Amblin Entertainment: Difference between revisions
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*On ''Dad'', the logo fades in after the credits roll. | *On ''Dad'', the logo fades in after the credits roll. | ||
*On 4:3 full screen prints of later films from 2005 until 2014, starting with T''he Legend of Zorro,'' the logo zooms out to a much farther distance than usual. Because the latters are shot and released in 2.35:1 (anamorphic Panavision) and framed for 2.39:1 scope. | *On 4:3 full screen prints of later films from 2005 until 2014, starting with T''he Legend of Zorro,'' the logo zooms out to a much farther distance than usual. Because the latters are shot and released in 2.35:1 (anamorphic Panavision) and framed for 2.39:1 scope. | ||
*On ''West Side Story'', we see a still version of the classic Amblin Entertainment logo. | |||
'''FX/SFX:''' The moon zooming backward, the boy on the bicycle appearing and its wheels moving, the red/blue stripes coming from both sides, AMBLIN shadow-wiping in. It's all traditional animation. | '''FX/SFX:''' The moon zooming backward, the boy on the bicycle appearing and its wheels moving, the red/blue stripes coming from both sides, AMBLIN shadow-wiping in. It's all traditional animation. | ||
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* At the beginning of ''Monster House'' (2006), the tail end of the [[ImageMovers]] logo music echoes over the very beginning of the zoom-out, then the movie's opening theme starts over most of it. | * At the beginning of ''Monster House'' (2006), the tail end of the [[ImageMovers]] logo music echoes over the very beginning of the zoom-out, then the movie's opening theme starts over most of it. | ||
* On ''The House with a Clock in its Walls'', tick-tocking sounds are heard over it. | * On ''The House with a Clock in its Walls'', tick-tocking sounds are heard over it. | ||
'''Availability:''' Common. The flipped moon variant debuted at the end of ''The Goonies'' while the normal variant debuted at the end of ''Back to the Future'', and can be found on every Amblin film from this era (except ''Schindler's List'', ''The Bridges of Madison County'', ''Minority Report'', ''Flags of Our Fathers'', and ''Letters from Iwo Jima'', as well as the three Amblimation productions, which featured that company's special logo, and the aforementioned with the 1st/print logo on the credits). Most prints of ''E.T. the Extra-Terrestrial'' don't show this logo despite showing the logo on the packaging, except on the 1988 home video release and ABC Family/Freeform's print of the film. The last film to use this logo was ''The Hundred-Foot Journey''. This logo makes a reappearance on ''The House with a Clock in Its Walls'', fitting with the retro theme. This surprisingly appears at the end of the TV movie ''Amazing Stories: The Movie II''. | '''Availability:''' Common. The flipped moon variant debuted at the end of ''The Goonies'' while the normal variant debuted at the end of ''Back to the Future'', and can be found on every Amblin film from this era (except ''Schindler's List'', ''The Bridges of Madison County'', ''Minority Report'', ''Flags of Our Fathers'', and ''Letters from Iwo Jima'', as well as the three Amblimation productions, which featured that company's special logo, and the aforementioned with the 1st/print logo on the credits). Most prints of ''E.T. the Extra-Terrestrial'' don't show this logo despite showing the logo on the packaging, except on the 1988 home video release and ABC Family/Freeform's print of the film. The last film to use this logo was ''The Hundred-Foot Journey''. This logo makes a reappearance on ''The House with a Clock in Its Walls'', fitting with the retro theme. This surprisingly appears at the end of the TV movie ''Amazing Stories: The Movie II''. | ||