Shintoho: Difference between revisions

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|Shintoho (1947) .png|1st Logo (1947)
|Shintoho (1947) .png|1st Logo (1947)
|Shintoho.jpeg|2nd Logo (1947-1956)
|Shintoho.jpeg|2nd Logo (1947-1956)
|Shintoho 1955.png|3rd Logo (June 28, 1955-1958)
|Shintoho 1955.png|3rd Logo (June 28, 1955-February 25, 1958)
|Shintoho CInescope 1957 A.png|4th Logo (April 29, 1957-1958)
|Shintoho CInescope 1957 A.png|4th Logo (April 29, 1957-1958)
|Shintoho 1957 a.jpeg|5th Logo (July 10, 1957-1960?)
|Shintoho 1957 a.jpeg|5th Logo (July 10, 1957-1960?)
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'''Availability:''' Somewhat common, but Shintoho-produced films from this period that were distributed by Toho often only carried a Toho logo. Examples of films with this logo include Hiroshi Shimizu's ''A Mother's Love'' (''Bojo''), Kenji Mizoguchi's ''Portrait of Madame Yuki'' (''Yuki fujin ezu''), Mikio Naruse's ''Ginza Cosmetics'' (''Ginza kesho''), Kunio Watanabe's ''Geisha Waltz'' (''Geisha warutsu''), Yutaka Abe's ''Battleship Yamato'' (''Senkan Yamato''), Heinosuke Gosho's ''Where Chimneys are Seen'' (''Entotsu no mieru basho'') and Shue Matsubayashi's ''Human Torpedo Kaiten'' (''Ningen gyorai Kaiten''). The anniversary variant is presumably seen on some 1954 films.
'''Availability:''' Somewhat common, but Shintoho-produced films from this period that were distributed by Toho often only carried a Toho logo. Examples of films with this logo include Hiroshi Shimizu's ''A Mother's Love'' (''Bojo''), Kenji Mizoguchi's ''Portrait of Madame Yuki'' (''Yuki fujin ezu''), Mikio Naruse's ''Ginza Cosmetics'' (''Ginza kesho''), Kunio Watanabe's ''Geisha Waltz'' (''Geisha warutsu''), Yutaka Abe's ''Battleship Yamato'' (''Senkan Yamato''), Heinosuke Gosho's ''Where Chimneys are Seen'' (''Entotsu no mieru basho'') and Shue Matsubayashi's ''Human Torpedo Kaiten'' (''Ningen gyorai Kaiten''). The anniversary variant is presumably seen on some 1954 films.


 
=== 3rd Logo (June 28, 1955-February 25, 1958) ===
 
=== 3rd Logo (June 28, 1955-1958) ===
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