Viacom Productions: Difference between revisions

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→‎9th Logo (January 1, 1990-May 11, 2000): Tracked down the sound source
imported>STIProd
(→‎9th Logo (January 1, 1990-May 11, 2000): According to Michael Rubin's equipment he used on Blue's Clues from a spreadsheet that I care.)
imported>STIProd
(→‎9th Logo (January 1, 1990-May 11, 2000): Tracked down the sound source)
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'''Music/Sounds:''' Again, there have been several musical variations accompanied with a voice-over by Don LaFontaine saying "Viacom" near the end:
'''Music/Sounds:''' Again, there have been several musical variations accompanied with a voice-over by Don LaFontaine saying "Viacom" near the end:
* Usually, a synthesised rock score is used, complete with drums, horns, and even a guitar. Telephone-like "wigga-wigga" sounds are heard as the line zig-zags.
* Usually, a synthesised rock score is used, complete with drums, horns, and even a guitar. Telephone-like "wigga-wigga" sounds are heard as the line zig-zags. (That's "Block" from a Korg M1 synthesizer)
* For the (then-)newly-formed Viacom International, the same logo is accompanied by different music. A synthesised whoosh and timpani drum is heard first, leading into a jingle played on a flute sample (that's "HardFlute" taken from Program B on a Korg T1 synthesizer) being heard as the line uncurls. As the logo finishes, a faint choir is heard in the background. Synthesised "shining" sounds can be heard throughout the entire logo. The LaFontaine voice-over is still heard. Composed by Michael Rubin, known for his work on ''Blue's Clues''.
* For the (then-)newly-formed Viacom International, the same logo is accompanied by different music. A synthesised whoosh and timpani drum is heard first, leading into a jingle played on a flute sample (that's "HardFlute" taken from Program B on a Korg T1 synthesizer) being heard as the line uncurls. As the logo finishes, a faint choir is heard in the background. Synthesised "shining" sounds can be heard throughout the entire logo. The LaFontaine voice-over is still heard. Composed by Michael Rubin, known for his work on ''Blue's Clues''.
* There is a version where the LaFontaine voice-over cuts in earlier.
* There is a version where the LaFontaine voice-over cuts in earlier.
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