Shintoho: Difference between revisions
Jump to navigation
Jump to search
m
Text replacement - "'''Editor's Note:''' None." to ""
m (Text replacement - " (Japan)|" to "|") |
imported>SuperMax124 m (Text replacement - "'''Editor's Note:''' None." to "") |
||
Line 26: | Line 26: | ||
'''Availability:''' Seen on some films produced by Shintoho in 1947. | '''Availability:''' Seen on some films produced by Shintoho in 1947. | ||
Line 92: | Line 92: | ||
'''Availability:''' Somewhat common; seen on some black and white films produced by Shintoho between 1955 and 1958. Examples include Hiroshi Shimizu's ''The Shiinomi School'' (''Shiinomi gakuen''), Masaki Mori's ''Ghost Story of Yotsuya'' (''Yotsuya kaidan''), Toshio Shimura's ''Admiral Yamamoto and the Allied Fleets'' (''Gunshin Yamamoto gensui to rengo kantai'') Kyotaro Namiki's ''The Military Policeman and the Dismembered Beauty'' (''Kenpei to barabara shibijin''), Tatsuo Yamada's ''Traitors of the Blue Castle'' (''Ayaushi! Date rokujuniman-goku'') and Nobuo Nakagawa's ''A Wicked Woman'' (''Dokufu Takahashi Oden''). | '''Availability:''' Somewhat common; seen on some black and white films produced by Shintoho between 1955 and 1958. Examples include Hiroshi Shimizu's ''The Shiinomi School'' (''Shiinomi gakuen''), Masaki Mori's ''Ghost Story of Yotsuya'' (''Yotsuya kaidan''), Toshio Shimura's ''Admiral Yamamoto and the Allied Fleets'' (''Gunshin Yamamoto gensui to rengo kantai'') Kyotaro Namiki's ''The Military Policeman and the Dismembered Beauty'' (''Kenpei to barabara shibijin''), Tatsuo Yamada's ''Traitors of the Blue Castle'' (''Ayaushi! Date rokujuniman-goku'') and Nobuo Nakagawa's ''A Wicked Woman'' (''Dokufu Takahashi Oden''). | ||
Line 113: | Line 113: | ||
'''Availability:''' Seen on widescreen color films produced by Shintoho in 1957 and 1958. An example is Kunio Watanabe's ''The Emperor Meiji and the Great Russo-Japanese War'' (''Meiji-tenno to nichiro daisenso''). | '''Availability:''' Seen on widescreen color films produced by Shintoho in 1957 and 1958. An example is Kunio Watanabe's ''The Emperor Meiji and the Great Russo-Japanese War'' (''Meiji-tenno to nichiro daisenso''). | ||
Line 144: | Line 144: | ||
'''Availability:''' Presumably seen on Academy ratio B&W films produced between 1957 and 1960; examples include Nobuo Nakagawa's ''The Ghosts of Kasane Swamp'' (''Kaidan Kasane-ga-fuchi'') and Goro Kadono's ''The Mother Tree'' (''Kaidan chibusa enoki''). The current DVD issue of the 1949 film ''Kazuo Hasegawa's Zenigata Heiji Detective Story: Heiji Covers All of Edo'' (''Hasegawa Kazuo no Zenigata Heiji torimonohikae: Heiji happyakuyacho'') also has this logo at the beginning, presumably being sourced from a theatrical re-release. | '''Availability:''' Presumably seen on Academy ratio B&W films produced between 1957 and 1960; examples include Nobuo Nakagawa's ''The Ghosts of Kasane Swamp'' (''Kaidan Kasane-ga-fuchi'') and Goro Kadono's ''The Mother Tree'' (''Kaidan chibusa enoki''). The current DVD issue of the 1949 film ''Kazuo Hasegawa's Zenigata Heiji Detective Story: Heiji Covers All of Edo'' (''Hasegawa Kazuo no Zenigata Heiji torimonohikae: Heiji happyakuyacho'') also has this logo at the beginning, presumably being sourced from a theatrical re-release. | ||
=== 6th Logo (1958-1961) === | === 6th Logo (1958-1961) === | ||
Line 180: | Line 180: | ||
'''Availability:''' The several variants of this logo are seen on various films produced during Shintoho's last years from late 1958 to October 1961. For example, the standard red variant precedes Kiyoshi Komori's ''The Greater East Asia War and International Trials'' (''Daitoa senso to kokusai saiban''), Yoshihiro Ishikawa's ''The Ghost Cat of Otama Pond'' (''Kaibyo Otama-ga-ike''), Yoshiki Onoda's ''Female Slave Ship'' (''Onna dorei-sen''), Teruo Ishii's ''Yellow Line'' (''Osen chitai''), and Nobuo Nakagawa's ''Hell'' (''Jigoku''). The monochrome variant of the same logo can be seen on Nobuo Nakagawa's ''The Mansion of the Ghost Cat'' (''Borei kaibyo yashiki''), ''The Woman Vampire'' (''Onna kyuketsuki'') and ''Death Row Woman'' (''Onna shikeishu no datsugoku''), Teruo Ishii's ''Black Line'' (''Kurosen chitai'') and Goro Kadono's ''Ghost of the Girl Diver'' (''Kaidan ama yurei'') and ''Decisive Battle at Kuroda Castle'' (''Gozonji Kuroda-bushi: kessen Kuroda-jo''). It can also be seen on the trailer for Morihei Magatani's ''Blood Sword of the 99th Virgin''; the film itself uses the next logo. | '''Availability:''' The several variants of this logo are seen on various films produced during Shintoho's last years from late 1958 to October 1961. For example, the standard red variant precedes Kiyoshi Komori's ''The Greater East Asia War and International Trials'' (''Daitoa senso to kokusai saiban''), Yoshihiro Ishikawa's ''The Ghost Cat of Otama Pond'' (''Kaibyo Otama-ga-ike''), Yoshiki Onoda's ''Female Slave Ship'' (''Onna dorei-sen''), Teruo Ishii's ''Yellow Line'' (''Osen chitai''), and Nobuo Nakagawa's ''Hell'' (''Jigoku''). The monochrome variant of the same logo can be seen on Nobuo Nakagawa's ''The Mansion of the Ghost Cat'' (''Borei kaibyo yashiki''), ''The Woman Vampire'' (''Onna kyuketsuki'') and ''Death Row Woman'' (''Onna shikeishu no datsugoku''), Teruo Ishii's ''Black Line'' (''Kurosen chitai'') and Goro Kadono's ''Ghost of the Girl Diver'' (''Kaidan ama yurei'') and ''Decisive Battle at Kuroda Castle'' (''Gozonji Kuroda-bushi: kessen Kuroda-jo''). It can also be seen on the trailer for Morihei Magatani's ''Blood Sword of the 99th Virgin''; the film itself uses the next logo. | ||
Line 201: | Line 201: | ||
'''Availability:''' This logo is seen on various films produced during Shintoho's final period, between September 1959 and October 1961. It is also seen on films distributed by Shintoho. For example, the monochrome variant can be seen on Morihei Magatani's ''Blood Sword of the 99th Virgin'' (''Kyujukyu-honme no kimusume''), Teruo Ishii's ''Sexy Line'' (''Sekushii chitai''), Hiromichi Takebe's ''Fire Line'' (''Kasen chitai'') and Susumu Hani's ''Bad Boys'' (''Furyo shonen''). | '''Availability:''' This logo is seen on various films produced during Shintoho's final period, between September 1959 and October 1961. It is also seen on films distributed by Shintoho. For example, the monochrome variant can be seen on Morihei Magatani's ''Blood Sword of the 99th Virgin'' (''Kyujukyu-honme no kimusume''), Teruo Ishii's ''Sexy Line'' (''Sekushii chitai''), Hiromichi Takebe's ''Fire Line'' (''Kasen chitai'') and Susumu Hani's ''Bad Boys'' (''Furyo shonen''). | ||
[[Category:Film logos]] | [[Category:Film logos]] | ||
[[Category:Japanese logos]] | [[Category:Japanese logos]] | ||
[[Category:Japanese film logos]] | [[Category:Japanese film logos]] |