Miramax Films: Difference between revisions
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'''Visuals:''' Over a black background is the text "MIRAMAX" in | '''Visuals:''' Over a black background is the text "MIRAMAX" in a Gill Sans Ultra Bold-like font. Below it is "FILMS", stretched to fit the width of "MIRAMAX", with a line on top and on the bottom of it. | ||
'''Technique:''' A still graphic. | '''Technique:''' A still graphic. | ||
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'''Visuals:''' The camera zooms down a river, and pans up to see the skyline of Manhattan, New York, at sundown. As the sun sets, the lights in the building windows begin to turn on, just like in real life. As the screen zooms in closer to the buildings, several lights begin forming the company's print logo, simply in white (no glowy effects like last time). The city skyline fades to black as the logo forms, piece by piece, while zooming towards the center of the screen. The end result is similar to the 2nd logo. | '''Visuals:''' The camera zooms down a river, and pans up to see the skyline of Manhattan, New York, at sundown. As the sun sets, the lights in the building windows begin to turn on, just like in real life. As the screen zooms in closer to the buildings (including the original World Trade Center buildings in the original version), several lights begin forming the company's print logo, simply in white (no glowy effects like last time). The city skyline fades to black as the logo forms, piece by piece, while zooming towards the center of the screen. The end result is similar to the 2nd logo. | ||
'''Alternate Descriptive Video Transcription:''' The camera glides across the water before panning up to see a moonlit shot of the Manhattan skyline with the lights turning on. Fading to black, up comes the white lettering: Miramax Films. | '''Alternate Descriptive Video Transcription:''' The camera glides across the water before panning up to see a moonlit shot of the Manhattan skyline with the lights turning on. Fading to black, up comes the white lettering: Miramax Films. | ||
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'''Visuals:''' It's the same concept as the previous logo, but instead of the skyline, the screen pans up to see the Brooklyn Bridge at sundown. As the sun sets, the screen zooms toward the buildings until | '''Visuals:''' It's the same concept as the previous logo, but instead of the skyline, the screen pans up to see the Brooklyn Bridge at sundown. As the sun sets, the screen zooms toward the buildings until the camera finally gets to the skyline of Manhattan. One difference between the skylines is that the original World Trade Center buildings are absent. After the camera gets to the city, the lights in the building windows begin to turn on. As the screen zooms slowly to the skyline, several lights begin forming the logo like before as we then fade to black, piece by piece. | ||
'''Variants:''' | '''Variants:''' | ||
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'''Audio Variants:''' | '''Audio Variants:''' | ||
* On some recent prints of their 1987-98 films, such as ''Pulp Fiction'' and ''Il Postino (The Postman)'', it uses the 1987 theme. | * On some recent prints of their 1987-98 films, such as ''Pulp Fiction'' and ''Il Postino (The Postman)'', it uses the 1987 theme. | ||
* On | * On Starz's prints of ''40 Days and 40 Nights'', the 1997 [[Universal Pictures]] theme is used, due to the editors using the audio from an international master. | ||
* Sometimes, the logo is silent or has the opening theme of the movie. | * Sometimes, the logo is silent or has the opening theme of the movie. | ||