New Line Cinema: Difference between revisions
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Time Warner (2003-2010)= | |||
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File:New Line Cinema(32).png | File:New Line Cinema(32).png | ||
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*The first Time Warner byline first appeared on ''Spawn'', and was used until ''Thirteen Days''. This byline was also used on ''Elf'' as part of a variation. | *The first Time Warner byline first appeared on ''Spawn'', and was used until ''Thirteen Days''. This byline was also used on ''Elf'' as part of a variation. | ||
*The AOL Time Warner byline made its first appearance on ''Sugar & Spice'', and may also plaster the 1997-2000 Time Warner byline on later release prints of films released from late 2000-early 2001. The last film with this byline was ''The Texas Chainsaw Massacre'' (2003). | *The AOL Time Warner byline made its first appearance on ''Sugar & Spice'', and may also plaster the 1997-2000 Time Warner byline on later release prints of films released from late 2000-early 2001. The last film with this byline was ''The Texas Chainsaw Massacre'' (2003). | ||
*Even though both bylines are plastered with the 2003 | *Even though both bylines are plastered with the 2003 Time Warner version, said version first appeared on ''The Lord of the Rings: The Return of the King'', and was also the first overall usage until it was renamed to WarnerMedia. | ||
*This plasters the 3rd logo on current prints of most 1987-1994 films. | *This plasters the 3rd logo on current prints of most 1987-1994 films. | ||
*Also seen on some video games based on New Line Cinema properties, mainly the ''Lord of the Rings'' franchise. | *Also seen on some video games based on New Line Cinema properties, mainly the ''Lord of the Rings'' franchise. | ||
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*It appears on the Canadian C/FP Video release of ''The Basketball Diaries'', a co-production with [[PolyGram Filmed Entertainment]]; contrariwise, the [[PolyGram Video]] and Palm Pictures releases only start with the Island Pictures logo. | *It appears on the Canadian C/FP Video release of ''The Basketball Diaries'', a co-production with [[PolyGram Filmed Entertainment]]; contrariwise, the [[PolyGram Video]] and Palm Pictures releases only start with the Island Pictures logo. | ||
*It appears on the Spanish VHS of ''The Swan Princess'', and was seen on the U.S. Theatrical Print, but no other release appears to retain it. | *It appears on the Spanish VHS of ''The Swan Princess'', and was seen on the U.S. Theatrical Print, but no other release appears to retain it. | ||
*It was last used on a trailer of ''The Rite'', released on December 11, 2010. | *It was last used on a trailer of ''The Rite'', released on December 11, 2010. The film itself uses the next logo instead. | ||
'''Legacy:''' A favorite of many, thanks to its longevity and its effectiveness. | '''Legacy:''' A favorite of many, thanks to its longevity and its effectiveness. | ||
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Images= | Images= | ||
{{#tag:tabber| | {{#tag:tabber| | ||
Time Warner= | |||
<gallery mode="packed" heights="150"> | <gallery mode="packed" heights="150"> | ||
File:Warner Bros. Pictures (New Line Cinema) (2011, A, Alt Background).png|Early sky variant (Scope, A) | File:Warner Bros. Pictures (New Line Cinema) (2011, A, Alt Background).png|Early sky variant (Scope, A) | ||
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*The zooming/rotating filmstrips are replaced with several more boxes that animate in a similar fashion. Some filmstrips can be seen within the reflections of said boxes, however. | *The zooming/rotating filmstrips are replaced with several more boxes that animate in a similar fashion. Some filmstrips can be seen within the reflections of said boxes, however. | ||
*The "NEW LINE CINEMA" text is revealed through the reflections of the zooming boxes, and is now in the font used by the 2001 print logo. | *The "NEW LINE CINEMA" text is revealed through the reflections of the zooming boxes, and is now in the font used by the 2001 print logo. | ||
The 2003 | The 2003 Time Warner byline remains intact, and is also made of glass. | ||
'''Alternate Official Description:''' Out of the dark expanse, a single line of light defines itself. Gazing into the film celluloid, light obscures and gleams through the perforations. New, like a clean slate, light refracts, reflects and runs down the sides of the precise, glassy frames. Falling into place, piece by piece, frame by frame, disappearing into darkness and shining anew, bathed in color. | '''Alternate Official Description:''' Out of the dark expanse, a single line of light defines itself. Gazing into the film celluloid, light obscures and gleams through the perforations. New, like a clean slate, light refracts, reflects and runs down the sides of the precise, glassy frames. Falling into place, piece by piece, frame by frame, disappearing into darkness and shining anew, bathed in color. | ||