TriStar Pictures: Difference between revisions
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imported>NETBLOXIA (→1st Logo (April 6, 1984-May 20, 1993): I think Freeform is pretty notable here) |
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*The footage of the white stallion was shot in a hangar at the Santa Monica Airport. The wings were done by combining real feathers and digitized computing and were merged with the white stallion's image via computer morphing. The footage of the cloud background was shot from the Haleakala Crater on Maui. | *The footage of the white stallion was shot in a hangar at the Santa Monica Airport. The wings were done by combining real feathers and digitized computing and were merged with the white stallion's image via computer morphing. The footage of the cloud background was shot from the Haleakala Crater on Maui. | ||
*This logo was apparently animated in 2.20:1, as even open matte presentations have this logo cropped on both sides. | *This logo was apparently animated in 2.20:1, as even open matte presentations have this logo cropped on both sides. | ||
*The logo bears an intentional resemblance to the Columbia logo introduced around the same period. This is done to reinforce the connection between Columbia and TriStar. | |||
'''Bylines:''' | '''Bylines:''' | ||
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'''FX/SFX:''' The light beam forming the Pegasus, the unfolding wings, the fog flowing, the text fading in and shining. A very professionally done combination of live-action film (the Pegasus, the cloud background, both filmed separately) and computer animation (the light beam, the wings, the text, the fog), done by Intralink Film Graphic Design. | '''FX/SFX:''' The light beam forming the Pegasus, the unfolding wings, the fog flowing, the text fading in and shining. A very professionally done combination of live-action film (the Pegasus, the cloud background, both filmed separately) and computer animation (the light beam, the wings, the text, the fog), done by Intralink Film Graphic Design. | ||
'''Music/Sounds:''' | '''Music/Sounds:''' A majestic reorchestration of the last logo's fanfare, this time composed by Bill Johnson. It starts with an ascending and descending back-and-forth piano glissando, followed by a three-note descending xylophone tune, on the last note, the French horns playing the same six opening notes from the last logo begins. Between the third and fourth notes, there is a delay filled with a four-note tuba tune. The music rises in intensity as we hear more and more instruments come in (including brass instruments and drums), ending in a very majestic fanfare. | ||
'''Music/Sounds Variants:''' | '''Music/Sounds Variants:''' | ||