TriStar Pictures: Difference between revisions
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'''Bylines:''' | '''Bylines:''' | ||
*June 25, 1993-March 12, 1999: (Bylineless) | *June 25, 1993-March 12, 1999: (Bylineless) | ||
*December 15, 1995-February 21, 2014: "'''a SONY PICTURES ENTERTAINMENT company'''" | *December 15, 1995-February 21, 2014: "'''a SONY PICTURES ENTERTAINMENT company'''" | ||
**On ''Jumanji'' (the byline's debut), the byline is blue in its first appearance. | |||
**Starting with ''Mary Reilly'', released on February 23, 1996, the byline is bright yellow or white. However, some post-1995 films continued to use the bylineless version until 1999. | |||
**Starting with ''Sparkle'' on August 17, 2012, the byline appears smaller and a bit darker, but slightly off-centered like in the 1996 Columbia logo. This byline was last used on ''Pompeii''; however, ''Moms' Night Out'' and ''When the Game Stands Tall'' still used this byline in tandem with the one below until August 2015. | |||
*April 16, 2014-September 12, 2015: "'''a Sony Company'''" (seen on ''Heaven is for Real'', ''Ricki and the Flash'', ''War Room'' (the logo's final domestic appearance), and the UK theatrical version of ''The Lady in the Van'', the last film overall to use this logo). In this version, the Sony logo transitions to this logo. | *April 16, 2014-September 12, 2015: "'''a Sony Company'''" (seen on ''Heaven is for Real'', ''Ricki and the Flash'', ''War Room'' (the logo's final domestic appearance), and the UK theatrical version of ''The Lady in the Van'', the last film overall to use this logo). In this version, the Sony logo transitions to this logo. | ||
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'''Technique:''' A combination of live-action footage (the Pegasus and cloud background, both filmed separately) and CGI (the light beam, wings, text, and fog), directed by John Callas for Intralink Film Graphic Design. The footage of the white stallion was shot in a hangar at the Santa Monica Airport. The wings were created by combining real feathers with the white stallion's image via computer morphing. The cloud background was a large model shot in a studio. Behind-the-scenes stills of this logo (including alternate lighting of the cloud background and close-ups of the horse) can be seen on Callas's Facebook account. | '''Technique:''' A combination of live-action footage (the Pegasus and cloud background, both filmed separately) and CGI (the light beam, wings, text, and fog), directed by John Callas for Intralink Film Graphic Design. The footage of the white stallion was shot in a hangar at the Santa Monica Airport. The wings were created by combining real feathers with the white stallion's image via computer morphing. The cloud background was a large model shot in a studio. Behind-the-scenes stills of this logo (including alternate lighting of the cloud background and close-ups of the horse) can be seen on Callas's Facebook account. | ||
'''Audio:''' A majestic arrangement of the | '''Audio:''' A majestic arrangement of the previous logo's fanfare. It starts with an arpeggiating piano glissando, followed by a three-note descending piano and xylophone tune; on the last note, the same six opening notes from the previous logo are heard, with the delay between the third and four notes filled with a four-note tuba tune. The music rises in intensity as more instruments come in (including brass instruments and drums), ending in a majestic fanfare. Composed by Bill Johnson. | ||
'''Audio Variants:''' | '''Audio Variants:''' | ||