Draft:AMC Theatres: Difference between revisions
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'''Previews Variant''': The camera pans down from a starry night sky to reveal the three people from before entering the theatre with "AMC" on top of the marquee, letters spaced out and "Coming soon" written on the marquee. The logo fades out. | '''Previews Variant''': The camera pans down from a starry night sky to reveal the three people from before entering the theatre with "AMC" on top of the marquee, letters spaced out and "Coming soon" written on the marquee. The logo fades out. | ||
'''Technique:''' CGI made using Autodesk Maya mixed with live action. The CGI was provided by [[Reel FX Animation Studios]]' advertising studio Radium (which has since renamed to match the rest of the studio. The mechanics of the moving seats, which were real, were done by Reel EFX (a separate, coincidentally named company). | '''Technique:''' CGI made using Autodesk Maya mixed with live action. The CGI was provided by [[Reel FX Animation Studios]]' advertising studio Radium (which has since been renamed to match the rest of the studio). The mechanics of the moving seats, which were real, were done by Reel EFX (a separate, coincidentally named company). | ||
'''Music/Sounds:''' A dreamy chime theme is heard at the beginning, which then rouses into a held wind sound. This is followed by a majestic-sounding fanfare with the sound of whooshes and the roots growing and creaking noises. Sounds of nature then accompany the fanfare along with sparkling. When the AMC logo is shown, the fanfare settles into a dramatic-sounding finish. Frank Salazar was director of the audio, with Frank Pittenger and TJ Callaway also working on it. | '''Music/Sounds:''' A dreamy chime theme is heard at the beginning, which then rouses into a held wind sound. This is followed by a majestic-sounding fanfare with the sound of whooshes and the roots growing and creaking noises. Sounds of nature then accompany the fanfare along with sparkling. When the AMC logo is shown, the fanfare settles into a dramatic-sounding finish. Frank Salazar was director of the audio, with Frank Pittenger and TJ Callaway also working on it. | ||