DreamWorks Pictures: Difference between revisions

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'''Trivia:'''  
'''Trivia:'''  
* The idea for this logo came from a concept by co-founder Steven Spielberg, who originally wanted the logo to be CGI and for it to depict an adult man fishing on the moon, but his frequent collaborator Dennis Muren suggested a hand-painted logo instead. The very first sketch of the logo (with the man) was drawn by artist Gregory Weir-Quiton on a piece of tissue for Spielberg. Artist Robert Hunt was then commissioned to design the logo. Spielberg loved one of Hunt's designs—a young boy sitting on a crescent moon while fishing—and it was made into a full-motion CGI logo. The boy seen sitting on the moon is based upon Hunt's son William.
* The idea for this logo came from a concept by co-founder Steven Spielberg, who originally wanted the logo to be CGI and for it to depict an adult man fishing on the moon, but his frequent collaborator Dennis Muren suggested a hand-painted logo instead. The very first sketch of the logo (with the man) was drawn for Spielberg by artist Gregory Weir-Quiton on a piece of tissue. Artist Robert Hunt was then commissioned to design the logo. Spielberg loved one of Hunt's designs—a young boy sitting on a crescent moon while fishing—and it was made into a full-motion CGI logo. The boy seen sitting on the moon is based upon Hunt's son William.
* This logo has run into legal trouble, with Michael Jackson's family accusing Spielberg of plagiarizing the logo for Jackson's Neverland Valley Ranch.
* This logo has run into legal trouble, with Michael Jackson's family accusing Spielberg of plagiarizing the logo for Jackson's Neverland Valley Ranch.


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'''Technique:''' CGI by Industrial Light & Magic (ILM), directed by animation supervisor Wes Takahashi; Hunt provided some of the resources for the logo. The boy sitting on the moon was live-action footage that was superimposed with the CGI moon. The animation for the 2021 enhanced variant was done at Technicolor; Archie Donato was the CGI supervisor, with James Marcus and Yinglei Yang handling the designing, modeling, animation, and rendering.<ref>https://www.artstation.com/artwork/DAOG2o</ref>
'''Technique:''' CGI by Industrial Light & Magic (ILM), directed by animation supervisor Wes Takahashi; Hunt provided some of the resources for the logo. The boy sitting on the moon was live-action footage that was superimposed with the CGI moon. The animation for the 2021 enhanced variant was done at Technicolor; Archie Donato was the CGI supervisor, with James Marcus and Yinglei Yang handling the designing, modeling, animation, and rendering.<ref>https://www.artstation.com/artwork/DAOG2o</ref>


'''Audio:''' A peaceful theme composed by John Williams (known for scoring many of Steven Spielberg's films) that starts with a classical guitar riff, followed by a violin fanfare, then a more majestic horn sounder, before ending on another guitar riff similar to the first one. The only sound effect heard is that of water splashing when the bobber hits the water.
'''Audio:''' A peaceful theme composed by John Williams (known for scoring many of Steven Spielberg's films) that starts with a classical guitar riff, followed by a violin fanfare, then a more majestic horn sounder, before ending on a shorter guitar riff similar to the first one. The only sound effect heard is that of water splashing when the bobber hits the water.


'''Audio Variants:'''
'''Audio Variants:'''
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