Columbia Pictures: Difference between revisions
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→4th Logo (June 23, 1976-February 11, 1982)
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'''Technique:''' Motion-controlled cel animation, with the Torch Lady and cloud backdrop being a matte painting. | '''Technique:''' Motion-controlled cel animation, with the Torch Lady and cloud backdrop being a matte painting. | ||
'''Audio:''' It begins with a dramatic theme that builds up as the camera zooms in on the torch, and with the flash/sunburst, it takes an inspirational, majestic tone. This theme was composed by Suzanne Ciani. Of course, like many other movie logos, this could also be silent or have the opening theme of the movie over it, but usually not. | '''Audio:''' It begins with a dramatic theme that builds up as the camera zooms in on the torch, and with the flash/sunburst, it takes an inspirational, majestic tone. This theme was composed by Suzanne Ciani. Of course, like many other movie logos, this could also be silent or have the opening theme of the movie over it, but usually not. A lot of the later movies that had this logo, particularly those from 1980-81 would often have the logo play in silence instead. | ||
'''Audio Trivia:''' The main instruments appearing on the soundtrack were a small horn section, Suzanne Ciani's Buchla modular (for the "popping" effects) and an ARP string synth (the same model Gary Wright used for his song "Dream Weaver" around the same time). | '''Audio Trivia:''' The main instruments appearing on the soundtrack were a small horn section, Suzanne Ciani's Buchla modular (for the "popping" effects) and an ARP string synth (the same model Gary Wright used for his song "Dream Weaver" around the same time). | ||