Paramount Pictures: Difference between revisions
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'''Technique:''' The mountain segment is a painting, with the cloud backdrop being moved behind the mountain via motion-control. Fading effects are used for the stars, text and the transition to the print logo, all of which are done on cels. | '''Technique:''' The mountain segment is a painting, with the cloud backdrop being moved behind the mountain via motion-control. Fading effects are used for the stars, text and the transition to the print logo, all of which are done on cels. | ||
'''Audio:''' None. | '''Audio:''' None or the film's <u>opening/closing theme</u>. | ||
'''Audio Variants:''' | '''Audio Variants:''' | ||
* <u>1976-1985:</u> In some cases, a new orchestral fanfare ending with an electric guitar chord was used for the "Coming From" variant on trailers for films like ''Islands in the Stream'', ''Saturday Night Fever'', ''Foul Play'', and ''Airplane!''. A few films such as ''Starting Over'' also had this fanfare at the beginning. This theme was composed by Lalo Schifrin. | * <u>1976-1985:</u> In some cases, a new orchestral fanfare ending with an electric guitar chord was used for the "Coming From" variant on trailers for films like ''Islands in the Stream'', ''Saturday Night Fever'', ''Foul Play'', and ''Airplane!''. A few films such as ''Starting Over'' also had this fanfare at the beginning. This theme was composed by Lalo Schifrin. | ||
* On <u>''Won Ton Ton, the Dog Who Saved Hollywood''</u>, an orchestral rendition of the ''Paramount on Parade'' theme, arranged by Neal Hefti, was used. | * On <u>''Won Ton Ton, the Dog Who Saved Hollywood''</u>, an orchestral rendition of the ''Paramount on Parade'' theme, arranged by Neal Hefti, was used. | ||