TriStar Pictures: Difference between revisions
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* Sometimes, on TV airings, the closing logo may be kept with the [[Sony Pictures Television]] (formerly the [[Columbia TriStar Television|Columbia TriStar Television Distribution]] logo) following afterwards or may be skipped ahead with the SPT/CTTD logo. | * Sometimes, on TV airings, the closing logo may be kept with the [[Sony Pictures Television]] (formerly the [[Columbia TriStar Television|Columbia TriStar Television Distribution]] logo) following afterwards or may be skipped ahead with the SPT/CTTD logo. | ||
'''FX/SFX:''' | '''FX/SFX:''' A great mix of live-action and early CGI, done by R/Greenberg Associates. | ||
'''Music/Sounds:''' An orchestrated piece done by Dave Grusin. As the horse gallops into view, three low French horn notes play and they repeat. When the Pegasus flies over the "T", more enlightening trumpets play and are combined with the trombone. For the logo formation, a loud brass fanfare is played. | '''Music/Sounds:''' An orchestrated piece done by Dave Grusin. As the horse gallops into view, three low French horn notes play and they repeat. When the Pegasus flies over the "T", more enlightening trumpets play and are combined with the trombone. For the logo formation, a loud brass fanfare is played. | ||
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*After the end credits of ''The Lost Skeleton of Cadavra'', the opening logo is static, and in black-and-white. | *After the end credits of ''The Lost Skeleton of Cadavra'', the opening logo is static, and in black-and-white. | ||
'''FX/SFX:''' | '''FX/SFX:''' A very professionally done combination of live-action film (the Pegasus, the cloud background, both filmed separately) and computer animation (the light beam, the wings, the text, the fog), done by Intralink Film Graphic Design. | ||
'''Music/Sounds:''' A majestic reorchestration of the last logo's fanfare, this time composed by Bill Johnson. It starts with an ascending and descending back-and-forth piano glissando, followed by a two-note descending xylophone tune, on the last note, the same six opening notes from the last logo begin. Between the third and fourth notes, there is a delay filled with a four-note tuba tune. The music rises in intensity as we hear more and more instruments come in (including brass instruments and drums), ending in a very majestic fanfare. | '''Music/Sounds:''' A majestic reorchestration of the last logo's fanfare, this time composed by Bill Johnson. It starts with an ascending and descending back-and-forth piano glissando, followed by a two-note descending xylophone tune, on the last note, the same six opening notes from the last logo begin. Between the third and fourth notes, there is a delay filled with a four-note tuba tune. The music rises in intensity as we hear more and more instruments come in (including brass instruments and drums), ending in a very majestic fanfare. | ||
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'''Closing Variant:''' Beginning with ''T2 Trainspotting'' in 2017, a revised version of the 1993 early closing variant is used. Here, the text is now in the same font as the opening logo and is larger. | '''Closing Variant:''' Beginning with ''T2 Trainspotting'' in 2017, a revised version of the 1993 early closing variant is used. Here, the text is now in the same font as the opening logo and is larger. | ||
'''FX/SFX:''' | '''FX/SFX:''' It's all very nice CGI, done by JAMM Visual of Santa Monica, California. | ||
'''Music/Sounds:''' The 1998 rearranged fanfare from the previous logo or the opening theme of the movie. | '''Music/Sounds:''' The 1998 rearranged fanfare from the previous logo or the opening theme of the movie. | ||