20th Century Studios: Difference between revisions

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imported>PeterIgnacio2006
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imported>Solarstrike
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*On some films, such as ''Porky's Revenge!'', the front-left searchlight is pink.
*On some films, such as ''Porky's Revenge!'', the front-left searchlight is pink.
*Some films used a dark, washed-out structure.
*Some films used a dark, washed-out structure.
*On widescreen (letterbox) films, the Fox logo would be squeezed to fit on standard 1.33:1 film and then stretched with special projector lenses so it could be shown in widescreen (2.35:1), though the first two ''Die Hard'' films use a version where the logo is not squeezed, and thus is stretched out horizontally (at the request of the films' producer, Joel Silver, who liked the stretched look).
*On anamorphic films, the Fox logo would be squeezed to fit on standard 1.33:1 film and then stretched with special projector lenses so it could be shown in scope, though the first two ''Die Hard'' films and ''The Adventures of Ford Fairlane'' use a version where the logo is not squeezed, and thus is stretched out horizontally (at the request of the films' producer, Joel Silver, who liked the stretched look after a mishap with an editor accidentally splicing in a flat logo in the anamorphic print).
*There is another scope variant that was done for films shot in Super 35 where the 1.85 variant was cropped to 2.35.
*There is another scope variant that was done for films shot in Super 35 where the 1.85 variant was cropped to 2.35/2.39.
*On a few films shot in scope, the logo is in extreme close-up.
*On a few films shot in scope, the logo is in extreme close-up.
*On a couple of films, the logo is placed at a very far distance.
*On a couple of films, the logo is placed at a very far distance.
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