DTS: Difference between revisions

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9 bytes added ,  28 November 2023
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Text replacement - " we fade" to " the screen fades"
imported>Camenati
m (Text replacement - "We start" to "The sequence starts")
imported>Camenati
m (Text replacement - " we fade" to " the screen fades")
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'''Variants:'''
'''Variants:'''
*An earlier version of this trailer was used for the first year of its existence, where we fade out after the first sequence dissolves. Also, the orange text "'''{{color|orange|{{big|DTS}} IN SELECTED THEATRES}}'''" (in the Serpentine font) is shown below the disc; sometimes the text was in white.
*An earlier version of this trailer was used for the first year of its existence, where the screen fades out after the first sequence dissolves. Also, the orange text "'''{{color|orange|{{big|DTS}} IN SELECTED THEATRES}}'''" (in the Serpentine font) is shown below the disc; sometimes the text was in white.
*On some DTS-encoded LaserDiscs and DVDs from the late 1990s and early 2000s, the logo is in 4:3 and videotaped, and the "{{color|orange|'''THIS THEATRE FEATURES'''}}" text is removed. The 2002 DVD of ''Re-Animator'' has this variant in 1.85:1, while the 1999 DVD of ''Tenchi Muyou! in LOVE 2 - Distant Thoughts'' has it in 1.78:1.
*On some DTS-encoded LaserDiscs and DVDs from the late 1990s and early 2000s, the logo is in 4:3 and videotaped, and the "{{color|orange|'''THIS THEATRE FEATURES'''}}" text is removed. The 2002 DVD of ''Re-Animator'' has this variant in 1.85:1, while the 1999 DVD of ''Tenchi Muyou! in LOVE 2 - Distant Thoughts'' has it in 1.78:1.
*In some cases, the theatrical version of the trailer is used on home releases; some of these (mostly from [[Sony Pictures Home Entertainment|Sony]]) have the DTS text zooming out slightly when it first appears (primarily on films shot in 1.85:1, but not always).
*In some cases, the theatrical version of the trailer is used on home releases; some of these (mostly from [[Sony Pictures Home Entertainment|Sony]]) have the DTS text zooming out slightly when it first appears (primarily on films shot in 1.85:1, but not always).
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