Columbia Pictures: Difference between revisions

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'''Logo:''' We see the lady, this time standing on top of a pedestal with a backdrop of clouds over her, while she is holding her light torch. Much more refined, ethereal and goddess-like, her facial features became less pronounced and she looked away (up and to the right) instead of straight ahead. Her headdress was removed and her hair swept back instead of hanging by the sides of her face. The drape over her shoulder became less-obviously an American flag, the stars on the left shoulder having been toned down in a shadow, and the stripes visible only on the portion of the drape hanging down her right side. "A COLUMBIA PRODUCTION" was replaced with the tall chiseled letters of "COLUMBIA" (which fades in a second afterward) running straight across the top section of the screen, with the lady's torch glowing in front of the "U". A new form of animation was used on the logo as well, with a torch that radiates light instead of flickers. Until the mid-1960s, this logo would also appear at the end of films, sometimes with the words "The End" in a script font.
'''Logo:''' We see the lady, this time standing on top of a pedestal with a backdrop of clouds over her, while she is holding her light torch. Much more refined, ethereal and goddess-like, her facial features became less pronounced and she looked away (up and to the right) instead of straight ahead. Her headdress was removed and her hair swept back instead of hanging by the sides of her face. The drape over her shoulder became less-obviously an American flag, the stars on the left shoulder having been toned down in a shadow, and the stripes visible only on the portion of the drape hanging down her right side. "A COLUMBIA PRODUCTION" was replaced with the tall chiseled letters of "COLUMBIA" (which fades in a second afterward) running straight across the top section of the screen, with the lady's torch glowing in front of the "U". A new form of animation was used on the logo as well, with a torch that radiates light instead of flickers. Until the mid-1960s, this logo would also appear at the end of films, sometimes with the words "The End" in a script font.


'''Trivia:''' The Torch Lady happens to be Pittsburgh native Jane Chester Bartholomew, discovered by Harry Cohn.
'''Trivia:''' The model for this Torch Lady was Pittsburgh native Jane Chester Bartholomew, discovered by Harry Cohn.


'''Byline:''' Starting in 1974, the company byline "A DIVISION OF COLUMBIA PICTURES INDUSTRIES, INC." appears at the bottom of the screen.
'''Byline:''' Starting in 1974, the company byline "A DIVISION OF COLUMBIA PICTURES INDUSTRIES, INC." appears at the bottom of the screen.
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*Two ending variants existed for short subjects during the early '40s: (1) Near the top of the screen, "THE" is in a 3-D-like Futura font, with a white face and dark/light shadows, to the left of the Torch Lady, and "END," in the same font and effects, is to the right; the shadows from "THE END" go behind the Torch Lady to an unknown vanishing point behind the rays of her torch (much like the early-to-mid-60's [[Four Star Television]] logo's effect). Near the top of the Torch Lady's pedestal "COLUMBIA" is in a small but wider version of the company name's "chiseled" font, and "SHORT" "SUBJECT" "PRESENTATION" is chiseled onto each step of the pedestal, going from top to bottom, respectively (when seen on colorized prints of ''The Three Stooges'', "THE" "END" and "COLUMBIA" are in a yellowish-gold color and the clouds and shadows are shades of dark and light blue, respectively); and (2) the standard "The End" additional text below would read "A Columbia Short Subject Presentation". These variants are usually seen on The Three Stooges shorts and often accompanies the aforementioned title card variant.
*Two ending variants existed for short subjects during the early '40s: (1) Near the top of the screen, "THE" is in a 3-D-like Futura font, with a white face and dark/light shadows, to the left of the Torch Lady, and "END," in the same font and effects, is to the right; the shadows from "THE END" go behind the Torch Lady to an unknown vanishing point behind the rays of her torch (much like the early-to-mid-60's [[Four Star Television]] logo's effect). Near the top of the Torch Lady's pedestal "COLUMBIA" is in a small but wider version of the company name's "chiseled" font, and "SHORT" "SUBJECT" "PRESENTATION" is chiseled onto each step of the pedestal, going from top to bottom, respectively (when seen on colorized prints of ''The Three Stooges'', "THE" "END" and "COLUMBIA" are in a yellowish-gold color and the clouds and shadows are shades of dark and light blue, respectively); and (2) the standard "The End" additional text below would read "A Columbia Short Subject Presentation". These variants are usually seen on The Three Stooges shorts and often accompanies the aforementioned title card variant.
*On colorized version of 1955 film ''Queen Bee'', the logo is colorized and is in blue tinted, with "COLUMBIA" in blue/white, but with a lady in purple and yellow tone to it, and the pedestal is in yellowish colored.
*On colorized version of 1955 film ''Queen Bee'', the logo is colorized and is in blue tinted, with "COLUMBIA" in blue/white, but with a lady in purple and yellow tone to it, and the pedestal is in yellowish colored.
*On colorized prints of ''It Should Happen To You'', the logo is colorized, plus the cloud background is now dark blue, the lady still colorized, but with "COLUMBIA" text in yellowish-gold.
*On colorized prints of ''It Should Happen To You'', the logo is colorized, plus the cloud background is now dark blue, the lady still colorized, but with the "COLUMBIA" text in yellowish-gold.
*An Italian version of the closing version exists. This was at the end of the Italian film ''El - Lui''.
*An Italian version of the closing version was shown at the end of the Spanish film ''Él'' (AKA ''This Strange Passion'', ''Lui'').


'''FX/SFX:''' The torch rays shine more realistically in this version.
'''FX/SFX:''' The torch rays shine more realistically in this version.

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