DIC Entertainment: Difference between revisions

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Text replacement - "'''Music/Sounds:'''" to "'''Audio:'''"
imported>Gilby1385
imported>Compooper
m (Text replacement - "'''Music/Sounds:'''" to "'''Audio:'''")
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'''Technique:''' Motion-controlled animation.
'''Technique:''' Motion-controlled animation.


'''Music/Sounds:''' An off-tune, ascending 8-note synthesized theme accompanied with whooshing, composed by Saban Brands founder Haim Saban, introduced in September 1984.
'''Audio:''' An off-tune, ascending 8-note synthesized theme accompanied with whooshing, composed by Saban Brands founder Haim Saban, introduced in September 1984.


'''Music/Sounds Variants:'''
'''Music/Sounds Variants:'''
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'''Technique:''' Traditional animation, done by [[TMS Entertainment]].
'''Technique:''' Traditional animation, done by [[TMS Entertainment]].


'''Music/Sounds:'''
'''Audio:'''
*''The Littles'': The last line of the closing theme song: "You can't stop the Littles 'cause the Littles don't stop!".
*''The Littles'': The last line of the closing theme song: "You can't stop the Littles 'cause the Littles don't stop!".
* ''Inspector Gadget'': A 5-note horn stinger, followed by a "twoing" sound as Gadget's mallet "dots" the "i". Afterwards, we hear a three-note trumpet outro. This is a shortened variation of a background music cue often used on the show to end scenes in an episode, composed by Shuki Levy.
* ''Inspector Gadget'': A 5-note horn stinger, followed by a "twoing" sound as Gadget's mallet "dots" the "i". Afterwards, we hear a three-note trumpet outro. This is a shortened variation of a background music cue often used on the show to end scenes in an episode, composed by Shuki Levy.
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'''Technique:''' CGI mixed with chroma-key effects. Live-action photo for the kid in bed portion. All made using Digital Arts DGS 1.0 and 2.0 on the IBM Personal Computer AT (expanded with a Definicon Accelerator Board and an AT&T Truvision TARGA graphics chip).
'''Technique:''' CGI mixed with chroma-key effects. Live-action photo for the kid in bed portion. All made using Digital Arts DGS 1.0 and 2.0 on the IBM Personal Computer AT (expanded with a Definicon Accelerator Board and an AT&T Truvision TARGA graphics chip).


'''Music/Sounds:''' 4 different sets of music were used:
'''Audio:''' 4 different sets of music were used:
* Early-Mid September 1987: A synth note and a whispering choir singing the company name. This variant earned the nickname "Chorus from Hell" for its unintentionally creepy nature and was only used in early fall 1987.
* Early-Mid September 1987: A synth note and a whispering choir singing the company name. This variant earned the nickname "Chorus from Hell" for its unintentionally creepy nature and was only used in early fall 1987.
* September 12, 1987-1990: A brief gust of wind, followed by an echoing series of 2 keyboard synth notes. Composed by Shuki Levy.
* September 12, 1987-1990: A brief gust of wind, followed by an echoing series of 2 keyboard synth notes. Composed by Shuki Levy.
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'''Technique:''' 2D computer animation.
'''Technique:''' 2D computer animation.


'''Music/Sounds:''' A light dance-pop tune with bells and other cartoonish sounds, often ending with a child saying "Deek" (the third kid voice-over from the previous logo). The music for this logo was done by Andy Heyward's daughter, Bianca.
'''Audio:''' A light dance-pop tune with bells and other cartoonish sounds, often ending with a child saying "Deek" (the third kid voice-over from the previous logo). The music for this logo was done by Andy Heyward's daughter, Bianca.


'''Music/Sounds Variants:'''
'''Music/Sounds Variants:'''
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