ImageMovers: Difference between revisions

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172 bytes removed ,  7 June 2024
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imported>DannyMB24
imported>DannyMB24
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* There is also an early version where the train and text are more brown and silver looking, and the flash is faster, and not as bright.
* There is also an early version where the train and text are more brown and silver looking, and the flash is faster, and not as bright.
* On some films (such as <u>''Beowulf''</u>), as well as ImageMovers' only television credit, <u>''The Borgias''</u>, the finished product of the on-screen logo is still.
* On some films (such as <u>''Beowulf''</u>), as well as ImageMovers' only television credit, <u>''The Borgias''</u>, the finished product of the on-screen logo is still.
* On <u>4:3 and widescreen prints of the end of ''The Polar Express''</u> and <u>many films from 2006 onward</u>, the logo zooms out to a much farther distance than usual.
** On <u>4:3 prints of ''What Lies Beneath''</u>, the logo is overall the same, except  the flash dying down has an additional lens flare, and the "IMAGEMOVERS" text has a more reflective texture to it, as opposed to the flatter texture of the normal text in the logo.
** On <u>4:3 prints of ''What Lies Beneath''</u>, the logo is overall the same, except  the flash dying down has an additional lens flare, and the "IMAGEMOVERS" text has a more reflective texture to it, as opposed to the flatter texture of the normal text in the logo.
* On <u>''Flight''</u>, the music and sound effects are slightly off-sync with the logo, making the first major impact of the music take place as soon as the train reaches the screen, as opposed to when the flash dies down.
* On <u>''Flight''</u>, the music and sound effects are slightly off-sync with the logo, making the first major impact of the music take place as soon as the train reaches the screen, as opposed to when the flash dies down.
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