Shintoho: Difference between revisions
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Text replacement - "FX/SFX:" to "Technique:"
imported>SuperMax124 m (Text replacement - "Category:Japanese logos" to "Category:Japan") |
imported>SuperMax124 m (Text replacement - "FX/SFX:" to "Technique:") |
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'''Variant:''' A variant exists where the projected words and their background remain still and do not change in any way. | '''Variant:''' A variant exists where the projected words and their background remain still and do not change in any way. | ||
''' | '''Technique:''' The scene fades in and out of view, the projected words change color, and their foggy backdrop expands. | ||
'''Music/Sounds:''' None. | '''Music/Sounds:''' None. | ||
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* A colorized version also appeared in 1956; the shot is zoomed out and the entire scene is in color. The sky is colored orange, and the flowers are red and white roses. | * A colorized version also appeared in 1956; the shot is zoomed out and the entire scene is in color. The sky is colored orange, and the flowers are red and white roses. | ||
''' | '''Technique:''' The scene fades in and out of view. | ||
'''Music/Sounds:''' The bell ringing. The tone of the bell also changed as well. | '''Music/Sounds:''' The bell ringing. The tone of the bell also changed as well. | ||
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'''Variant:''' A colorized variant was used in Academy ratio color films. The Shintoho logo is seen colored orange on a light brown background, set in a shiny metal or plastic. | '''Variant:''' A colorized variant was used in Academy ratio color films. The Shintoho logo is seen colored orange on a light brown background, set in a shiny metal or plastic. | ||
''' | '''Technique:''' Light effects. The colorized variant is still. | ||
'''Music/Sounds:''' None, the opening theme of the film, or the bell sound heard in the previous logos. | '''Music/Sounds:''' None, the opening theme of the film, or the bell sound heard in the previous logos. | ||
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'''Variant:''' Sometimes, the second part advertising the technical features of the film is not shown. | '''Variant:''' Sometimes, the second part advertising the technical features of the film is not shown. | ||
''' | '''Technique:''' The scene fades in and out of view. | ||
'''Music/Sounds:''' None, or the opening theme of the film. | '''Music/Sounds:''' None, or the opening theme of the film. | ||
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'''Variant:''' A variant where the entire shot is more zoomed-in exists. In it, the Japanese name of the company casts a longer shadow and the area covered by the lights behind the sun symbol is wider. | '''Variant:''' A variant where the entire shot is more zoomed-in exists. In it, the Japanese name of the company casts a longer shadow and the area covered by the lights behind the sun symbol is wider. | ||
''' | '''Technique:''' Two large sets of pinpricks of light rotate in opposite directions in a small area behind the sun symbol. | ||
'''Music/Sounds:''' None, or the bell sound heard from the 1947-1956 logos (at least on the zoomed-in variant). | '''Music/Sounds:''' None, or the bell sound heard from the 1947-1956 logos (at least on the zoomed-in variant). | ||
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* A variant that is completely still exists, featuring a gray background. Usually used in trailers. | * A variant that is completely still exists, featuring a gray background. Usually used in trailers. | ||
''' | '''Technique:''' Two large sets of pinpricks of light rotate in opposite directions in a small area behind the sun symbol. | ||
'''Music/Sounds:''' None or opening theme to the movie. | '''Music/Sounds:''' None or opening theme to the movie. | ||
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'''Variants:''' Two black and white variants are known to exist, shot from slightly different angles with slight variants in the strength of the illumination. | '''Variants:''' Two black and white variants are known to exist, shot from slightly different angles with slight variants in the strength of the illumination. | ||
''' | '''Technique:''' None. | ||
'''Music/Sounds:''' None or the opening theme of the film. The trailer for Teruo Ishii's ''Sexy Line'' uses the ringing bell of the older logos, yet the film itself uses a short musical piece linked to the opening theme. | '''Music/Sounds:''' None or the opening theme of the film. The trailer for Teruo Ishii's ''Sexy Line'' uses the ringing bell of the older logos, yet the film itself uses a short musical piece linked to the opening theme. | ||