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===Background===
===Background===
In 1982, Klasky-Csupo (pronounced "CLASS-key CHEW-po") was formed in a bedroom apartment in Los Angeles, California. The name of the company derives from the last names of the two producers, Omaha native Arlene '''Klasky''' and Hungarian-born animator Gábor '''Csupó'''. During ''The Tracey Ullman Show''<nowiki/>'s days, Klasky-Csupo produced the animated ''Simpsons'' shorts, consisting of 48, before ''The Simpsons'' became a full-time network series in 1989. After those initial skits, Klasky-Csupo worked with [[20th Century Fox Television]] and Matt Groening to produce the first 3 seasons of the animated sitcom until 1992, when [[Film Roman]] took over production. In 1990, the duo cut a production deal with  [[Nickelodeon]], and there they made ''Rugrats'', one of the first three Nicktoons, and one of the network's successful animated series. After that, Klasky-Csupo made other successful animated shows such as ''The Wild Thornberrys'', ''AAAHH!!! Real Monsters'', ''As Told By Ginger'', ''Duckman'' (for USA Network and [[Paramount Television (pre-2006)|Paramount Network Television]], distribution currently held by CBS), and ''The Wacky Adventures of Ronald McDonald'' (a promoted cartoon available exclusively at McDonald's restaurants from 1998 to early 2001), among others. The company also produced ''Spy vs. Spy'' cartoons for Cartoon Network's ''MAD''. However shortly after ''The Rugrats Movie'' came out in 1998, Nickelodeon and Klasky-Csupo started to get into contract disagreements combined the rising popularity of the then new ''SpongeBob Squarepants''. But the straw that broke the camel's back was with the 2003 release of ''Rugrats Go Wild!'', which was a financial disappointment''.'' As a result, many shows from the company were cancelled in the following year, and ''All Grown Up'' was put on hiatus in 2006 before officially being cancelled in 2008. The company went dormant for a while, but Arlene Klasky and Gábor Csupó officially revived the company in 2012 and announced that they are currently working on some "top secret projects". On July 16, 2018, then [[Paramount Players]] and current Nickelodeon CEO [[Tollin/Robbins Productions|Brian Robbins]] revealed that the pair, along with co-creator Paul Germain have officially confirmed that a revival of ''Rugrats'' is in the works, which will include 26 new episodes, and a new live-action movie, both featuring the babies re-imagined in CGI form, until the latter was pulled from the release plan. The revival debuted on the Paramount+ service in 2021.
In 1982, Klasky-Csupo (pronounced "CLASS-key CHEW-po") was formed in a bedroom apartment in Los Angeles, California. The name of the company derives from the last names of the two producers, Omaha native Arlene '''Klasky''' and Hungarian-born animator Gábor '''Csupó'''. During ''The Tracey Ullman Show''<nowiki/>'s days, Klasky-Csupo produced the animated ''Simpsons'' shorts, consisting of 48, before ''The Simpsons'' became a full-time network series in 1989. After those initial skits, Klasky-Csupo worked with [[20th Century Fox Television]] and Matt Groening to produce the first 3 seasons of the animated sitcom until 1992, when [[Film Roman]] took over production. In 1990, the duo cut a production deal with [[Nickelodeon]], and there they made ''Rugrats'', one of the first three Nicktoons, and one of the network's successful animated series. After that, Klasky-Csupo made other successful animated shows such as ''The Wild Thornberrys'', ''AAAHH!!! Real Monsters'', ''As Told By Ginger'', ''Duckman'' (for USA Network and [[Paramount Television (pre-2006)|Paramount Network Television]], distribution currently held by CBS), and ''The Wacky Adventures of Ronald McDonald'' (a promoted cartoon available exclusively at McDonald's restaurants from 1998 to early 2001), among others. The company also produced ''Spy vs. Spy'' cartoons for Cartoon Network's ''MAD''. However, shortly after ''The Rugrats Movie'' came out in 1998, Nickelodeon and Klasky-Csupo started to get into contract disagreements combined with the rising popularity of the then-new ''SpongeBob Squarepants''. But the straw that broke the camel's back was with the 2003 release of ''Rugrats Go Wild!'', which was a financial disappointment. As a result, many shows from the company were cancelled in the following year, and ''All Grown Up'' was put on hiatus in 2006 before officially being cancelled in 2008. The company went dormant for a while, but Arlene Klasky and Gábor Csupó officially revived the company in 2012 and announced that they were working on some "top secret projects". On July 16, 2018, then [[Paramount Players]] and current Nickelodeon CEO [[Tollin/Robbins Productions|Brian Robbins]] revealed that the pair, along with co-creator Paul Germain, officially confirmed that a revival of ''Rugrats'' was in the works, which would include 26 new episodes, and a new live-action movie, both featuring the babies re-imagined in CGI form, until the latter was pulled from the release plan. The revival debuted on the Paramount+ streaming service in 2021.




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* A version exists on the first two seasons of ''AAAHH!!! Real Monsters'' where the logo fades out early and the music trails off into the Nickelodeon "Scribble" logo.
* A version exists on the first two seasons of ''AAAHH!!! Real Monsters'' where the logo fades out early and the music trails off into the Nickelodeon "Scribble" logo.
* On prints of ''The Wild Thornberrys'' season one episodes "Matadi or Bust", "Valley Girls", "Lost and Foundation", and "Born to be Wild", the first-season ''Aaahh!!! Real Monsters'' episode "Cold Hard Toenails/Attack of the Blobs", and on the Shout! Factory DVD releases of the two series, the logo itself is slowed down while the music plays at its normal speed, accompanied by a quote from each episode that would've played on the [[Nickelodeon Animation Studios]] "Haypile" logo (on ''Real Monsters'', it was slowed down to accompany the trail-off into the NAS logo). This is due to the fact that said logo is, strangely, omitted from these prints of the episodes.
* On prints of ''The Wild Thornberrys'' season one episodes "Matadi or Bust", "Valley Girls", "Lost and Foundation", and "Born to be Wild", the first-season ''Aaahh!!! Real Monsters'' episode "Cold Hard Toenails/Attack of the Blobs", and on the Shout! Factory DVD releases of the two series, the logo itself is slowed down while the music plays at its normal speed, accompanied by a quote from each episode that would've played on the [[Nickelodeon Animation Studios]] "Haypile" logo (on ''Real Monsters'', it was slowed down to accompany the trail-off into the NAS logo). This is due to the fact that said logo is, strangely, omitted from these prints of the episodes.
* On a December 2001 CBS airing of "A Rugrats Chanukah", the logo has been shortened so that it starts with the 6th box in"'''K'''L'''a'''S'''KY'''"and cuts to the Nickelodeon logo before the said "Y" becomes purple.
* On a December 2001 CBS airing of "A Rugrats Chanukah", the logo has been shortened so that it starts with the 6th box in "'''K'''L'''a'''S'''KY'''" and cuts to the Nickelodeon logo before the said "Y" becomes purple.


'''FX/SFX:''' Dazzling animation of the objects forming the letters in the logo.
'''FX/SFX:''' Dazzling animation of the objects forming the letters in the logo.
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* On ''Santo Bugito'', a slightly rearranged version of the music is heard.
* On ''Santo Bugito'', a slightly rearranged version of the music is heard.


'''Availability:''' Uncommon. Can be seen ''Rugrats'' episodes from the era on DVD and VHS. However, some episodes of ''Rugrats'' had this logo even after 1999; "The Magic Baby/Dil We Meet Again" (aired May 4, 2001) is one example. This is most likely because the episode was intended to air with the first part of season 6 (the last batch of episodes to use this logo), but it got pushed back. Another strange case is that 2002 VHS releases of ''Rugrats'', ''Halloween'' for one example, also used this logo in place of the next one. It's also seen on home media releases of ''Duckman,'' ''Santo Bugito'', and ''AAAHH!!!'' ''Real Monsters''. The in-credit variant appears on reruns of ''Alexander and the Terrible, Horrible, No Good, Very Bad Day'' on HBO Family, as part of ''HBO Storybook Musicals'', and the music video for the song "Shadrach" by the Beastie Boys, which was actually where this logo premiered. Also seen on early episodes of ''The Wild Thornberrys''. The ''Wild Thornberrys'' pilot variant is extinct, as the pilot hasn't been released or aired since its original airing in 1998. Don't expect to see this on the first three seasons of ''The Simpsons'' as the studio only did the animation for the show and didn't produce it.
'''Availability:''' Uncommon. Can be seen ''Rugrats'' episodes from the era on DVD and VHS. However, some episodes of ''Rugrats'' had this logo even after 1999; "The Magic Baby/Dil We Meet Again" (aired May 4, 2001) is one example. This is most likely because the episode was intended to air with the first part of season 6 (the last batch of episodes to use this logo), but it got pushed back. Another strange case is that 2002 VHS releases of ''Rugrats'', ''Halloween'' for one example, also used this logo in place of the next one. It's also seen on home media releases of ''Duckman'', ''Santo Bugito'', and ''AAAHH!!!'' ''Real Monsters''. The in-credit variant appears on reruns of ''Alexander and the Terrible, Horrible, No Good, Very Bad Day'' on HBO Family, as part of ''HBO Storybook Musicals'', and the music video for the song "Shadrach" by the Beastie Boys, which was actually where this logo premiered. Also seen on early episodes of ''The Wild Thornberrys''. The ''Wild Thornberrys'' pilot variant is extinct, as the pilot hasn't been released or aired since its original airing in 1998. Don't expect to see this on the first three seasons of ''The Simpsons'' as the studio only did the animation for the show and didn't produce it.


'''Editor’s Note:''' This logo is well-known inside and outside the community from its constant airplay on Nickelodeon, mostly from the off-the-wall music, animation, and design.
'''Editor’s Note:''' This logo is well-known inside and outside the community for its constant airplay on Nickelodeon, as well as the off-the-wall music, animation, and design.




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'''Variants:'''
'''Variants:'''
* Video games from the company have a still, slightly bigger logo which completely skips Splaat. All of the boxes and letters in "'''K'''L'''''a'''''S'''K'''Y" (except for the "Y", which is smaller) are medium gray, the letters in "'''CSUPO'''" are white, and "'''INC.'''" (like in the first logo) is on the right of "CSUPO". The background can be either black or white.  
* Video games from the company have a still, slightly bigger logo which completely skips Splaat. All of the boxes and letters in "'''K'''L'''''a'''''S'''K'''Y" (except for the "Y", which is smaller) are medium gray, the letters in "'''CSUPO'''" are white, and "'''INC.'''" (like in the first logo) is on the right of "CSUPO". The background can be either black or white.  
* There is an alternate variant where the animation was cheaper (e.g. the liquid just waves like a flag, there's no static purple background [which explains very few holes emerging from the center once the liquid background has splattered onto the screen], the eyes of Splaat are flipped vertically instead of being animated to look down/up). There is a black background instead of a static purple background (since the logo transitions from black at the end of the credits); the logo blurs and cross-fades to the KC logo rather than disappearing like the TV turning off (along with the the purple "'''Y'''" in "'''K'''L'''''a'''''S'''K'''Y" zooming in over the regular "Y") and, to top it all off, Splaat constantly looks at the viewer (in the normal logo, Splaat stares at the blocks, but the blocks are placed directly in the center of the  screen, so it appears that Splaat is looking at the viewer) throughout his screen time and smiles as if he accomplished something before the logo wipes to black. On the studio's reopening video, the variant is in 16:9 full screen at 1080p high definition, it is cut to where the hand drops the magazine clippings, the background of the clippings is in a more lighter shade of yellow, and after the we hear the duck quacking twice, the logo flies off to the right of the screen. The "boing" sound effect is not heard. This variant would later be remastered for 2021, which uses the same animation, but with glitchy computer screen effects placed over it. The Klasky-Csupo logo then zooms in at the last half-second and phases off the screen via a blue laser.
* There is an alternate variant where the animation was cheaper (e.g. the liquid just waves like a flag, there's no static purple background [which explains very few holes emerging from the center once the liquid background has splattered onto the screen], the eyes of Splaat are flipped vertically instead of being animated to look down/up). There is a black background instead of a static purple background (since the logo transitions from black at the end of the credits); the logo blurs and cross-fades to the KC logo rather than disappearing like the TV turning off (along with the the purple "'''Y'''" in "'''K'''L'''''a'''''S'''K'''Y" zooming in over the regular "Y") and, to top it all off, Splaat constantly looks at the viewer (in the normal logo, Splaat stares at the blocks, but the blocks are placed directly in the center of the  screen, so it appears that Splaat is looking at the viewer) throughout his screen time and smiles as if he accomplished something before the logo wipes to black. On the studio's reopening video, the variant is in 16:9 full screen at 1080p high definition, it is cut to where the hand drops the magazine clippings, the background of the clippings is in a more lighter shade of yellow, and after we hear the duck quacking twice, the logo flies off to the right of the screen. The "boing" sound effect is not heard. This variant would later be remastered for 2021, which uses the same animation, but with glitchy computer screen effects placed over it. The Klasky-Csupo logo then zooms in at the last half-second and phases off the screen via a blue laser.
* This logo comes in 3 versions: a standard 4:3 version (for TV shows and full frame versions of their film output, though some films have slight letterboxing), a 1.55:1 widescreen version (matted to 1.85:1 for theatrical features released in the US (1.66:1 in Europe) and to 1.78:1 for both home video releases of those films), a 16:9 HD version (for the studio's reopening video and the remastered version) and a 2.35:1 scope version (seen at the end of ''The Wild Thornberrys Movie'').
* This logo comes in 3 versions: a standard 4:3 version (for TV shows and full frame versions of their film output, though some films have slight letterboxing), a 1.55:1 widescreen version (matted to 1.85:1 for theatrical features released in the US (1.66:1 in Europe) and to 1.78:1 for both home video releases of those films), a 16:9 HD version (for the studio's reopening video and the remastered version) and a 2.35:1 scope version (seen at the end of ''The Wild Thornberrys Movie'').
* A filmed variant exists on ''The Rugrats Movie'' and ''Rugrats in Paris: The Movie''. The animation is choppier and in a more washed-out color scheme, and moves at a much faster pace, resulting in the audio being out-of-sync. To accommodate this, the ending sound effects are sped up (this also occurs on the alternate variant).
* A filmed variant exists on ''The Rugrats Movie'' and ''Rugrats in Paris: The Movie''. The animation is choppier and in a more washed-out color scheme, and moves at a much faster pace, resulting in the audio being out-of-sync. To accommodate this, the ending sound effects are sped up (this also occurs on the alternate variant).
* On ''The Wacky Adventures of Ronald McDonald'' tapes (save for episodes 3-6) and airings of their Nicktoons with split screen credits, the logo cuts to black just as the "Boing" sound effect plays.
* On the first two ''The Wacky Adventures of Ronald McDonald'' tapes and airings of their Nicktoons with split screen credits, the logo cuts to black just as the "Boing" sound effect plays.
* On NickSplat's airings of their shows, the logo starts when Splaat is on-screen, silent due to the credits being superimposed, and it's in warp speed. It is also worth noting that the filmed version logo is used, considering the graininess at the end of the logo.
* On NickSplat's airings of their shows, the logo starts when Splaat is on-screen, silent due to the credits being superimposed, and it's in warp speed. It is also worth noting that the filmed version logo is used, considering the graininess at the end of the logo.
* On a Region 4 DVD release of ''Rugrats in Paris: The Movie'', the logo is cut off after the lip-flapping sound (presumably due to a manufacturing error)''.''
* On a Region 4 DVD release of ''Rugrats in Paris: The Movie'', the logo is cut off after the lip-flapping sound (presumably due to a manufacturing error).


'''FX/SFX:''' The "animated" paper-clippings that form the face, the static background, the ink, and the print logo. All CGI animation, done on a Silicon Graphics computer with Softimage software, plus what appears to be cut-out animation for the moving hand and the moving of the face's lips.
'''FX/SFX:''' The "animated" paper-clippings that form the face, the static background, the ink, and the print logo. All CGI animation, done on a Silicon Graphics computer with Softimage software, plus what appears to be cut-out animation for the moving hand and the moving of the face's lips.
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* From September 2000 until August 2001, on some split-screen credit airings of their shows, the audio of the promo from the split-screen credits sometimes played over this logo's audio (including Splaat's voiceover).
* From September 2000 until August 2001, on some split-screen credit airings of their shows, the audio of the promo from the split-screen credits sometimes played over this logo's audio (including Splaat's voiceover).
* When CBS aired ''The Rugrats Movie'' and ''Rugrats in Paris: The Movie'', a generic theme played over this logo.
* When CBS aired ''The Rugrats Movie'' and ''Rugrats in Paris: The Movie'', a generic theme played over this logo.
* On DVD and VHS releases of their Nicktoons as well as the pilot episode of ''As Told by Ginger'', the ending sound effects have a reverb trailing into the Nickelodeon "haypile". This can also be found on the VHS releases of ''The'' ''Wacky'' ''Adventures'' ''of'' ''Ronald'' ''McDonald''beginning with the third tape, “The Visitors From Outer Space”.
* On DVD and VHS releases of their Nicktoons as well as the pilot episode of ''As Told by Ginger'', the ending sound effects have a reverb trailing into the Nickelodeon "haypile". This can also be found on the VHS releases of ''The Wacky Adventures of Ronald McDonald'' beginning with the third tape, “The Visitors From Outer Space”.
* There is a bizarre audio variant found on Russian airings of ''As Told by Ginger'' which has a grouchy-sounding male voiceover speaking over the logo's music: "Klasky-Csupo (pronounced like "zupa"). Blblbllblblblbllblbl." The timing varies depending on the episode, as does the tone, as different voiceovers were seemingly recorded for every episode this version appeared on. On later episodes, the voiceover has a weird echo/reverb effect.
* There is a bizarre audio variant found on Russian airings of ''As Told by Ginger'' which has a grouchy-sounding male voiceover speaking over the logo's music: "Klasky-Csupo (pronounced like "zupa"). Blblbllblblblbllblbl." The timing varies depending on the episode, as does the tone, as different voiceovers were seemingly recorded for every episode this version appeared on. On later episodes, the voiceover has a weird echo/reverb effect.
* Another audio variant found on a Russian airing of ''The Wild Thornberrys'' features a male voiceover (different from the one above) saying, "Film Klasky-Csupo Incorporated" after Splaat speaks.
* Another audio variant found on a Russian airing of ''The Wild Thornberrys'' features a male voiceover (different from the one above) saying, "Film Klasky-Csupo Incorporated" after Splaat speaks.
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* It can be found on episodes such as those of later ''Rugrats'' seasons (starting with the episode "Runaway Reptar"), ''Rocket Power'', ''The Wild Thornberrys'' (earlier episodes had the "Graffiti" logo), ''As Told By Ginger'', and on ''All Grown Up'', all of which are currently airing on TeenNick's NickRewind; it is also shown in place of the previous logo on airings with split-screen credits.
* It can be found on episodes such as those of later ''Rugrats'' seasons (starting with the episode "Runaway Reptar"), ''Rocket Power'', ''The Wild Thornberrys'' (earlier episodes had the "Graffiti" logo), ''As Told By Ginger'', and on ''All Grown Up'', all of which are currently airing on TeenNick's NickRewind; it is also shown in place of the previous logo on airings with split-screen credits.
* Debuted on the rather obscure cartoon ''The Wacky Adventures of Ronald McDonald''. This logo was used on K-C films from ''The Rugrats Movie'' to ''The Wild Thornberrys Movie''. It's also at the company's website too, and can be found on the main page when first being browsed.
* Debuted on the rather obscure cartoon ''The Wacky Adventures of Ronald McDonald''. This logo was used on K-C films from ''The Rugrats Movie'' to ''The Wild Thornberrys Movie''. It's also at the company's website too, and can be found on the main page when first being browsed.
* The alternate variant was seen at the end of ''The Wild Thornberrys Movie'' and the video for the studio's reopening. However, the remastered version of the variant debuted on Gábor Csupó's official YouTube account, and later the 2021 reboot of ''Rugrats,'' which is available on Paramount+.
* The alternate variant was seen at the end of ''The Wild Thornberrys Movie'' and the video for the studio's reopening. However, the remastered version of the variant debuted on Gábor Csupó's official YouTube account, and later the 2021 reboot of ''Rugrats'', which is available on Paramount+.
* The still variant appears on ''Rugrats in Paris: The Movie'' for PS1, ''Rugrats: Royal Ransom'' for PS2 and GameCube (both with the white background) and ''Rocket Power: Beach Bandits'', also for PS2 and GameCube (with the black background), among others. Recently appeared on ''Psyko Ferret''.
* The still variant appears on ''Rugrats in Paris: The Movie'' for PS1, ''Rugrats: Royal Ransom'' for PS2 and GameCube (both with the white background) and ''Rocket Power: Beach Bandits'', also for PS2 and GameCube (with the black background), among others. Recently appeared on ''Psyko Ferret''.
* This logo also appeared on the obscure ''Rugrats'' spin-off ''Rugrats Pre-School Daze.'' This did not appear on Klasky-Csupo's first live-action series, ''What's Inside Heidi's Head?'', because it was a series of interstitials as opposed to a series.
* This logo also appeared on the obscure ''Rugrats'' spin-off ''Rugrats Pre-School Daze''. This did not appear on Klasky-Csupo's first live-action series, ''What's Inside Heidi's Head?'', because it was a series of interstitials as opposed to a series.
* The split-screen credits variant made a surprise reappearance in August 2020 on a NickRewind rerun of a ''Rugrats'' episode due to the fact the episode used Nick's split-screen credits template for the show.
* The split-screen credits variant made a surprise reappearance in August 2020 on a NickRewind rerun of a ''Rugrats'' episode due to the fact the episode used Nick's split-screen credits template for the show.


'''Editor's Note:''' This logo appears to be a metaphor for Klasky-Csupo's rather inspirational rise to fame from humble beginnings as an animation studio. Just like 'Graffiti', this logo is famous inside and outside the community thanks to its constant airplay on Nick, again from the unique animation and SFX, as well as Splaat's unnerving design. It's not unusual to call this probably the most infamous "scary" logo of all time, thanks to Splaat's design as well as the "in-your-face" nature of the animation; there is a staggering amount of logo remix videos and other (usually, quite low in production quality) videos related to this logo. This logo even got a remaster recently, with the addition of glitches used throughout the logo, and will scare a new generation of children, since it was used on a children's program.
'''Editor's Note:''' This logo appears to be a metaphor for Klasky-Csupo's rather inspirational rise to fame from humble beginnings as an animation studio. Just like 'Graffiti', this logo is famous inside and outside the community thanks to its constant airplay on Nick, as well as the unique animation and SFX, and Splaat's unnerving design. It's not unusual to call this probably the most infamous "scary" logo of all time, thanks to Splaat's design as well as the "in-your-face" nature of the animation; there is a staggering amount of logo remix videos and other (usually, quite low in production quality) videos related to this logo. This logo even got a remaster recently, with the addition of glitches used throughout the logo, and will scare a new generation of children, since it was used on a children's program. Nevertheless, it is a favorite of those who grew up with ''Rugrats'' and other Klasky-Csupo productions.


===3rd Logo (June 13, 2003; 2007; October 20, 2008; October 24, 2018)===
===3rd Logo (June 13, 2003; 2007; October 20, 2008; October 24, 2018)===
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[[File:GW399H230.png|300px|center]]
[[File:GW399H230.png|300px|center]]
<center><youtube width="240" height="185">Z3cXeywehjg</youtube></center>
<center><youtube width="240" height="185">Z3cXeywehjg</youtube></center>
'''Nicknames:''' "Splaat II","The Face II", "Super Scary Face II", "(The) SSF II", "Splaat's Return", "Robot II"
'''Nicknames:''' "Splaat II", "The Face II", "Super Scary Face II", "(The) SSF II", "Splaat's Return", "Robot II"


'''Logo:''' On a white background, we see the Klasky Csupo logo in the same grungy font as the previous logo. Suddenly, Splaat comes in from the left side of the screen, and pushes the logo off the screen. Unlike the second logo, Splaat's eyes don't jiggle.
'''Logo:''' On a white background, we see the Klasky Csupo logo in the same grungy font as the previous logo. Suddenly, Splaat comes in from the left side of the screen, and pushes the logo off the screen. Unlike the second logo, Splaat's eyes don't jiggle.
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'''Availability:''' It's a special logo created for the web series ''RoboSplaat''. It is unknown if it will be used on the company's other projects.
'''Availability:''' It's a special logo created for the web series ''RoboSplaat''. It is unknown if it will be used on the company's other projects.


'''Editor's Note:''' One of the reasons RoboSplaat was created as a response towards the logo editors who edited them, so this logo is more like a combination of the 2nd and 3rd logos.
'''Editor's Note:''' ''RoboSplaat'' was created partially as a response towards YouTubers who parodied the 2nd logo, so this logo is more like a combination of the 2nd and 3rd logos.


{{Animation-Navbox}}
{{Animation-Navbox}}
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