Warner Bros. Pictures: Difference between revisions
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'''Closing Variant:''' The tail end of the opening logo with no extra text. Here, the logo stays on-screen for at least four extra seconds before fading out. This is the first time that the "Distributed by" text above is not used, and the first time since 2000 that the URL below is absent. | '''Closing Variant:''' The tail end of the opening logo with no extra text. Here, the logo stays on-screen for at least four extra seconds before fading out. This is the first time that the "Distributed by" text above is not used, and the first time since 2000 that the URL below is absent. | ||
'''Technique:''' CGI by [[Devastudios]] (who previously animated the logos for [[Lionsgate Films]] and [[Paramount Pictures]] in 2011 and 2013 respectively). Due to | '''Technique:''' CGI by [[Devastudios]] (who previously animated the logos for [[Lionsgate Films]] and [[Paramount Pictures]] in 2011 and 2013 respectively). Due to COVID-19 restrictions, the backlot was created using drone footage, original blueprints from the Warner Bros. Studio Facilities and available photography and videography from Warner Bros. Studio Tour Hollywood and Google Earth, all in order to reconstruct it in CGI. The sky and clouds were created with Terragen from Planetside Software. More info can be read on [https://www.devastudios.com/work/logo/warner-bros-logo-making-of/ Devastudios' website]. | ||
'''Audio:''' A re-orchestrated version of the 12th logo's theme, now in a different key (this time in E♭ major). It has a more powerful, orchestral buildup, and the opening notes are now played on a guitar and flute as opposed to a piano. This was composed by Ludwig Göransson. It is unknown what samples are used (probably Spitfire Audio or Cinesamples). | '''Audio:''' A re-orchestrated version of the 12th logo's theme, now in a different key (this time in E♭ major). It has a more powerful, orchestral buildup, and the opening notes are now played on a guitar and flute as opposed to a piano. This was composed by Ludwig Göransson. It is unknown what samples are used (probably Spitfire Audio or Cinesamples). | ||