Paramount Home Entertainment: Difference between revisions
Jump to navigation
Jump to search
Doubt it. Already seen Editel's demo reel, and saw that the logo was integrated into the promo(?), which, to tell the truth, was the only, and I mean, the ONLY part done using a System IV (possibly except the film clips, which were added using possibly ADO and its Perspective effect), so I changed "Technique" section back, but with "cel" in the middle.
imported>Gilby1385 No edit summary |
imported>LeapFan2014 (Doubt it. Already seen Editel's demo reel, and saw that the logo was integrated into the promo(?), which, to tell the truth, was the only, and I mean, the ONLY part done using a System IV (possibly except the film clips, which were added using possibly ADO and its Perspective effect), so I changed "Technique" section back, but with "cel" in the middle.) |
||
| Line 101: | Line 101: | ||
* <u>At the end of an April 1998 Sci-Fi Channel (now Syfy) airing of ''The Devonsville Terror''</u>, the animation is slowed down but plays as normal until all that's left is "Paramount" and the mountain, when the logo freezes in place and the rest of the music is heard. It's unknown if this was used on any home media releases of the film, or any others. It's also possible that Sci-Fi Channel intentionally did this to hide any home video references. | * <u>At the end of an April 1998 Sci-Fi Channel (now Syfy) airing of ''The Devonsville Terror''</u>, the animation is slowed down but plays as normal until all that's left is "Paramount" and the mountain, when the logo freezes in place and the rest of the music is heard. It's unknown if this was used on any home media releases of the film, or any others. It's also possible that Sci-Fi Channel intentionally did this to hide any home video references. | ||
'''Technique:''' | '''Technique:''' Backlit cel animaation. | ||
'''Audio:''' A building set of synthesized strings, ending in a new-age synthesizer tune. Composed by Rick Krizman. | '''Audio:''' A building set of synthesized strings, ending in a new-age synthesizer tune. Composed by Rick Krizman. | ||