Miller-Boyett Productions: Difference between revisions
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Text replacement - "FX/SFX:" to "Technique:"
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'''Variant:''' On the pilot episode of ''Petrocelli'', the symbol does not appear at all. | '''Variant:''' On the pilot episode of ''Petrocelli'', the symbol does not appear at all. | ||
''' | '''Technique:''' None, just an in-credit logo. | ||
'''Music/Sounds:''' The end theme of the show. | '''Music/Sounds:''' The end theme of the show. | ||
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'''Variant:''' The logo would also be shown in-credit most of the time. | '''Variant:''' The logo would also be shown in-credit most of the time. | ||
''' | '''Technique:''' The logo appearing on the background | ||
'''Music/Sounds:''' The end theme of the show. | '''Music/Sounds:''' The end theme of the show. | ||
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*On the pilot episode of ''On Our Own'', the logo was placed over a time-lapse shot of the St. Louis skyline at dawn, which resembles an alternate shot of the intro's beginning. | *On the pilot episode of ''On Our Own'', the logo was placed over a time-lapse shot of the St. Louis skyline at dawn, which resembles an alternate shot of the intro's beginning. | ||
''' | '''Technique:''' None, but the ''On Our Own'' version, the time-lapse background. | ||
'''Music/Sounds:''' Basically what the credits play. | '''Music/Sounds:''' Basically what the credits play. | ||
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'''Logo:''' On a black background, an yellow "M" in Elephant Italic drops down from the top left side of the screen, a "B" in the same style from the upper right side, and a slash wipes in upwards in-between, all occuring at the same time. As they finish, the same text from before fades in off-center. | '''Logo:''' On a black background, an yellow "M" in Elephant Italic drops down from the top left side of the screen, a "B" in the same style from the upper right side, and a slash wipes in upwards in-between, all occuring at the same time. As they finish, the same text from before fades in off-center. | ||
''' | '''Technique:''' The "M" flying down, the "B" flying in from the right, the slanted line drawing, the "Miller-Boyett Productions" text fading in. | ||
'''Music/Sounds:''' A 5-note piano tune, CBS airings from 1997-98 used a generic theme and sometimes a voice over. | '''Music/Sounds:''' A 5-note piano tune, CBS airings from 1997-98 used a generic theme and sometimes a voice over. | ||
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'''Logo:''' Same as the Robert L. Boyett Productions logo, but "{{color|red|'''MILLER'''}}" replaces "ROBERT L." in a thicker font. | '''Logo:''' Same as the Robert L. Boyett Productions logo, but "{{color|red|'''MILLER'''}}" replaces "ROBERT L." in a thicker font. | ||
''' | '''Technique:''' Same as the Robert L. Boyett Productions logo. | ||
'''Music/Sounds:''' Same as the Robert L. Boyett Productions logo. | '''Music/Sounds:''' Same as the Robert L. Boyett Productions logo. | ||
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'''Logo:''' Against a rippling water background, the following text slide in from all sides of the screen in this order: "Miller" from the right, "Boyett" from the bottom, "Warren" from the top, and "productions" from the top. All the text is in a tall white font barring the first letters of "Miller Boyett Warren", which are a salmon color, and "productions" had a long line underneath it extending past the text itself. They are also all transparent, but become opaque when a brown marble plate with the words in black fades in behind them, and a border in the same material zooms out from off-screen. All of these then connect together. | '''Logo:''' Against a rippling water background, the following text slide in from all sides of the screen in this order: "Miller" from the right, "Boyett" from the bottom, "Warren" from the top, and "productions" from the top. All the text is in a tall white font barring the first letters of "Miller Boyett Warren", which are a salmon color, and "productions" had a long line underneath it extending past the text itself. They are also all transparent, but become opaque when a brown marble plate with the words in black fades in behind them, and a border in the same material zooms out from off-screen. All of these then connect together. | ||
''' | '''Technique:''' The words, background, and frame. | ||
'''Music/Sounds:''' On ''Meego'', the same piano tune from the previous logo, albeit slightly extended, plays except on original CBS airings due to the generic theme and voice over being used, but on ''Two of a Kind'', the end-title theme plays over the logo except on original ABC airings because their generic theme was used. | '''Music/Sounds:''' On ''Meego'', the same piano tune from the previous logo, albeit slightly extended, plays except on original CBS airings due to the generic theme and voice over being used, but on ''Two of a Kind'', the end-title theme plays over the logo except on original ABC airings because their generic theme was used. | ||
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'''Logo:''' On a slightly dim white background, the thin red text "{{color|red|ROBERT L.}}" stacked on top of the thicker "{{color|red|'''BOYETT'''}}" text rotates and zooms out into place. Several "orbitors" of translucent ring pieces also surround the text. When the text settles, the black text "productions" blurs in one-by-one. | '''Logo:''' On a slightly dim white background, the thin red text "{{color|red|ROBERT L.}}" stacked on top of the thicker "{{color|red|'''BOYETT'''}}" text rotates and zooms out into place. Several "orbitors" of translucent ring pieces also surround the text. When the text settles, the black text "productions" blurs in one-by-one. | ||
''' | '''Technique:''' Abstract CGI. | ||
'''Music/Sounds:''' The closing theme of the show. | '''Music/Sounds:''' The closing theme of the show. | ||