Klasky Csupo: Difference between revisions

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All Grown Up was never in widescreen.
imported>PRO88denniscollege
imported>CooleyBoy10
(All Grown Up was never in widescreen.)
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* There is an alternate variant where the animation was cheaper (e.g. the liquid just waves like a flag, there's no static purple background [which explains very few holes emerging from the center once the liquid background has splattered onto the screen], the eyes of Splaat are flipped vertically instead of being animated to look down/up). There is a black background instead of a static purple background (since the logo transitions from black at the end of the credits); the logo blurs and cross-fades to the KC logo rather than disappearing like the TV turning off (along with the the purple "'''Y'''" in "'''K'''L'''''a'''''S'''K'''Y" zooming in over the regular "Y") and, to top it all off, Splaat constantly looks at the viewer (in the normal logo, Splaat stares at the blocks, but the blocks are placed directly in the center of the  screen, so it appears that Splaat is looking at the viewer) throughout his screen time and smiles as if he accomplished something before the logo wipes to black. On the studio's reopening video, the variant is in 16:9 full screen at 1080p high definition, it is cut to where the hand drops the magazine clippings, the background of the clippings is in a more lighter shade of yellow, and after the we hear the duck quacking twice, the logo flies off to the right of the screen. The "boing" sound effect is not heard. This variant would later be remastered for 2021, which uses the same animation, but with glitchy effects placed over it. The Klasky-Csupo logo now phases off the screen via a blue laser.
* There is an alternate variant where the animation was cheaper (e.g. the liquid just waves like a flag, there's no static purple background [which explains very few holes emerging from the center once the liquid background has splattered onto the screen], the eyes of Splaat are flipped vertically instead of being animated to look down/up). There is a black background instead of a static purple background (since the logo transitions from black at the end of the credits); the logo blurs and cross-fades to the KC logo rather than disappearing like the TV turning off (along with the the purple "'''Y'''" in "'''K'''L'''''a'''''S'''K'''Y" zooming in over the regular "Y") and, to top it all off, Splaat constantly looks at the viewer (in the normal logo, Splaat stares at the blocks, but the blocks are placed directly in the center of the  screen, so it appears that Splaat is looking at the viewer) throughout his screen time and smiles as if he accomplished something before the logo wipes to black. On the studio's reopening video, the variant is in 16:9 full screen at 1080p high definition, it is cut to where the hand drops the magazine clippings, the background of the clippings is in a more lighter shade of yellow, and after the we hear the duck quacking twice, the logo flies off to the right of the screen. The "boing" sound effect is not heard. This variant would later be remastered for 2021, which uses the same animation, but with glitchy effects placed over it. The Klasky-Csupo logo now phases off the screen via a blue laser.


* This logo comes in 3 versions: a standard 4:3 version (for TV shows and full frame versions of their film output, though some films have slight letterboxing), a 1.55:1 widescreen version (matted to 1.85:1 for theatrical features released in the US (1.66:1 in Europe) and to 1.78:1 for both home video releases of those films and the final season of ''All Grown Up''), a 16:9 HD version (for the studio's reopening video and the remastered version) and a 2.35:1 scope version (seen at the end of ''The Wild Thornberrys Movie'').
* This logo comes in 3 versions: a standard 4:3 version (for TV shows and full frame versions of their film output, though some films have slight letterboxing), a 1.55:1 widescreen version (matted to 1.85:1 for theatrical features released in the US (1.66:1 in Europe) and to 1.78:1 for both home video releases of those films), a 16:9 HD version (for the studio's reopening video and the remastered version) and a 2.35:1 scope version (seen at the end of ''The Wild Thornberrys Movie'').
* A filmed variant exists on ''The Rugrats Movie'' and ''Rugrats in Paris: The Movie''. The animation is choppier and in a more washed-out color scheme, and moves at a much faster pace, resulting in the audio being out-of-sync. To accommodate this, the ending sound effects are sped up (this also occurs on the alternate variant).
* A filmed variant exists on ''The Rugrats Movie'' and ''Rugrats in Paris: The Movie''. The animation is choppier and in a more washed-out color scheme, and moves at a much faster pace, resulting in the audio being out-of-sync. To accommodate this, the ending sound effects are sped up (this also occurs on the alternate variant).
* On ''The Wacky Adventures of Ronald McDonald'' tapes (save for episodes 3-6) and airings of their Nicktoons with split screen credits, the logo cuts to black just as the "Boing" sound effect plays.
* On ''The Wacky Adventures of Ronald McDonald'' tapes (save for episodes 3-6) and airings of their Nicktoons with split screen credits, the logo cuts to black just as the "Boing" sound effect plays.
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