DreamWorks Pictures: Difference between revisions
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'''Variants:''' | '''Variants:''' | ||
* A short version of this logo was seen on trailers for films and at the end of films released through Walt Disney Studios Motion Pictures/Touchstone Pictures, starting with ''I Am Number Four'' through ''The Light Between Oceans''. However, ''Real Steel'' has the still version of this logo at the end. | * A short version of this logo was seen on trailers for films and at the end of films released through Walt Disney Studios Motion Pictures/Touchstone Pictures, starting with ''I Am Number Four'' through ''The Light Between Oceans''. However, ''Real Steel'' has the still version of this logo at the end. | ||
*Starting in December 2002 with the release of ''Catch Me If You Can'', the "TM" next to "SKG" is replaced with a "®". | |||
*On trailers and commercials for early films like ''The Peacemaker'', ''Mousehunt'', and ''Amistad'', a 4:3 version was used. The only difference in this version that there was no "TM" next to "SKG". | |||
* Some films have the logo fading out early after it has been formed. | * Some films have the logo fading out early after it has been formed. | ||
* Sometimes, the logo may be zoomed out further than usual. | * Sometimes, the logo may be zoomed out further than usual. | ||
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'''FX/SFX:''' The bobber dropping, the reveal of the letters. Great CGI from Industrial Light & Magic that still holds up almost a quarter of a century later. It was directed by ILM animation supervisor Wes Takahashi, and Hunt provided some of the resources for the logo. | '''FX/SFX:''' The bobber dropping, the reveal of the letters. Great CGI from Industrial Light & Magic that still holds up almost a quarter of a century later. It was directed by ILM animation supervisor Wes Takahashi, and Hunt provided some of the resources for the logo. | ||
'''Music/Sounds:''' A | '''Music/Sounds:''' The only SFX is when the bobber hits the water, and it makes a splashing sound. A very nice piece of orchestrated music that starts out with a guitar tune, followed by a loud, majestic horn fanfare, and ending with another guitar tune. Composed by John Williams | ||
'''Music/Sounds Variants:''' | '''Music/Sounds Variants:''' | ||
* On ''MouseHunt'', the theme is a slightly different orchestration and the guitar section at the end is replaced with a French horn playing the same notes (which was used for the short version of the 1996 DreamWorks Interactive logo). The sound of the bobber hitting the water is also slightly delayed. | * On ''MouseHunt'', the theme is a slightly different orchestration and the guitar section at the end is replaced with a French horn playing the same notes (which was used for the short version of the 1996 DreamWorks Interactive logo). The sound of the bobber hitting the water is also slightly delayed. | ||
* On some prints of ''Antz'' (such as the Region 4 DVD releases of the film), the logo is silent, even though original prints and the 1999 Aussie VHS had the opening theme playing. This may have been an error in production or distribution. | * On some prints of ''Antz'' (such as the Region 4 DVD releases of the film), the logo is silent, even though original prints and the 1999 Aussie VHS had the opening theme playing. This may have been an error in production or distribution. | ||
* On some films, the opening | * On some films, such as ''Chicken Run'' (American prints), ''The Road to El Dorado'', and ''Shrek'', the opening theme of the film is used. This is also the case in more recent films. The splashing CGI SFX can sometimes still remain in the audio. | ||
* On the US DVD release of ''Evolution'', when you select the "English 2.0" track, the 1998 common fanfare for the 1993 Columbia Pictures logo will be heard instead. This most likely boils down to the fact the 2.0 English track from the Sony-owned international master was mistakenly used. | * On the US DVD release of ''Evolution'', when you select the "English 2.0" track, the 1998 common fanfare for the 1993 Columbia Pictures logo will be heard instead. This most likely boils down to the fact the 2.0 English track from the Sony-owned international master was mistakenly used. | ||