Embassy Communications: Difference between revisions
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Text replacement - "Music/Sounds" to "Audio"
imported>Compooper m (Text replacement - "'''Music/Sounds:'''" to "'''Audio:'''") |
imported>Camenati m (Text replacement - "Music/Sounds" to "Audio") |
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'''Audio:''' A high-pitched, six-note synthesizer tune with the last note held out, followed by a chord while the 6th note is held with an additional four notes sped-up a little under the held sixth note and a fifth note rolling noticeably with a final pound at the end. This was composed by Ray Colcord. | '''Audio:''' A high-pitched, six-note synthesizer tune with the last note held out, followed by a chord while the 6th note is held with an additional four notes sped-up a little under the held sixth note and a fifth note rolling noticeably with a final pound at the end. This was composed by Ray Colcord. | ||
''' | '''Audio Variants:''' | ||
* From 1983-1988, the first note was cut off. This was sometimes used on S1 of ''227'' and ''Who's the Boss?'', S5 of ''The Facts of Life'', the final season of ''Diff'rent Strokes'', ''E/R'', ''One Day at a Time'', and was also used for Embassy Pay Television. | * From 1983-1988, the first note was cut off. This was sometimes used on S1 of ''227'' and ''Who's the Boss?'', S5 of ''The Facts of Life'', the final season of ''Diff'rent Strokes'', ''E/R'', ''One Day at a Time'', and was also used for Embassy Pay Television. | ||
* There is a low toned variant that was only used for the 1987 version in syndication. | * There is a low toned variant that was only used for the 1987 version in syndication. | ||