HBO Feature Presentation: Difference between revisions
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'''Opening:''' We start out with a space background with a light grid sheet at the bottom running. Then, we see searchlights on the left and right sides, and criss-cross together. At the same time, blue lights appear and yellow rays rain throughout out of the blue light, changing into blue rays, then yellow circles, then yellow zigzags, then colorful criss-cross lines, then blue and yellow straight lines, and finally wavy lines with curvy lines. Then we pan up to the searchlights up close, and the searchlights reveal a box of popcorn, which completely disappears. Then we see yellow animated drawn popcorn moving then falling down with a "shadow" effect. Then, the same popcorn reveals a marquee with the lines and designs (looking like the Orpheum or Pantages theater), and the marquee zooms up. Then, we move to a plain black screen, and the words "HBO FEATURE MOVIE" one above each other zooms and pans down in a "shadow" effect. Then, lines appear behind each word, and the words turn red. The bars shine repeatedly. | '''Opening:''' We start out with a space background with a light grid sheet at the bottom running. Then, we see searchlights on the left and right sides, and criss-cross together. At the same time, blue lights appear and yellow rays rain throughout out of the blue light, changing into blue rays, then yellow circles, then yellow zigzags, then colorful criss-cross lines, then blue and yellow straight lines, and finally wavy lines with curvy lines. Then we pan up to the searchlights up close, and the searchlights reveal a box of popcorn, which completely disappears. Then we see yellow animated drawn popcorn moving then falling down with a "shadow" effect. Then, the same popcorn reveals a marquee with the lines and designs (looking like the Orpheum or Pantages theater), and the marquee zooms up. Then, we move to a plain black screen, and the words "HBO FEATURE MOVIE" one above each other zooms and pans down in a "shadow" effect. Then, lines appear behind each word, and the words turn red. The bars shine repeatedly. | ||
'''FX/SFX:''' A mix of live-action shots and backlit cel animation, shot with motion control cameras and slit-scan, then composited together (similar to how the space battles in Star Wars were made). All of the 1979 idents were produced at Robert Abel & Associates. | '''FX/SFX:''' A mix of live-action shots and backlit cel animation, shot with motion control cameras and slit-scan, then composited together (similar to how the space battles in ''Star Wars'' were made). All of the 1979 idents were produced at Robert Abel & Associates. | ||
'''Music/Sounds:''' An orchestral fanfare that sounds very similar to the Star Wars Theme, with the last piece sounding eerily similar to Star Trek's theme. | '''Music/Sounds:''' An orchestral fanfare that sounds very similar to the Star Wars Theme, with the last piece sounding eerily similar to ''Star Trek''<nowiki/>'s theme. | ||
'''Availability:''' Extinct. Last seen on HBO in 1982, so your best bet would be to check old VHS/Betamax recordings. | '''Availability:''' Extinct. Last seen on HBO in 1982, so your best bet would be to check old VHS/Betamax recordings. | ||
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'''Trivia:''' | '''Trivia:''' | ||
*This logo was parodied in the music video for "DVNO" by the electro house group Justice, with even more high-tech effects. | *This logo was parodied in the music video for "DVNO" by the electro house group Justice, with even more high-tech effects. | ||
*The HBO short-form interstitial series Behind the Scenes, which aired between features from the early 1980s to about the early 1990s, had one episode titled "A Closer Look: Inside the HBO City" devoted to showing virtually all the work behind this logo and how the ideas of the bumper came up. The episode can be viewed here. | *The HBO short-form interstitial series ''Behind the Scenes'', which aired between features from the early 1980s to about the early 1990s, had one episode titled "A Closer Look: Inside the HBO City" devoted to showing virtually all the work behind this logo and how the ideas of the bumper came up. The episode can be viewed here. | ||
*The Nostalgia Critic took a look at this bumper in his "Rise of the Commercials" video, in which he praised it. | *The Nostalgia Critic took a look at this bumper in his "Rise of the Commercials" video, in which he praised it. | ||
*Every summer in Bryant Park (one block away from HBO's headquarters in New York City), HBO showcases movies projected on a massive screen to the audience. The long version starting from the fog is played before each feature. The intro begins with "Bryant Park Summer Film Festival" in an old fashioned red and yellow font. Then the intro continues as normal. Some organizers and moviegoers in the park have been known to dance to the music. | *Every summer in Bryant Park (one block away from HBO's headquarters in New York City), HBO showcases movies projected on a massive screen to the audience. The long version starting from the fog is played before each feature. The intro begins with "Bryant Park Summer Film Festival" in an old fashioned red and yellow font. Then the intro continues as normal. Some organizers and moviegoers in the park have been known to dance to the music. | ||
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*For the "HBOriginal" variant, a noir film style piece would play. | *For the "HBOriginal" variant, a noir film style piece would play. | ||
'''Availability:''' Extinct, but it was used for a stunning 20 years thanks to its popularity, so it shouldn't be difficult to find on old tapes. It can also be seen on HBO's YouTube channel. You can also see this before movies in Bryant Park in New York City, shown every Monday evening in summer. Makes a surprise appearance on the 2019 special Dan Soder: Son of a Gary. | '''Availability:''' Extinct, but it was used for a stunning 20 years thanks to its popularity, so it shouldn't be difficult to find on old tapes. It can also be seen on HBO's YouTube channel. You can also see this before movies in Bryant Park in New York City, shown every Monday evening in summer. Makes a surprise appearance on the 2019 special ''Dan Soder: Son of a Gary''. | ||
'''Editor's Note:''' One of the most--or even arguably the most--beloved and iconic opening bumpers of the 1980s, thanks to the sheer amounts of detail and effort put into the visuals, and its iconic music, which HBO has consistently continued to use in modified forms ever since. | '''Editor's Note:''' One of the most--or even arguably the most--beloved and iconic opening bumpers of the 1980s, thanks to the sheer amounts of detail and effort put into the visuals, and its iconic music, which HBO has consistently continued to use in modified forms ever since. | ||
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'''Music/Sounds:''' A synthesized rock fanfare with guitar and drums. | '''Music/Sounds:''' A synthesized rock fanfare with guitar and drums. | ||
'''Availability:''' Mainly appeared on HBO specials in the late '80s-early '90s, though it appeared as late as 1998. It appeared on The Roseanne Barr Special and George Carlin's Jammin' in New York. Most of the specials are on home video; the latter title contains it. It also appeared when HBO aired The Celluloid Closet. | '''Availability:''' Mainly appeared on HBO specials in the late '80s-early '90s, though it appeared as late as 1998. It appeared on ''The Roseanne Barr Special'' and ''George Carlin's Jammin' in New York''. Most of the specials are on home video; the latter title contains it. It also appeared when HBO aired ''The Celluloid Closet''. | ||
'''Editor's Note:''' None. | '''Editor's Note:''' None. | ||
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'''Variants:''' | '''Variants:''' | ||
*On HBO Family, the word "FAMILY" is under the HBO logo. There is also a variation of that bumper in which the background is white, and the HBO logo and "Feature Presentation" are in light blue. | *On HBO Family, the word "FAMILY" (in the rainbow colors) is under the HBO logo. There is also a variation of that bumper in which the background is white, and the HBO logo and "Feature Presentation" are in light blue. Also, the pictures of actual movies were replaced by the pictures of various family movies. | ||
*Two versions have been exclusively used on HBO Asia: the first is the ''Game of Thrones'' version which features a teal-colored ''Game of Thrones'' background with the GOT logo below fading in. The second one is the ''Westworld'' version with the movie pictures being in B&W and the ''Westworld'' logo fading in below at the end, against a black & white background. | *Two versions have been exclusively used on HBO Asia: the first is the ''Game of Thrones'' version which features a teal-colored ''Game of Thrones'' background with the GOT logo below fading in. The second one is the ''Westworld'' version with the movie pictures being in B&W and the ''Westworld'' logo fading in below at the end, against a black & white background. | ||
*Sometimes, a movie picture is still here at the left as all the pictures drops down, while the split with the HBO logo and "Feature Presentation" appears in the right. This doesn't appear on the Asia version, as of this writing. | *Sometimes, a movie picture is still here at the left as all the pictures drops down, while the split with the HBO logo and "Feature Presentation" appears in the right. This doesn't appear on the Asia version, as of this writing. | ||
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'''Nicknames:''' "HBO 2017", "The HBO City of Tomorrow", "HBO City in the Future", "HBO in the Futuristic World", "HBO City III", "21st Century City", "HBO City Redux II" | '''Nicknames:''' "HBO 2017", "The HBO City of Tomorrow", "HBO City in the Future", "HBO in the Futuristic World", "HBO City III", "21st Century City", "HBO City Redux II" | ||
'''Opening:''' We fade in to a small shot of a man holding a bowl of popcorn. As the camera pans to the right, we see him walking towards his wife, seen snuggling up with a blanket on a sofa. In the background we can see two sets of home plants, a desk lamp, a set of magazines, and two glasses of (what is believed to be) wine. On the wall, we see a canvas print of another apartment. Below the couch, a pair of shoes are visible. The man places the popcorn on a table, settles down with his wife, and turns on the TV. As we zoom out through a window, a suitcase-style turntable can be seen. Zooming further out of the apartment, we see a few more sets of apartment complexes. Another pair of shoes can be seen tangling from a telephone wire. Panning further to the right, we see two streetlamps. We then zoom out from the streets into the room of two teenage siblings; an older sister and a younger brother. The wall is covered with fan posters of various celebrities. Zooming further out, we see the sister on her bed, and the brother on a large cushion. The brother holds a tablet towards his sister. Zooming out even further, we reach a balcony. In it, a patio table and a bicycle can be seen. As the camera zooms further out, we zoom out into the living room of another apartment complex. This scene is basically a recreation of the | '''Opening:''' We fade in to a small shot of a man holding a bowl of popcorn. As the camera pans to the right, we see him walking towards his wife, seen snuggling up with a blanket on a sofa. In the background we can see two sets of home plants, a desk lamp, a set of magazines, and two glasses of (what is believed to be) wine. On the wall, we see a canvas print of another apartment. Below the couch, a pair of shoes are visible. The man places the popcorn on a table, settles down with his wife, and turns on the TV. As we zoom out through a window, a suitcase-style turntable can be seen. Zooming further out of the apartment, we see a few more sets of apartment complexes. Another pair of shoes can be seen tangling from a telephone wire. Panning further to the right, we see two streetlamps. We then zoom out from the streets into the room of two teenage siblings; an older sister and a younger brother. The wall is covered with fan posters of various celebrities. Zooming further out, we see the sister on her bed, and the brother on a large cushion. The brother holds a tablet towards his sister. Zooming out even further, we reach a balcony. In it, a patio table and a bicycle can be seen. As the camera zooms further out, we zoom out into the living room of another apartment complex. This scene is basically a recreation of the 11th opening, with a few modern touches added (e.g. cushion couches on a rug next to a flat-screen TV, which is showing a portion of the 11th opening (the part where we zoom into the "O"). As we zoom out again, it is noticeable that the apartment complex is actually a home, nested on a floating brick lawn. More apartments and condominiums are nested next to the home. We zoom in to the living room of yet another apartment. The first thing noticed is the flat-screen TV, which is also showing the 11th opening. In it, a group of college students are seen on a couch, with one of them serving a snack. As we zoom out yet again, a man, holding his phone, can be seen on the balcony of yet another apartment. After that, the camera zooms out further and further. It is then revealed that the city is masked in the HBO logo, set over a dark sky background on a flat grassy plain, with a river shown beside it. The words "MOVIE PREMIERE" are seen below the logo. At this point, everything shown inside the towering logo is no longer noticeable in detail. | ||
'''Trivia:''' This opening was made by Imaginary Forces. | '''Trivia:''' This opening was made by Imaginary Forces. | ||
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* On HBO Latino, it reads "PRESENTACIÓN DE PELÍCULA" at the bottom. | * On HBO Latino, it reads "PRESENTACIÓN DE PELÍCULA" at the bottom. | ||
'''FX/SFX:''' There is so much detail that it is near impossible to describe everything going on in the logo. A truly breathtaking blend of live-action and CGI and an amazing homage to the | '''FX/SFX:''' There is so much detail that it is near impossible to describe everything going on in the logo. A truly breathtaking blend of live-action and CGI and an amazing homage to the 11th and 17th openings. | ||
'''Music/Sounds:''' Similar to that of the 17th opening, it's another powerful, epic orchestral fanfare that incorporates the 12-note 1982 fanfare, starting with only a piano, before progressing with some strings, and leading into a full, passionate orchestra. Plus, you can hear the city noises and river sounds. Composed by Man Made Music. | '''Music/Sounds:''' Similar to that of the 17th opening, it's another powerful, epic orchestral fanfare that incorporates the 12-note 1982 fanfare, starting with only a piano, before progressing with some strings, and leading into a full, passionate orchestra. Plus, you can hear the city noises and river sounds. Composed by Man Made Music. | ||
'''Availability:''' Debuted on February 28, 2017 as an unlisted video on HBO's YouTube channel. This full version premiered on HBO on March 4, 2017, before its premiere of X-Men: Apocalypse, and can be seen before new movies every Saturday night. The short version can be seen before most movies on the HBO channels (except HBO Family, and if there are promos before the movie). | '''Availability:''' Debuted on February 28, 2017 as an unlisted video on HBO's YouTube channel. This full version premiered on HBO on March 4, 2017, before its premiere of ''X-Men: Apocalypse'', and can be seen before new movies every Saturday night. The short version can be seen before most movies on the HBO channels (except HBO Family, and if there are promos before the movie). | ||
'''Editor's Note:''' To say the least, this more than makes up for the two previous bland bumpers. An amazing combination of CGI and live-action and another fantastic musical score makes this a perfect successor to the 1982 and 1999 openers. | '''Editor's Note:''' To say the least, this more than makes up for the two previous bland bumpers. An amazing combination of CGI and live-action and another fantastic musical score makes this a perfect successor to the 1982 and 1999 openers. |