a {{color|gold|yellow}} Eurostile Bold font, appearing below the "UNIVERSAL" text. The Scope variant has it in a different font. | * 1971-1990: The byline "'''{{color|gold|AN MCA COMPANY}}'''", in a {{color|gold|yellow}} Eurostile Bold font, appearing below the "UNIVERSAL" text. The Scope variant has it in a different font. | ||
*"Scope": Shown in a wide ratio of 2.20:1 or 2.35:1 widescreen, the globe appears to zoom in rather slowly, and the "UNIVERSAL" text is blurred when it fades in, becoming clearer as it zooms out. The logo is much wider than usual, to accommodate the extra space. This is seen on films shot in this format such as ''High Plains Drifter'', ''The Sugarland Express'', ''Jaws'', ''The Car'', ''Halloween II'' and ''III'', John Carpenter's ''The Thing'', ''Scarface'' (1983), ''Firestarter'' (1984), ''The Dark Crystal'', ''The Last Starfighter'', ''Dune'' (1984), ''Legend'', ''Prince of Darkness'', ''They Live'' and ''Born on the Fourth of July''. It also had a bylineless variant of its own, which can be found on ''Tell Them Willie Boy Is Here'' (1969) and ''The Day of the Jackal'' (1973). A sepia-tone variant can be found on ''The Deer Hunter''. | *"Scope": Shown in a wide ratio of 2.20:1 or 2.35:1 widescreen, the globe appears to zoom in rather slowly, and the "UNIVERSAL" text is blurred when it fades in, becoming clearer as it zooms out. The logo is much wider than usual, to accommodate the extra space. This is seen on films shot in this format such as ''High Plains Drifter'', ''The Sugarland Express'', ''Jaws'', ''The Car'', ''Halloween II'' and ''III'', John Carpenter's ''The Thing'', ''Scarface'' (1983), ''Firestarter'' (1984), ''The Dark Crystal'', ''The Last Starfighter'', ''Dune'' (1984), ''Legend'', ''Prince of Darkness'', ''They Live'' and ''Born on the Fourth of July''. It also had a bylineless variant of its own, which can be found on ''Tell Them Willie Boy Is Here'' (1969) and ''The Day of the Jackal'' (1973). A sepia-tone variant can be found on ''The Deer Hunter''. | ||