Shintoho: Difference between revisions

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Shintoho (view source)

Revision as of 17:00, 7 October 2023

49 bytes removed ,  7 October 2023
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Text replacement - "Music/Sounds" to "Audio"
m (Text replacement - "VortexArto" to "Logoarto")
imported>Camenati
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'''Technique:''' Live action.
'''Technique:''' Live action.


'''Music/Sounds:''' None.
'''Audio:''' None.


'''Availability:''' Seen on some films produced by Shintoho in 1947.
'''Availability:''' Seen on some films produced by Shintoho in 1947.
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'''Technique:''' Fading effects.
'''Technique:''' Fading effects.


'''Music/Sounds:''' The bell ringing. The tone of the bell also changed as well.
'''Audio:''' The bell ringing. The tone of the bell also changed as well.


'''Availability:''' Somewhat common, but Shintoho-produced films from this period that were distributed by Toho often only carried a Toho logo. Examples of films with this logo include Hiroshi Shimizu's ''A Mother's Love'' (''Bojo''), Kenji Mizoguchi's ''Portrait of Madame Yuki'' (''Yuki fujin ezu''), Mikio Naruse's ''Ginza Cosmetics'' (''Ginza kesho''), Kunio Watanabe's ''Geisha Waltz'' (''Geisha warutsu''), Yutaka Abe's ''Battleship Yamato'' (''Senkan Yamato''), Heinosuke Gosho's ''Where Chimneys are Seen'' (''Entotsu no mieru basho'') and Shue Matsubayashi's ''Human Torpedo Kaiten'' (''Ningen gyorai Kaiten''). The anniversary variant is presumably seen on some 1954 films.
'''Availability:''' Somewhat common, but Shintoho-produced films from this period that were distributed by Toho often only carried a Toho logo. Examples of films with this logo include Hiroshi Shimizu's ''A Mother's Love'' (''Bojo''), Kenji Mizoguchi's ''Portrait of Madame Yuki'' (''Yuki fujin ezu''), Mikio Naruse's ''Ginza Cosmetics'' (''Ginza kesho''), Kunio Watanabe's ''Geisha Waltz'' (''Geisha warutsu''), Yutaka Abe's ''Battleship Yamato'' (''Senkan Yamato''), Heinosuke Gosho's ''Where Chimneys are Seen'' (''Entotsu no mieru basho'') and Shue Matsubayashi's ''Human Torpedo Kaiten'' (''Ningen gyorai Kaiten''). The anniversary variant is presumably seen on some 1954 films.
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'''Technique:''' Light effects. The colorized variant is still.
'''Technique:''' Light effects. The colorized variant is still.


'''Music/Sounds:''' None, the opening theme of the film, or the bell sound heard in the previous logos.
'''Audio:''' None, the opening theme of the film, or the bell sound heard in the previous logos.


'''Availability:''' Somewhat common; seen on some black and white films produced by Shintoho between 1955 and 1958. Examples include Hiroshi Shimizu's ''The Shiinomi School'' (''Shiinomi gakuen''), Masaki Mori's ''Ghost Story of Yotsuya'' (''Yotsuya kaidan''), Toshio Shimura's ''Admiral Yamamoto and the Allied Fleets'' (''Gunshin Yamamoto gensui to rengo kantai'') Kyotaro Namiki's ''The Military Policeman and the Dismembered Beauty'' (''Kenpei to barabara shibijin''), Tatsuo Yamada's ''Traitors of the Blue Castle'' (''Ayaushi! Date rokujuniman-goku'') and Nobuo Nakagawa's ''A Wicked Woman'' (''Dokufu Takahashi Oden'').
'''Availability:''' Somewhat common; seen on some black and white films produced by Shintoho between 1955 and 1958. Examples include Hiroshi Shimizu's ''The Shiinomi School'' (''Shiinomi gakuen''), Masaki Mori's ''Ghost Story of Yotsuya'' (''Yotsuya kaidan''), Toshio Shimura's ''Admiral Yamamoto and the Allied Fleets'' (''Gunshin Yamamoto gensui to rengo kantai'') Kyotaro Namiki's ''The Military Policeman and the Dismembered Beauty'' (''Kenpei to barabara shibijin''), Tatsuo Yamada's ''Traitors of the Blue Castle'' (''Ayaushi! Date rokujuniman-goku'') and Nobuo Nakagawa's ''A Wicked Woman'' (''Dokufu Takahashi Oden'').
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'''Technique:''' Fading effects.
'''Technique:''' Fading effects.


'''Music/Sounds:''' None, or the opening theme of the film.
'''Audio:''' None, or the opening theme of the film.


'''Availability:''' Seen on widescreen color films produced by Shintoho in 1957 and 1958. An example is Kunio Watanabe's ''The Emperor Meiji and the Great Russo-Japanese War'' (''Meiji-tenno to nichiro daisenso'').
'''Availability:''' Seen on widescreen color films produced by Shintoho in 1957 and 1958. An example is Kunio Watanabe's ''The Emperor Meiji and the Great Russo-Japanese War'' (''Meiji-tenno to nichiro daisenso'').
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'''Technique:''' Practical effects.
'''Technique:''' Practical effects.


'''Music/Sounds:''' None, or the bell sound heard from the 1947-1956 logos (at least on the zoomed-in variant).
'''Audio:''' None, or the bell sound heard from the 1947-1956 logos (at least on the zoomed-in variant).


'''Availability:''' Presumably seen on Academy ratio B&W films produced between 1957 and 1960; examples include Nobuo Nakagawa's ''The Ghosts of Kasane Swamp'' (''Kaidan Kasane-ga-fuchi'') and Goro Kadono's ''The Mother Tree'' (''Kaidan chibusa enoki''). The current DVD issue of the 1949 film ''Kazuo Hasegawa's Zenigata Heiji Detective Story: Heiji Covers All of Edo'' (''Hasegawa Kazuo no Zenigata Heiji torimonohikae: Heiji happyakuyacho'') also has this logo at the beginning, presumably being sourced from a theatrical re-release.
'''Availability:''' Presumably seen on Academy ratio B&W films produced between 1957 and 1960; examples include Nobuo Nakagawa's ''The Ghosts of Kasane Swamp'' (''Kaidan Kasane-ga-fuchi'') and Goro Kadono's ''The Mother Tree'' (''Kaidan chibusa enoki''). The current DVD issue of the 1949 film ''Kazuo Hasegawa's Zenigata Heiji Detective Story: Heiji Covers All of Edo'' (''Hasegawa Kazuo no Zenigata Heiji torimonohikae: Heiji happyakuyacho'') also has this logo at the beginning, presumably being sourced from a theatrical re-release.
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'''Technique:''' Practical effects.
'''Technique:''' Practical effects.


'''Music/Sounds:''' None or opening theme to the movie.
'''Audio:''' None or opening theme to the movie.


'''Availability:''' The several variants of this logo are seen on various films produced during Shintoho's last years from late 1958 to October 1961. For example, the standard red variant precedes Kiyoshi Komori's ''The Greater East Asia War and International Trials'' (''Daitoa senso to kokusai saiban''), Yoshihiro Ishikawa's ''The Ghost Cat of Otama Pond'' (''Kaibyo Otama-ga-ike''), Yoshiki Onoda's ''Female Slave Ship'' (''Onna dorei-sen''), Teruo Ishii's ''Yellow Line'' (''Osen chitai''), and Nobuo Nakagawa's ''Hell'' (''Jigoku''). The monochrome variant of the same logo can be seen on Nobuo Nakagawa's ''The Mansion of the Ghost Cat'' (''Borei kaibyo yashiki''), ''The Woman Vampire'' (''Onna kyuketsuki'') and ''Death Row Woman'' (''Onna shikeishu no datsugoku''), Teruo Ishii's ''Black Line'' (''Kurosen chitai'') and Goro Kadono's ''Ghost of the Girl Diver'' (''Kaidan ama yurei'') and ''Decisive Battle at Kuroda Castle'' (''Gozonji Kuroda-bushi: kessen Kuroda-jo''). It can also be seen on the trailer for Morihei Magatani's ''Blood Sword of the 99th Virgin''; the film itself uses the next logo.
'''Availability:''' The several variants of this logo are seen on various films produced during Shintoho's last years from late 1958 to October 1961. For example, the standard red variant precedes Kiyoshi Komori's ''The Greater East Asia War and International Trials'' (''Daitoa senso to kokusai saiban''), Yoshihiro Ishikawa's ''The Ghost Cat of Otama Pond'' (''Kaibyo Otama-ga-ike''), Yoshiki Onoda's ''Female Slave Ship'' (''Onna dorei-sen''), Teruo Ishii's ''Yellow Line'' (''Osen chitai''), and Nobuo Nakagawa's ''Hell'' (''Jigoku''). The monochrome variant of the same logo can be seen on Nobuo Nakagawa's ''The Mansion of the Ghost Cat'' (''Borei kaibyo yashiki''), ''The Woman Vampire'' (''Onna kyuketsuki'') and ''Death Row Woman'' (''Onna shikeishu no datsugoku''), Teruo Ishii's ''Black Line'' (''Kurosen chitai'') and Goro Kadono's ''Ghost of the Girl Diver'' (''Kaidan ama yurei'') and ''Decisive Battle at Kuroda Castle'' (''Gozonji Kuroda-bushi: kessen Kuroda-jo''). It can also be seen on the trailer for Morihei Magatani's ''Blood Sword of the 99th Virgin''; the film itself uses the next logo.
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'''Technique:''' None.
'''Technique:''' None.


'''Music/Sounds:''' None or the opening theme of the film. The trailer for Teruo Ishii's ''Sexy Line'' uses the ringing bell of the older logos, yet the film itself uses a short musical piece linked to the opening theme.
'''Audio:''' None or the opening theme of the film. The trailer for Teruo Ishii's ''Sexy Line'' uses the ringing bell of the older logos, yet the film itself uses a short musical piece linked to the opening theme.


'''Availability:''' This logo is seen on various films produced during Shintoho's final period, between September 1959 and October 1961. It is also seen on films distributed by Shintoho. For example, the monochrome variant can be seen on Morihei Magatani's ''Blood Sword of the 99th Virgin'' (''Kyujukyu-honme no kimusume''), Teruo Ishii's ''Sexy Line'' (''Sekushii chitai''), Hiromichi Takebe's ''Fire Line'' (''Kasen chitai'') and Susumu Hani's ''Bad Boys'' (''Furyo shonen'').
'''Availability:''' This logo is seen on various films produced during Shintoho's final period, between September 1959 and October 1961. It is also seen on films distributed by Shintoho. For example, the monochrome variant can be seen on Morihei Magatani's ''Blood Sword of the 99th Virgin'' (''Kyujukyu-honme no kimusume''), Teruo Ishii's ''Sexy Line'' (''Sekushii chitai''), Hiromichi Takebe's ''Fire Line'' (''Kasen chitai'') and Susumu Hani's ''Bad Boys'' (''Furyo shonen'').
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