Universal Pictures: Difference between revisions
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'''Trivia:''' | '''Trivia:''' | ||
*This logo was animated and designed by Universal Title and Optical (commonly known as "Universal Title"), who was also responsible for the animation for the [[Universal Television (1963-1998)|Universal Television]] logos | *This logo was animated and designed by Universal Title and Optical (commonly known as "Universal Title"), who was also responsible for the animation for the [[Universal Television (1963-1998)|Universal Television]] logos and handled the titles and optical effects for all Universal films and television series until 1990. The globe was hand-painted on a rubber ball by Eyvind Earle, who did the space background and the Van Allen belts as well. | ||
*On international prints of ''The Wizard'', this logo didn’t get plastered over by the Carolco logo. Instead the logo would usually play as normal with the music and would then be followed by the film with the Universal logo blacked out. | *On international prints of ''The Wizard'', this logo didn’t get plastered over by the Carolco logo. Instead, the logo would usually play as normal with the music and would then be followed by the film with the Universal logo blacked out. | ||
*While a dedicated 3D variant exists (having been created for ''Jaws 3D'' and ''Metalstorm: The Destruction of Jared-Syn''), the Scope version of the standard logo was converted to 3D for the stereoscopic reissue of ''Jaws'' in 2022. | *While a dedicated 3D variant exists (having been created for ''Jaws 3D'' and ''Metalstorm: The Destruction of Jared-Syn''), the Scope version of the standard logo was converted to 3D for the stereoscopic reissue of ''Jaws'' in 2022. | ||
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* 1971-1990: The byline "'''{{color|gold|AN MCA COMPANY}}'''", in a {{color|gold|yellow}} Eurostile Bold font, appearing below the "UNIVERSAL" text. The Scope variant has it in a different font. | * 1971-1990: The byline "'''{{color|gold|AN MCA COMPANY}}'''", in a {{color|gold|yellow}} Eurostile Bold font, appearing below the "UNIVERSAL" text. The Scope variant has it in a different font. | ||
*"Scope": Shown in a wide ratio of 2.20:1 or 2.35:1 widescreen, the globe appears to zoom in rather slowly, and the "UNIVERSAL" text is blurred when it fades in, becoming clearer as it zooms out. The logo is much wider than usual, to accommodate the extra space. This is seen on films shot in this format such as ''High Plains Drifter'', ''The Sugarland Express'', ''Jaws'', ''The Car'', ''Halloween II'' and ''III'', John Carpenter's ''The Thing'', ''Scarface'' (1983), ''Firestarter'' (1984), ''The Dark Crystal'', ''The Last Starfighter'', ''Dune'' (1984), ''Legend'', ''Prince of Darkness'', ''They Live'' and ''Born on the Fourth of July''. It also had a bylineless variant of its own, which can be found on ''Tell Them Willie Boy Is Here'' (1969) and ''The Day of the Jackal'' (1973). A sepia-tone variant can be found on ''The Deer Hunter''. | *"Scope": Shown in a wide ratio of 2.20:1 or 2.35:1 widescreen, the globe appears to zoom in rather slowly, and the "UNIVERSAL" text is blurred when it fades in, becoming clearer as it zooms out. The logo is much wider than usual, to accommodate the extra space. This is seen on films shot in this format such as ''High Plains Drifter'', ''The Sugarland Express'', ''Jaws'', ''The Car'', ''Halloween II'' and ''III'', John Carpenter's ''The Thing'', ''Scarface'' (1983), ''Firestarter'' (1984), ''The Dark Crystal'', ''The Last Starfighter'', ''Dune'' (1984), ''Legend'', ''Prince of Darkness'', ''They Live'' and ''Born on the Fourth of July''. It also had a bylineless variant of its own, which can be found on ''Tell Them Willie Boy Is Here'' (1969) and ''The Day of the Jackal'' (1973). A sepia-tone variant can be found on ''The Deer Hunter''. | ||
* "Flat": Presented in 1.14:1 for 35mm open matte film scan prints, 1.37:1 academy or 1.85:1 "matted" widescreen, the logo appears to move somewhat faster than the widescreen version. The "UNIVERSAL" text is not blurred | * "Flat": Presented in 1.14:1 for 35mm open matte film scan prints, 1.37:1 academy or 1.85:1 "matted" widescreen, the logo appears to move somewhat faster than the widescreen version. The "UNIVERSAL" text is not blurred and simply fades in. Seen on films such as ''Coogan's Bluff'', ''Duel'', ''Charley Varrick'', ''The Sentinel'', ''National Lampoon's Animal House'', ''The Jerk'', ''Little Miss Marker'' (1980), ''Coal Miner's Daughter'', ''Somewhere in Time'', ''An American Werewolf in London'', ''E.T. The Extra-Terrestrial'', ''Fast Times at Ridgemont High'', ''Cat People'' (1982), ''Videodrome'', ''Monty Python's The Meaning of Life'', ''Sixteen Candles'', ''The Breakfast Club'', ''Back to the Future I'' and ''II'', ''Weird Science'', ''Brazil'', ''Out of Africa'', ''An American Tail'' and ''The Land Before Time''. In an earlier variant, used in tandem with the normal version, "A UNIVERSAL PICTURE" starts blurred, but becomes clearer, along with the Edward Muhl byline. The globe zooms in faster in this variant, used on movies like ''Shenandoah'', ''Send Me No Flowers'', ''Charade'' and ''Father Goose''. A B&W version of this variant can also be seen on ''Kitten with a Whip'', which was featured on an episode of ''Mystery Science Theater 3000'' (with the logo intact). It was also the default pan-and-scan version of the logo and plastered the above variant on older VHS copies of most if not all, Universal films shot in scope (a notable exception being the original VHS of ''The Dark Crystal'', which was released by Thorn EMI Video). | ||
* Off-center: Only known to exist on old video prints of ''Charade'', the logo is slightly off-center, due to a sloppy job reformatting the aspect ratio of 1.85:1 into 4:3. Another off center version can be found on the MCA Discovision, MCA Videocassette Inc. and MCA Home Video releases of ''Jaws''. | * Off-center: Only known to exist on old video prints of ''Charade'', the logo is slightly off-center, due to a sloppy job reformatting the aspect ratio of 1.85:1 into 4:3. Another off-center version can be found on the MCA Discovision, MCA Videocassette Inc. and MCA Home Video releases of ''Jaws''. | ||
* In the early years of the "Flat" version of the logo, Universal had a small registered trademark symbol (®) below the "L" in "UNIVERSAL," which faded in alongside the zooming text. By 1975, Universal added a larger ® in the same position, but it fades in after the text zooms out. However, you can still see the smaller ® behind the bigger ®. | * In the early years of the "Flat" version of the logo, Universal had a small registered trademark symbol (®) below the "L" in "UNIVERSAL," which faded in alongside the zooming text. By 1975, Universal added a larger ® in the same position, but it fades in after the text zooms out. However, you can still see the smaller ® behind the bigger ®. | ||
* Like the last logo, a credit for then-Universal head Edward Muhl can be seen on the lower-left of the first movies to feature this logo. | * Like the last logo, a credit for then-Universal head Edward Muhl can be seen on the lower-left of the first movies to feature this logo. | ||
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'''Technique:''' Live-action for the globe, combined with 2D animation for the Van Allen belts, and fading effects for the text. This was very advanced for the 1960s, and its longevity is impressive, especially considering how computerized logos were making their debut during the 1980s. | '''Technique:''' Live-action for the globe, combined with 2D animation for the Van Allen belts, and fading effects for the text. This was very advanced for the 1960s, and its longevity is impressive, especially considering how computerized logos were making their debut during the 1980s. | ||
'''Music/Sounds:''' None or occasionally the opening theme of the movie. Such memorable instances include ''Father Goose'' (composed by Nelson Riddle), ''The Ghost and Mr. Chicken'', ''Scarface'' (1983), ''The Dark Crystal'', and ''The Night Walker'' (both composed by Vic Mizzy). The opening tag from the latter film was also heard in abridged form on ''The World of Abbott and Costello''. The 1972 feature length pilot of the TV series ''Emergency!'' used a dramatic, drum-driven fanfare based upon the series' theme. | '''Music/Sounds:''' None or occasionally the opening theme of the movie. Such memorable instances include ''Father Goose'' (composed by Nelson Riddle), ''The Ghost and Mr. Chicken'', ''Scarface'' (1983), ''The Dark Crystal'', and ''The Night Walker'' (both composed by Vic Mizzy). The opening tag from the latter film was also heard in abridged form on ''The World of Abbott and Costello''. The 1972 feature-length pilot of the TV series ''Emergency!'' used a dramatic, drum-driven fanfare based upon the series' theme. | ||
'''Music/Sounds Variants:''' | '''Music/Sounds Variants:''' | ||
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* The 1971 version of this logo was also retained on the 30th Anniversary theatrical re-release of ''Back to the Future'' and ''Back to the Future Part II'', respectively. | * The 1971 version of this logo was also retained on the 30th Anniversary theatrical re-release of ''Back to the Future'' and ''Back to the Future Part II'', respectively. | ||
* It is unknown if this appears on any prints of ''Watchers''. | * It is unknown if this appears on any prints of ''Watchers''. | ||
* It appeared on theatrical prints of [[Associated Film Distribution]] titles they purchased the rights to; however, most home video, TV and/or streaming prints edit the logo out (since Universal only had theatrical rights; [[ITC Entertainment Group|ITC Entertainment]] or other successor companies retained all other rights). | * It appeared on theatrical prints of [[Associated Film Distribution]] titles they purchased the rights to; however, most home video, TV, and/or streaming prints edit the logo out (since Universal only had theatrical rights; [[ITC Entertainment Group|ITC Entertainment]] or other successor companies retained all other rights). | ||
** ''On Golden Pond'', for instance, had this logo on theatrical prints, but most video prints have this logo omitted (it does appear on the 1987 Mexican VideoVisa VHS release, however). | ** ''On Golden Pond'', for instance, had this logo on theatrical prints, but most video prints have this logo omitted (it does appear on the 1987 Mexican VideoVisa VHS release, however). | ||
** Similarly, it was also seen on the theatrical release and an HBO airing of ''The Great Muppet Caper'', but all home video releases of the film delete the logo. | ** Similarly, it was also seen on the theatrical release and an HBO airing of ''The Great Muppet Caper'', but all home video releases of the film delete the logo. | ||
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'''Variants:''' | '''Variants:''' | ||
* For the logo's debut and its first official year (1990), the initial version of this logo is different from the one used | * For the logo's debut and its first official year (1990), the initial version of this logo is different from the one used afterward. It begins with clips of the 1927 and the 1936 Universal Pictures logos (see [[Universal Pictures (1923-1946)]]), ending with the previous logo as if it were a grand unveiling or passing of the torch. This is followed by the new logo animation, which, in the end, has the words "75th ANNIVERSARY" on top of it, with "75" in the middle of "ANNIVERSARY", which is in spaced-out letters like the MCA byline, and written out in script with "th" flashing in next to "75". | ||
* On some widescreen films such as ''Far and Away'', the logo is zoomed out further than normal. | * On some widescreen films such as ''Far and Away'', the logo is zoomed out further than normal. | ||
* On ''The Hard Way'', the 75th anniversary logo has the widescreen in its original aspect ratio of 2.35:1. | * On ''The Hard Way'', the 75th-anniversary logo has the widescreen in its original aspect ratio of 2.35:1. | ||
* A variant without any text besides the Universal lettering exists. | * A variant without any text besides the Universal lettering exists. | ||
'''Technique:''' Contrary to popular belief, this logo was not done in CGI, but was produced using models filmed with motion control. The globe and letters were shot at the Chandler Group, and the background was originally a painting by Eric Von Schmidt. The compositing and byline were done by Studio Productions (now Flip Your Lid Animation), who also created the logos for [[Paramount Pictures]] and [[20th Century Fox]] in 1986 and 1993, respectively. The whole thing was done in 70mm | '''Technique:''' Contrary to popular belief, this logo was not done in CGI, but was produced using models filmed with motion control. The globe and letters were shot at the Chandler Group, and the background was originally a painting by Eric Von Schmidt. The compositing and byline were done by Studio Productions (now Flip Your Lid Animation), who also created the logos for [[Paramount Pictures]] and [[20th Century Fox]] in 1986 and 1993, respectively. The whole thing was done in 70mm and is the first regular logo of any major studio created specifically for large format. | ||
'''Music/Sounds:''' A majestic orchestral fanfare composed and conducted by James Horner. | '''Music/Sounds:''' A majestic orchestral fanfare composed and conducted by James Horner. | ||
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* This precedes the 1987 [[New Line Cinema]] logo on current prints of ''Drop Dead Fred'' (a 1991 [[PolyGram Filmed Entertainment|PolyGram]]/[[Working Title Films|Working Title]] production which New Line distributed for the US; however, Universal holds international rights due to them controlling some of the pre-1996 PolyGram library). The UK 25th Anniversary Blu-ray from Final Cut Entertainment also retains this combo, as well as the Vinegar Syndrome Blu-ray from the US. | * This precedes the 1987 [[New Line Cinema]] logo on current prints of ''Drop Dead Fred'' (a 1991 [[PolyGram Filmed Entertainment|PolyGram]]/[[Working Title Films|Working Title]] production which New Line distributed for the US; however, Universal holds international rights due to them controlling some of the pre-1996 PolyGram library). The UK 25th Anniversary Blu-ray from Final Cut Entertainment also retains this combo, as well as the Vinegar Syndrome Blu-ray from the US. | ||
* It was found on some trailers for ''The Lost World: Jurassic Park'', ''Leave It to Beaver'', ''A Simple Wish'', and ''The Jackal'', all of which ended up using the next logo. | * It was found on some trailers for ''The Lost World: Jurassic Park'', ''Leave It to Beaver'', ''A Simple Wish'', and ''The Jackal'', all of which ended up using the next logo. | ||
* On the international release of ''Street Fighter'', the logo is plastered by the [[Columbia TriStar Film Distributors International]] logo | * On the international release of ''Street Fighter'', the logo is plastered by the [[Columbia TriStar Film Distributors International]] logo and the opening credits are edited to credit Columbia Pictures instead; however, the globe and sky still remain. | ||
* A portion of this logo appears about halfway through ''The King''. | * A portion of this logo appears about halfway through ''The King''. | ||
* It was seen on Comet's airing of the season 1 opening of ''Sliders''. | * It was seen on Comet's airing of the season 1 opening of ''Sliders''. | ||
* Strangely, the 1990 logo also makes a surprise appearance on ''Reach the Rock'' (1998), with the 1997 theme. | * Strangely, the 1990 logo also makes a surprise appearance on ''Reach the Rock'' (1998), with the 1997 theme. | ||
* It was seen on the international teaser trailer of ''Twister'', found on the Brazilian VHS of ''Diabolique'' and the Japanese Laserdisc of self-titled. | * It was seen on the international teaser trailer of ''Twister'', found on the Brazilian VHS of ''Diabolique'' and the Japanese Laserdisc of self-titled. | ||
* It was originally seen on some direct-to-video and television | * It was originally seen on some direct-to-video and television film releases; however, the next logo plasters it on streaming platforms. | ||
* The 1997 or 2012 logo precedes the 75th anniversary variant on newer prints of ''Career Opportunities'' (1991), meaning a total of five Universal logos are displayed before the movie begins. | * The 1997 or 2012 logo precedes the 75th-anniversary variant on newer prints of ''Career Opportunities'' (1991), meaning a total of five Universal logos are displayed before the movie begins. | ||
'''Legacy:''' This is yet another iconic logo, despite the 75th anniversary of the studio actually being in 1987 (however, this may likely refer to the anniversary of the Universal Studios Lot, which opened on March 15, 1915). | '''Legacy:''' This is yet another iconic logo, despite the 75th anniversary of the studio actually being in 1987 (however, this may likely refer to the anniversary of the Universal Studios Lot, which opened on March 15, 1915). | ||
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'''Logo:''' On a black background, an arc slowly appears and brightens. A series of lights begin appearing below the arc and we see that this is another globe, looking over Europe. We move down as the lights appear all over Europe, and then Africa (the Earth's continents now have a {{color|green}}, {{color|gold|yellow}}, and {{color|red}} color scheme). As we begin to zoom out, the word "UNIVERSAL", in the Universal Serif font (this time the text is still {{color|gold}}, but has the inner white part of the text rising out of a {{color|gold}} outline), rotates to the front of the globe as the lights emanating from the continents dim out. By this time, the globe is shining from the back. | '''Logo:''' On a black background, an arc slowly appears and brightens. A series of lights begin appearing below the arc and we see that this is another globe, looking over Europe. We move down as the lights appear all over Europe, and then Africa (the Earth's continents now have a {{color|green}}, {{color|gold|yellow}}, and {{color|red}} color scheme). As we begin to zoom out, the word "UNIVERSAL", in the Universal Serif font (this time the text is still {{color|gold}}, but has the inner white part of the text rising out of a {{color|gold}} outline), rotates to the front of the globe as the lights emanating from the continents dim out. By this time, the globe is shining from the back. | ||
'''Trivia:''' The logo was introduced to coincide with the rebranding of MCA, Inc. as Universal Studios, Inc. on December 9, 1996 - and in fact the logo technically debuted in print form on the same day.<!--However that is NOT enough to change the date of various pages since we don't cover print logos - for all intents and purposes this still debuted in 1997!--> | '''Trivia:''' The logo was introduced to coincide with the rebranding of MCA, Inc. as Universal Studios, Inc. on December 9, 1996 - and in fact, the logo technically debuted in print form on the same day.<!--However that is NOT enough to change the date of various pages since we don't cover print logos - for all intents and purposes this still debuted in 1997!--> | ||
'''Alternate Descriptive Video Descriptions:''' Now in a black sky a sliver of sunlight crests the Earth. Rays of light shoot off the continents and a three-dimensional word orbits the planet. Universal. A web address appears. www.universalstudios.com. | '''Alternate Descriptive Video Descriptions:''' Now in a black sky a sliver of sunlight crests the Earth. Rays of light shoot off the continents and a three-dimensional word orbits the planet. Universal. A web address appears. www.universalstudios.com. | ||
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* Sometimes, the logo appears closer at first, but then as the animation progresses, it zooms back. | * Sometimes, the logo appears closer at first, but then as the animation progresses, it zooms back. | ||
* The biggest variation came on November 21, 2001, when the studio celebrated the 20th anniversary of the most successful film of 1982, ''E.T. the Extra-Terrestrial''. The logo animates as normal until the very end, when the "UNIVERSAL" text fades out and the silhouette of E.T. and Elliott, on their bike, fly across the shining globe. Text appears on the bottom, "UNIVERSAL STUDIOS CELEBRATES E.T. THE 20TH ANNIVERSARY" with "E.T." in its original logo font. This was used on November 21, 2001 on ''Spy Game'', February 19, 2002 on the VHS of ''Balto II: Wolf Quest'', February 22, 2002 on ''Dragonfly'', and March 22, 2002 on the 20th Anniversary edition of ''E.T.'' | * The biggest variation came on November 21, 2001, when the studio celebrated the 20th anniversary of the most successful film of 1982, ''E.T. the Extra-Terrestrial''. The logo animates as normal until the very end, when the "UNIVERSAL" text fades out and the silhouette of E.T. and Elliott, on their bike, fly across the shining globe. Text appears on the bottom, "UNIVERSAL STUDIOS CELEBRATES E.T. THE 20TH ANNIVERSARY" with "E.T." in its original logo font. This was used on November 21, 2001 on ''Spy Game'', February 19, 2002 on the VHS of ''Balto II: Wolf Quest'', February 22, 2002 on ''Dragonfly'', and March 22, 2002 on the 20th Anniversary edition of ''E.T.'' | ||
** There is a different version where it just says "E.T. THE 20TH ANNIVERSARY". In this version, "THE 20TH ANNIVERSARY" is in a different font and a small copyright notice appears at the bottom-right, which reads "©2001 UNIVERSAL STUDIOS". This version was used on ''40 Days and 40 Nights'' and on the premiere of 20th anniversary ''E.T.'' re-release at the Shrine Auditorium on March 16, 2002. It also appears on the VHS release of ''K-PAX'', as well as the Canadian VHS releases of ''A Beautiful Mind'' and ''Big Fat Liar''. Shortly | ** There is a different version where it just says "E.T. THE 20TH ANNIVERSARY". In this version, "THE 20TH ANNIVERSARY" is in a different font and a small copyright notice appears at the bottom-right, which reads "©2001 UNIVERSAL STUDIOS". This version was used on ''40 Days and 40 Nights'' and on the premiere of the 20th anniversary ''E.T.'' re-release at the Shrine Auditorium on March 16, 2002. It also appears on the VHS release of ''K-PAX'', as well as the Canadian VHS releases of ''A Beautiful Mind'' and ''Big Fat Liar''. Shortly afterward, beginning with ''The Scorpion King'', the normal logo was reinstated. | ||
* In 2002, the globe was graphically enhanced with a darker color, and in 2005, it would appear rotating below the arc | * In 2002, the globe was graphically enhanced with a darker color, and in 2005, it would appear rotating below the arc at the beginning of the logo. Also, the light rays are darker and the shadow appears at the same time as the website URL, which is now set in the Geneva typeface, and fades in differently. Universal would use this as the main variant starting with ''The Wedding Date'' in 2005. | ||
* Another variant has a darker mood. The presentation is the same as usual, except the initial darkness of the globe is darker than usual (pay close attention to that). Then, after the word "UNIVERSAL" is rotated from behind, either a darker, thicker shadow suddenly pops out, then gets brighter than normal towards the end after it locks in position. The entire globe zooms out farther than its intended mark, and instead of slowing to a stop, it stops hard in its far-back position. The globe appears much further back in letterbox format. This variant can be found on ''8 Mile'', ''American Wedding'', ''Seabiscuit'', ''Master and Commander: The Far Side of the World'', ''The Bourne Supremacy'', and ''White Noise''. The variant with the NBC Universal byline (and no shadow) can be seen on stereoscopic 3D prints of ''Despicable Me'' (the 2D prints use the normal variant with the NBC Universal byline). | * Another variant has a darker mood. The presentation is the same as usual, except the initial darkness of the globe is darker than usual (pay close attention to that). Then, after the word "UNIVERSAL" is rotated from behind, either a darker, thicker shadow suddenly pops out, then gets brighter than normal towards the end after it locks in position. The entire globe zooms out farther than its intended mark, and instead of slowing to a stop, it stops hard in its far-back position. The globe appears much further back in letterbox format. This variant can be found on ''8 Mile'', ''American Wedding'', ''Seabiscuit'', ''Master and Commander: The Far Side of the World'', ''The Bourne Supremacy'', and ''White Noise''. The variant with the NBC Universal byline (and no shadow) can be seen on stereoscopic 3D prints of ''Despicable Me'' (the 2D prints use the normal variant with the NBC Universal byline). | ||
* On 4:3 prints of films from 2003 until 2012, starting with ''Peter Pan'' and ending with ''Wanderlust'', the logo zooms out to a much farther distance than usual. This is because the films are shot in a 1.66:1 ratio, and framed for 2.39:1 scope. | * On 4:3 prints of films from 2003 until 2012, starting with ''Peter Pan'' and ending with ''Wanderlust'', the logo zooms out to a much farther distance than usual. This is because the films are shot in a 1.66:1 ratio, and framed for 2.39:1 scope. | ||
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* From November 21, 2001 to March 22, 2002, the music was changed in an arrangement by John Williams to go with the customized ''E.T.'' logo; there is only one horn fanfare/hits sequence, followed by the end fanfare. This then segues into the theme from ''E.T.'' as he and Elliott fly across the globe. | * From November 21, 2001 to March 22, 2002, the music was changed in an arrangement by John Williams to go with the customized ''E.T.'' logo; there is only one horn fanfare/hits sequence, followed by the end fanfare. This then segues into the theme from ''E.T.'' as he and Elliott fly across the globe. | ||
* On April 19, 2002, there was a re-orchestration of the 1997 fanfare, again in an arrangement by John Williams. It has the same melody, but like the ''E.T.'' logo, it is in a different key and sounds more "powerful" with added drums; this version made its only appearance on ''The Scorpion King'' (the first film released after the ''E.T.'' variant ceased usage). | * On April 19, 2002, there was a re-orchestration of the 1997 fanfare, again in an arrangement by John Williams. It has the same melody, but like the ''E.T.'' logo, it is in a different key and sounds more "powerful" with added drums; this version made its only appearance on ''The Scorpion King'' (the first film released after the ''E.T.'' variant ceased usage). | ||
** There is also a live version of that fanfare that can be heard at the premiere of the 20th anniversary ''E.T.'' re-release, to which it would also a bonus audio option on its DVD release. Also, if you listen closely, you can hear | ** There is also a live version of that fanfare that can be heard at the premiere of the 20th anniversary ''E.T.'' re-release, to which it would also be a bonus audio option on its DVD release. Also, if you listen closely, you can hear applause from the audience watching the premiere when the bike shows up. | ||
* On some prints of ''Tremors II'' and international Blu-ray releases of ''The American President'' and ''Strange Days'', the 1990 fanfare from the previous logo is heard due to a plastering error (Syfy prints have the correct 1997 fanfare). This error is also present on a Polish broadcast of ''We're Back!: A Dinosaur's Story''. | * On some prints of ''Tremors II'' and international Blu-ray releases of ''The American President'' and ''Strange Days'', the 1990 fanfare from the previous logo is heard due to a plastering error (Syfy prints have the correct 1997 fanfare). This error is also present on a Polish broadcast of ''We're Back!: A Dinosaur's Story''. | ||
* On a Foxtel Movies print of ''The Hurricane'', the second horn theme (which normally comes out of the right channel) is omitted, likely due to a mastering mistake. | * On a Foxtel Movies print of ''The Hurricane'', the second horn theme (which normally comes out of the right channel) is omitted, likely due to a mastering mistake. | ||
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* An extended and re-orchestrated version of the fanfare exists which was created for Universal Studios Hollywood, which can be heard [https://youtu.be/9-eRw7numP8 here]. The later version uses the regular fanfare with the orchestral build-up intact which can also be heard [https://youtu.be/5IUUoglMbNI here]. | * An extended and re-orchestrated version of the fanfare exists which was created for Universal Studios Hollywood, which can be heard [https://youtu.be/9-eRw7numP8 here]. The later version uses the regular fanfare with the orchestral build-up intact which can also be heard [https://youtu.be/5IUUoglMbNI here]. | ||
* At the beginning of ''Universal 360: A Cinesphere Spectacular'' at Universal Studios Florida, the fanfare is re-orchestrated by Brad Kelley, which can be viewed [https://youtu.be/AaYPuMWii1w here]. | * At the beginning of ''Universal 360: A Cinesphere Spectacular'' at Universal Studios Florida, the fanfare is re-orchestrated by Brad Kelley, which can be viewed [https://youtu.be/AaYPuMWii1w here]. | ||
* On ''Scott Pilgrim vs. The World'', a 8-bit rendition of the fanfare is heard. According to the storyboards of this film, it was supposed to have a bass rumble, a guitar squall and drums, drumming over the 16-bit logo. The logo's regular music was used when Lucas Lee (played by Chris Evans) comes out of his green room for the shooting of his film, in which the hits and the last note are synced to his actions, such as cracking his neck, using his skateboard and landing on his feet at the scene. However, the logo's regular music is used on a still version of this logo (in low quality to match the game's visuals) in ''Scott Pilgrim vs. The World: The Video Game'' and the next logo (without the Comcast byline) in the Definitive Edition. | * On ''Scott Pilgrim vs. The World'', a 8-bit rendition of the fanfare is heard. According to the storyboards of this film, it was supposed to have a bass rumble, a guitar squall, and drums, drumming over the 16-bit logo. The logo's regular music was used when Lucas Lee (played by Chris Evans) comes out of his green room for the shooting of his film, in which the hits and the last note are synced to his actions, such as cracking his neck, using his skateboard and landing on his feet at the scene. However, the logo's regular music is used on a still version of this logo (in low quality to match the game's visuals) in ''Scott Pilgrim vs. The World: The Video Game'' and the next logo (without the Comcast byline) in the Definitive Edition. | ||
* On some films, the opening theme of the movie is used instead, or the theme is done differently. | * On some films, the opening theme of the movie is used instead, or the theme is done differently. | ||
* On a [[The Criterion Collection|Criterion Collection]] release of a film using this logo, the current Criterion Collection logo played a portion of the logo's fanfare because of bad plastering. | * On a [[The Criterion Collection|Criterion Collection]] release of a film using this logo, the current Criterion Collection logo played a portion of the logo's fanfare because of bad plastering. | ||
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* Despite this logo ending in regular usage on February 16, 2012, it continued to appear until July 3, 2012. | * Despite this logo ending in regular usage on February 16, 2012, it continued to appear until July 3, 2012. | ||
* It was also found on some trailers for ''Dr. Seuss' The Lorax'', ''Battleship'', ''American Reunion'', ''The Five-Year Engagement'', and ''Snow White & The Huntsman'' (with the movies themselves using the next logo). | * It was also found on some trailers for ''Dr. Seuss' The Lorax'', ''Battleship'', ''American Reunion'', ''The Five-Year Engagement'', and ''Snow White & The Huntsman'' (with the movies themselves using the next logo). | ||
* [[BBC One]] UK airings of ''The Watcher'' (2000) also | * [[BBC One]] UK airings of ''The Watcher'' (2000) also retain the logo, following the Wonderful World of Disney intro. | ||
* It was also seen on Comet's airing and streaming platforms of Season 3 to 5 opening of ''Sliders''. | * It was also seen on Comet's airing and streaming platforms of Season 3 to 5 opening of ''Sliders''. | ||
* The logo also appeared in some video games, with the full version, the short version, or even the still version. | * The logo also appeared in some video games, with the full version, the short version, or even the still version. | ||
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'''Music/Sounds:''' A powerful, reorchestrated version of the previous logo's fanfare, accompanied by "a choir, new string parts, and drum cadence utilizing world percussion instruments", according to the ''Hollywood Reporter''. Composed and arranged by Brian Tyler, conducting the Hollywood Studio Symphony and Los Angeles Chorale, and recorded at the Barbara Streisand Scoring Stage at Sony Pictures Studios. | '''Music/Sounds:''' A powerful, reorchestrated version of the previous logo's fanfare, accompanied by "a choir, new string parts, and drum cadence utilizing world percussion instruments", according to the ''Hollywood Reporter''. Composed and arranged by Brian Tyler, conducting the Hollywood Studio Symphony and Los Angeles Chorale, and recorded at the Barbara Streisand Scoring Stage at Sony Pictures Studios. | ||
'''Music/Sounds Trivia:''' A behind the scenes video of making the fanfare can be viewed [https://www.youtube.com/watch?v=sazcPopqBJE here]. Tyler also uploaded a retrospective video, which can be viewed [https://www.youtube.com/watch?v=UG7x89vX2hk here], and the full version of the fanfare, which is also heard before the start of ''Universal's Cinematic Spectacular: 100 Years of Movie Memories'', as well as the first two videos, which can be heard [https://www.youtube.com/watch?v=aWoVtNni3uc here]. If you look closely at the first two videos, there was a prototype version of the logo while Tyler is conducting the fanfare, as transcribed above. The end part of the fanfare can also be heard at the end of the videos (besides trailers) on | '''Music/Sounds Trivia:''' A behind-the-scenes video of making the fanfare can be viewed [https://www.youtube.com/watch?v=sazcPopqBJE here]. Tyler also uploaded a retrospective video, which can be viewed [https://www.youtube.com/watch?v=UG7x89vX2hk here], and the full version of the fanfare, which is also heard before the start of ''Universal's Cinematic Spectacular: 100 Years of Movie Memories'', as well as the first two videos, which can be heard [https://www.youtube.com/watch?v=aWoVtNni3uc here]. If you look closely at the first two videos, there was a prototype version of the logo while Tyler is conducting the fanfare, as transcribed above. The end part of the fanfare can also be heard at the end of the videos (besides trailers) on the studio's YouTube channel. Furthermore, during certain grand opening events at Universal theme parks, the full version, the abridged version or the end part of the fanfare can be heard when a key member of any of the Universal Studios theme parks or Universal Destinations & Experiences arrive to the stage. | ||
'''Music/Sounds Variants:''' | '''Music/Sounds Variants:''' | ||