THX: Difference between revisions
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→9th Trailer (August 29, 2000, June 15, 2001-May 19, 2009)
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'''Trailer:''' In a darkly-lit environment, we zoom in toward a glassy {{color|deepskyblue|light blue}} sphere, which has clouds rolling and lightning flickering. As the environment illuminates, we see that the sphere is barely hovering over a textured {{color|dodgerblue|blue}} floor. Suddenly, the sphere shatters, and the sky is revealed to contain several rolling {{color|gray}} clouds. The glass then liquefies and gathers in the center. Some lightning strikes it and forms a {{color|silver}} THX logo. If you look closely while the logo forms, you can see rain pouring down. Then, the environment fades to black as "LUCASFILM", spaced out to fit the width of the THX logo, fades in on top of it and a shimmering {{color|dodgerblue|blue}} rectangle (the same one from "Broadway") is drawn clockwise around the logo (like a laser). The logo fades out as the text "Digitally Mastered for Optimal Audio and Video Performance" fades in. | '''Trailer:''' In a darkly-lit environment, we zoom in toward a glassy {{color|deepskyblue|light blue}} sphere, which has clouds rolling and lightning flickering. As the environment illuminates, we see that the sphere is barely hovering over a textured {{color|dodgerblue|blue}} floor. Suddenly, the sphere shatters, and the sky is revealed to contain several rolling {{color|gray}} clouds. The glass then liquefies and gathers in the center. Some lightning strikes it and forms a {{color|silver}} THX logo. If you look closely while the logo forms, you can see rain pouring down. Then, the environment fades to black as "LUCASFILM", spaced out to fit the width of the THX logo, fades in on top of it and a shimmering {{color|dodgerblue|blue}} rectangle (the same one from "Broadway") is drawn clockwise around the logo (like a laser). The logo fades out as the text "Digitally Mastered for Optimal Audio and Video Performance" fades in. | ||
'''Trivia:''' It is unknown on why this trailer was used on the DVD release of ''The Incredibles'', but it is most likely a demand by the film's director, Brad Bird as he felt like the 'Tex' trailers wouldn't fit the mood of the film. Also, despite the fullscreen release has the trailer reanimated to fit with 4:3 screens, the film itself was using a poorly done pan-and-scan technique instead of using Pixar's 'reframing' process they used with films from ''A Bug's Life'' to ''Cars'', either from once again due to a demand or that considering that the film was made by a completely different team, they weren't familiar with using the reframing process. | |||
'''Variants:''' | '''Variants:''' | ||