The Audiovisual Identity Database:Tutorials: Difference between revisions
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The Audiovisual Identity Database:Tutorials (view source)
Revision as of 23:51, 24 February 2024
, 24 February 2024→Description Sections
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Single availability source example:<br> | Single availability source example:<br> | ||
'''Availability:''' As with the first Metro-Goldwyn-Mayer logo, most films that have this logo either got destroyed in the 1965 MGM vault fire or were plastered by then-future Metro-Goldwyn-Mayer logos, with the same going for the other logos from the company. The only known surviving movies containing this logo are ''The Ace of Hearts'' and ''The Penalty'', the latter of which has the logo at the end and is plastered on some prints with the MGM "Lion Marquee" endcap. It was stated that the first appearance of the logo is ''Polly of the Circus''. However, the surviving prints of the aforementioned film do not have this logo.<br> | |||
'''Availability:''' The only known surviving movies containing this logo are ''Wild Oranges'' and ''Souls for Sale''.<br> | '''Availability:''' The only known surviving movies containing this logo are ''Wild Oranges'' and ''Souls for Sale''.<br> | ||
'''Availability:''' Seen at the end of very early MGM-era films such as ''He Who Gets Slapped'', ''Lady of the Night'', and ''Cleopatra'' (1928), and also as an opening logo, like on ''Greed''.<br> | '''Availability:''' Seen at the end of very early MGM-era films such as ''He Who Gets Slapped'', ''Lady of the Night'', and ''Cleopatra'' (1928), and also as an opening logo, like on ''Greed''.<br> | ||
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Multiple availability sources example:<br> | Multiple availability sources example:<br> | ||
'''Availability:''' It can be seen on the earliest films under the Paramount Pictures name. Some films are still around, while others are destroyed. | '''Availability:''' It can be seen on the earliest films under the Paramount Pictures name. Some films are still around, while others are destroyed. | ||
* Seen at the end of very early Paramount-era films such as ''The Squaw Man'', ''The Virginian'', ''The Bargain'', ''The Italian'', ''Carmen'', and ''The Cheat''.<br> | * Seen at the end of very early Paramount-era films such as ''The Squaw Man'', ''The Virginian'', ''The Bargain'', ''The Italian'', ''Carmen'', and ''The Cheat''.<br> | ||