Columbia Pictures: Difference between revisions

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'''Trivia:'''
'''Trivia:'''


*The logo's most recent overhaul was undertaken during this era when Sony Corporation of Japan (which bought Columbia on November 8, 1989) commissioned illustrator Michael J. Deas to redesign the lady and return her to her "classic" look. The result, based on Deas' sessions with Mandeville, Louisiana homemaker Jenny Joseph, who posed for him with a makeshift robe and torch, was a taller, slimmer Columbia Torch Lady with lighter, curlier hair and a dimmer torch. Rather than use Joseph's face however, Deas constructed a composite face made up of a couple of computer-generated features. Deas' artwork, created in 1992, was featured in the Columbia Pictures Television and Columbia TriStar Home Video identities prior to this logo's appearance. The logo was animated at Synthespian Studios by Jeff Kleiser and Diana Walczak. The duo used 2D elements from Deas' painting and converted them to 3D. The clouds were divided up to 66 image maps and Walczak mapped every cloud onto a 3D object and twist-distorted and translated on Wavefront animation software.
*The logo's most recent overhaul was undertaken during this era when Sony Corporation of Japan (which bought Columbia on November 8, 1989) commissioned illustrator Michael J. Deas to redesign the lady and return her to her "classic" look. The result, based on Deas' sessions with Mandeville, Louisiana homemaker Jenny Joseph, who posed for him with a makeshift robe and torch, was a taller, slimmer Columbia Torch Lady with lighter, curlier hair and a dimmer torch. Rather than use Joseph's face however, Deas constructed a composite face made up of a couple of computer-generated features. Deas' artwork, created in 1992, was featured in the Columbia Pictures Television and Columbia TriStar Home Video identities prior to this logo's appearance. The logo was animated at Synthespian Studios by Jeff Kleiser and Diana Walczak. Ed Kramer and Joel Hynek assisted in production. The staff used 2D elements from Deas' painting and converted them to 3D. The clouds were divided up to 66 image maps and Walczak mapped every cloud onto a 3D object and twist-distorted and translated on Wavefront Advanced Visualizer graphics software.
*The then-current Torch Lady has pale skin, short curly auburn hair, wears a silky light cream/light beige gown going straight down to the ground, and is also wearing a teal veil wrapped all over and around on her left arm. Her appearance looks similar to NYC's landmark, The Statue of Liberty.
*The then-current Torch Lady has pale skin, short curly auburn hair, wears a silky light cream/light beige gown going straight down to the ground, and is also wearing a teal veil wrapped all over and around on her left arm. Her appearance looks similar to NYC's landmark, The Statue of Liberty.
*The identity of the Torch Lady's model wasn't divulged until 2004; prior rumors persisted that Annette Bening was the model.
*The identity of the Torch Lady's model wasn't divulged until 2004; prior rumors persisted that Annette Bening was the model.
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