Metro-Goldwyn-Mayer Studios: Difference between revisions

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* In 1949, during MGM's 25th anniversary, an additional "Silver Anniversary" variant was used alongside the Jackie logo. There is a fancy napkin that has "MGM" in a ribbon at the top-right, and text reading "A Metro-Goldwyn-Mayer Silver Anniversary Picture" in the center (in the Commercial Script font). Seen on ''Edward, My Son'', ''The Great Sinner'', ''Any Number Can Play'', ''Scene of the Crime'', ''Madame Bovary'', ''The Doctor and the Girl'', ''Border Incident'', ''Adam's Rib'', ''Intruder in the Dust'', and ''Tension''.
* In 1949, during MGM's 25th anniversary, an additional "Silver Anniversary" variant was used alongside the Jackie logo. There is a fancy napkin that has "MGM" in a ribbon at the top-right, and text reading "A Metro-Goldwyn-Mayer Silver Anniversary Picture" in the center (in the Commercial Script font). Seen on ''Edward, My Son'', ''The Great Sinner'', ''Any Number Can Play'', ''Scene of the Crime'', ''Madame Bovary'', ''The Doctor and the Girl'', ''Border Incident'', ''Adam's Rib'', ''Intruder in the Dust'', and ''Tension''.
* There is a variant where the logo is redrawn, Jackie has a shadow, and there is copyright information around the logo. This was seen on the ''Our Gang'' shorts "Teacher's Pet", "School's Out" and "Love Business", as well as the Laurel & Hardy short "Another Fine Mess".
* There is a variant where the logo is redrawn, Jackie has a shadow, and there is copyright information around the logo. This was seen on the ''Our Gang'' shorts "Teacher's Pet", "School's Out" and "Love Business", as well as the Laurel & Hardy short "Another Fine Mess".
* This has appeared superimposed over scenes on trailers of 1930s films such as ''Mutiny on the Bounty''  (1935), ''A Tale of Two Cities''  (1935), ''Fury'' (1936) and ''San Francisco'' (1936). On the latter film, the company name and the marquee below the ribboning, wreath and the mask are invisible.
* This has appeared superimposed over scenes on trailers of 1930s films such as ''Mutiny on the Bounty''  (1935), ''A Tale of Two Cities''  (1935), ''Fury'' (1936) and ''San Francisco'' (1936). On the latter film, the company name and the marquee below the ribboning, wreath and the drama mask are invisible.
* On a Dutch print of ''Dood Water'' (translated as ''Dead Water'', 1934), the logo looks entirely redrawn with the mask also being slightly different as well.
* On a Dutch print of ''Dood Water'' (translated as ''Dead Water'', 1934), the logo looks entirely redrawn with the mask also being slightly different as well.


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