United Artists: Difference between revisions

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*A prototype variant also exists, where the "T" forms at a faster rate, the byline is already present, and everything zooms out farther before jarringly cutting back to the normal spot. This is only known to have appeared on <u>''The Thomas Crown Affair''</u>.
*A prototype variant also exists, where the "T" forms at a faster rate, the byline is already present, and everything zooms out farther before jarringly cutting back to the normal spot. This is only known to have appeared on <u>''The Thomas Crown Affair''</u>.
*On <u>some trailers</u>, the "T" is white.
*On <u>some trailers</u>, the "T" is white.
*On <u>some films</u>, such as most James Bond films of this period (with the confirmed exceptions of ''On Her Majesty's Secret Service'' and a 1971 reissue print of ''Dr. No''), the logo would cut to black instead of fading out.
*On some films, such as <u>most James Bond films of this period</u> (with the confirmed exceptions of ''On Her Majesty's Secret Service'' and a 1971 reissue print of ''Dr. No''), the logo would cut to black instead of fading out.
*A black-and-white variant also exists, which was seen on late 1960s reissues of B&W United Artists films. This was also seen on Woody Allen's <u>''Sleeper''</u>.
*A black-and-white variant also exists, which was seen on late 1960s reissues of B&W United Artists films. This was also seen on Woody Allen's <u>''Sleeper''</u>.
*On a <u>few films</u>, such as ''Midnight Cowboy'', the logo fades into a white background to accompany the opening credits.
*On a few films, such as ''<u>Midnight Cowboy</u>'', the logo fades into a white background to accompany the opening credits.
<!-- Please discuss legitimacy of this variation on Logo News and Discoveries thread: Allegedly, there is a variant just like the 5th logo. It starts off with "United Artists" and the Transamerica "T". Then "Entertainment from Transamerica Corporation" fades in, possibly as a way of United Artists bidding "farewell" to Transamerica after 14 years. This was seen on original theatrical prints of ''For Your Eyes Only''. This variant currently appears in full on an American trailer for the 1980 release of ''Arabian Nights'' (a 1974 Italian film). -->
<!-- Please discuss legitimacy of this variation on Logo News and Discoveries thread: Allegedly, there is a variant just like the 5th logo. It starts off with "United Artists" and the Transamerica "T". Then "Entertainment from Transamerica Corporation" fades in, possibly as a way of United Artists bidding "farewell" to Transamerica after 14 years. This was seen on original theatrical prints of ''For Your Eyes Only''. This variant currently appears in full on an American trailer for the 1980 release of ''Arabian Nights'' (a 1974 Italian film). -->
*On <u>reissue trailers for some films</u> a still version of this logo is used, only it says "{{font|Helvetica|''Re-released thru''}}" above the logo.
*On <u>reissue trailers for some films</u> a still version of this logo is used, only it says "{{font|Helvetica|''Re-released thru''}}" above the logo.
*On some Scope films, such as <u>''The Secret of Santa Vittoria''</u>, <u>''The Organization''</u>, <u>''The World of Hans Christian Andersen''</u>, <u>''Fellini Satyricon''</u>, <u>''The Long Goodbye''</u>, <u>''Visit to a Chief's Son''</u>, and <u>''Thunderbolt and Lightfoot''</u>, the logo is zoomed out further than usual. Other Scope films, including ''The Bridge at Remagen'', ''On Her Majesty's Secret Service'', ''Diamonds Are Forever'', and ''Fiddler on the Roof'', simply used the standard variant cropped heavily, and on Scope films that use the 1975 variant, the logo zooms out similar to the Scope variant of the 1984 Tri-Star Pictures logo.
*On some Scope films, such as <u>''The Secret of Santa Vittoria''</u>, <u>''The Organization''</u>, <u>''The World of Hans Christian Andersen''</u>, <u>''Fellini Satyricon''</u>, <u>''The Long Goodbye''</u>, <u>''Visit to a Chief's Son''</u>, and <u>''Thunderbolt and Lightfoot''</u>, the logo is zoomed out further than usual. Other Scope films, including ''The Bridge at Remagen'', ''On Her Majesty's Secret Service'', ''Diamonds Are Forever'', and ''Fiddler on the Roof'', simply used the standard variant cropped heavily, and on Scope films that use the 1975 variant, the logo zooms out similar to the Scope variant of the 1984 Tri-Star Pictures logo.
*On some <u>full screen prints</u>, including the RCA VideoDisc release of ''Fiddler on the Roof'', the logo is squeezed to fit the 4:3 aspect ratio. On the cancelled VHD print of the film, the logo is cropped/zoomed in so that the "United Artists" text appears to be in the center of the screen, resulting in the "T" being cut off at the right side.
*On some <u>full screen prints</u>, including <u>the RCA VideoDisc release of ''Fiddler on the Roof''</u>, the logo is squeezed to fit the 4:3 aspect ratio. On the cancelled VHD print of the film, the logo is cropped/zoomed in so that the "United Artists" text appears to be in the center of the screen, resulting in the "T" being cut off at the right side.


'''Technique:''' Cel animation by DePatie-Freleng.
'''Technique:''' Cel animation by DePatie-Freleng.
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