Allied Artists Pictures Corporation: Difference between revisions

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imported>CezarWBC2020
imported>CezarWBC2020
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'''Editor's Note:''' None.
'''Editor's Note:''' None.


===2nd Logo (February 13, 1972-November 11, 1978) ===
===2nd Logo (1968?-November 11, 1978) ===
<gallery mode="packed" heights="200">
<gallery mode="packed" heights="200">
File:PT6x64UJDJ8acS7GD9cXVw18353.jpeg
File:PT6x64UJDJ8acS7GD9cXVw18353.jpeg
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'''Nickname:''' "The a's"
'''Nickname:''' "The a's"


'''Logo:''' We see a {{Font color|blue|blue}} background shorten into a circle, with {{Font color|deepskyblue|light blue}} surrounding it. After the darker blue (or white) circle is small enough, we now see that the light blue figure is a large lowercase "{{Font color|deepskyblue|a}}", with a backwards "a" the same size next to it zooming out to the from the left, and settling in the middle of the screen. When it's done zooming, it reads:
'''Logo:''' We see a {{Font color|green|green}} background shorten into a circle, with white surrounding it. After the white circle is small enough, we now see that the white figure is a large lowercase "a", with a backwards "a" the same size next to it zooming out to the from the left, and settling in the middle of the screen. When it's done zooming, it reads:


Emanuel L. Wolf<br>
Emanuel L. Wolf<br>
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'''Variants:'''
'''Variants:'''
*On ''The Man Who Would Be King'', the logo is set on a {{Font color|green|green}} background with white lettering.
*On older prints of ''Mitchell'' (1975), the logo is set on a {{Font color|blue|blue}} background with {{Font color|deepskyblue|light blue}} lettering.
*There is a variant that is nearly the same to the aforementioned variant. The only difference is that there no credit for Emanuel L. Wolf and the logo appears to be zoomed in. It is possible this is a cropped version of the aforementioned variant.
*There is a variant that is nearly the same to the aforementioned variant. The only difference is that there no credit for Emanuel L. Wolf and the logo appears to be zoomed in. It is possible this is a cropped version of the aforementioned variant.
*On ''The Internecine Project'', the logo is on a black background and the double a is under the company name.
*On ''The Internecine Project'', the logo is on a black background and the double a is under the company name. This is the actual logo as it made its first appearance in the late 1960s.
*On ''Three the Hard Way'', the logo (in {{Font color|red|red}}) just fades in on a black background, along with the text that reads "An Allied Artists Film".
*On ''Three the Hard Way'', the logo (in {{Font color|red|red}}) just fades in on a black background, along with the text that reads "An Allied Artists Film".


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'''Music/Sounds:''' Usually silent, or sometimes the film's opening theme accompanies it.
'''Music/Sounds:''' Usually silent, or sometimes the film's opening theme accompanies it.


'''Availability:''' Rare. Still intact on ''The Man Who Would Be King'', ''Three The Hard Way'', and ''The Internecine Project'', among others. Sometimes, it is plastered with a WB shield on films such as ''Papillon''. It is unknown if this appeared on theatrical prints of ''Alice, Sweet Alice''. It plasters the previous logo on the Allied Artists Video release of ''Tickle Me''.
'''Availability:''' Rare. It is currently unknown when this logo made its debut. Allied Artists became a distributor after the release of ''Tickle Me'', and did not become a producer again until ''Cabaret'', which is the film that the animated variant made its debut. Still intact on ''The Man Who Would Be King'', ''Three The Hard Way'', and ''The Internecine Project'', among others. Sometimes, it is plastered with a WB shield on films such as ''Papillon''. It is unknown if this appeared on theatrical prints of ''Alice, Sweet Alice''. It plasters the previous logo on the Allied Artists Video release of ''Tickle Me''.


'''Editor's Note:''' None.
'''Editor's Note:''' None.
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