Thames (2012-): Difference between revisions

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imported>Michael Kenchington
imported>Michael Kenchington
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'''Logo:''' Against a black background, a triangular shape rises into view from the centre of the screen. As it reveals itself, it looks somewhat like an upside-down Christmas tree shape (two triangles joined together), and the upper triangle has an abstract version of the Thames waterfront scenery against a {{color|blue}} skyline. The lower one is {{color|gold}} in colour, and contains the words "{{color|gold|THAMES XXI}}" ("XXI" is the Roman numeral for 21). As the logo rises, it too has a reflection, though it does not last when it is completely formed.
'''Logo:''' Against a black background, a triangular shape rises into view from the centre of the screen. As it reveals itself, it looks somewhat like an upside-down Christmas tree shape (two triangles joined together), and the upper triangle has an abstract version of the Thames waterfront scenery against a {{color|blue}} skyline. The lower one is {{color|gold}} in colour, and contains the words "{{color|gold|THAMES XXI}}" ("XXI" is the Roman numeral for 21). As the logo rises, it too has a reflection, though it does not last when it is completely formed.


'''Variant:''' At the end of programmes, the bottom of the smaller triangle is wordless, and the text "THAMES TELEVISION PRESENTATION/PRODUCTION" or (from September 4, 1989) the text "THAMES TELEVISION PRODUCTION/PROGRAMME FOR" and the then-newly-introduced 1989 ITV logo appears below.
'''Variants:'''
* At the end of programmes, the bottom of the smaller triangle is wordless, and the text "THAMES TELEVISION PRESENTATION/PRODUCTION" or (from September 4, 1989) the text "THAMES TELEVISION PRODUCTION/PROGRAMME FOR" and the then-newly-introduced 1989 ITV logo appears below.
* Another production variant features the words "THAMES TELEVISION PRODUCTION FOR CHANNEL FOUR" which was seen on Thames programmes for Channel 4.
* A B&W variant of the above also exists which was seen on a TCM airing of the 1921 film ''The Blot''.


'''FX/SFX:''' None for any of the end-credits variants, but very good computer-generated animation, which is a modernisation of Thames' "Rising Buildings" design.
'''FX/SFX:''' None for any of the end-credits variants, but very good computer-generated animation, which is a modernisation of Thames' "Rising Buildings" design.
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* It also appears on 1989 episodes of ''Never The Twain'' and is intact whenever Forces TV airs this.
* It also appears on 1989 episodes of ''Never The Twain'' and is intact whenever Forces TV airs this.
* Season 1 episodes of ''French Fields'' kept this intact on [[Play UK (UK)|UK Play]] and whenever [[Alibi (UK)|Alibi]] decides to air it.
* Season 1 episodes of ''French Fields'' kept this intact on [[Play UK (UK)|UK Play]] and whenever [[Alibi (UK)|Alibi]] decides to air it.
* The B&W variant of the "THAMES TELEVISION PRODUCTION FOR CHANNEL FOUR" endcap was also seen on a TCM airing of the 1921 film ''The Blot'' as well.


'''Editor's Note:''' None.
'''Editor's Note:''' None.

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