Amblin Entertainment: Difference between revisions

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imported>Michael Kenchington
imported>DannyMB24
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* A still version is seen at the end of <u>''War Horse''</u>, <u>''Lincoln''</u>, and <u>''The Hundred-Foot Journey''</u> (the final movie to use this logo; with the closing theme), as well as being used as [[Amblin Television|a television logo]].
* A still version is seen at the end of <u>''War Horse''</u>, <u>''Lincoln''</u>, and <u>''The Hundred-Foot Journey''</u> (the final movie to use this logo; with the closing theme), as well as being used as [[Amblin Television|a television logo]].
* A black & white version of the logo exists, which appears at the end of <u>''Hereafter''</u>.
* A black & white version of the logo exists, which appears at the end of <u>''Hereafter''</u>.
* A medium-length version is known to exist on <u>the original trailer of ''We're Back!: A Dinosaur's Story''</u>, with the logo starting in the middle of its formation and also having the entire name fade in at once.
* A medium-length version is known to exist on <u>the original trailer of ''We're Back!: A Dinosaur's Story''</u>, with the logo starting in the middle of its formation and also cutting straight to the "AMBLIN" text settling in its final position right after the lines settle in their own positions. The last few seconds of the logo after that play as normal.
* On <u>''Dad''</u>, the logo fades in after the credits roll.
* On <u>''Dad''</u>, the logo fades in after the credits roll.
* On <u>4:3 full screen prints of later films from 2005 until 2014</u>, starting with ''The Legend of Zorro'', the logo zooms out to a much farther distance than usual. This is because the letters were shot and released in 2.35:1 (anamorphic Panavision), similar to the flipped moon variant used for all six films and framed for 2.39:1 scope.
* On <u>4:3 full screen prints of later films from 2005 until 2014</u>, starting with ''The Legend of Zorro'', the logo zooms out to a much farther distance than usual. This is because the letters were shot and released in 2.35:1 (anamorphic Panavision), similar to the flipped moon variant used for all six films and framed for 2.39:1 scope.
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