Klasky Csupo: Difference between revisions

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'''Variants:'''
'''Variants:'''
* Video games from the company have a still, slightly bigger logo that completely skips Splaat. All of the boxes and letters in "'''K'''L'''''a'''''S'''K'''Y" (except for the "Y", which is smaller) are medium gray, the letters in "'''CSUPO'''" are white, and "'''INC.'''" (like in the first logo) is on the right of "CSUPO". The background can be either black or white.  
* Video games from the company have a still, slightly bigger logo that completely skips Splaat. All of the boxes and letters in "'''K'''L'''''a'''''S'''K'''Y" (except for the "Y", which is smaller) are medium gray, the letters in "'''CSUPO'''" are white, and "'''INC.'''" (like in the first logo) is on the right of "CSUPO". The background can be either black or white.  
* There is an alternate variant where the animation was cheaper (e.g. the liquid just waves like a flag, there's no static purple background [which explains very few holes emerging from the center once the liquid background has splattered onto the screen], the eyes of Splaat are flipped vertically instead of being animated to look down/up,) as a consequence of this, Splaats eyes are noticeably farther away from his mouth than usual when he speaks). There is a black background instead of a static purple background (since the logo transitions from black at the end of the credits); the logo blurs and cross-fades to the KC logo rather than disappearing like the TV turning off (along with the the the purple "'''Y'''" in "'''K'''L'''''a'''''S'''K'''Y" zooming in over the regular "Y") and, to top it all off, Splaat constantly looks at the viewer (in the normal logo, Splaat stares at the blocks, but the blocks are placed directly in the center of the screen, so it appears that Splaat is looking at the viewer) throughout his screen time and smiles as if he accomplished something before the logo wipes to black. On the studio's reopening video, (Which can be seen [https://youtu.be/oJI5s7CNq20 here]) the variant is in 16:9 full screen at 1080p high definition, it is cut to where the hand drops the magazine clippings, the background of the clippings is in a lighter shade of yellow, and after we hear the duck quacking twice, the logo flies off to the right of the screen. The "boing" sound effect is not heard. This variant would later be remastered for 2021, which uses the same animation, but with glitchy computer screen effects placed over it. The Klasky-Csupo logo then zooms in at the last half-second and phases off the screen via a blue laser.
* There is an alternate variant where the animation was cheaper (e.g. the liquid just waves like a flag, there's no static purple background [which explains very few holes emerging from the center once the liquid background has splattered onto the screen], and the eyes of Splaat are flipped vertically instead of being animated to look down/up -- as a consequence of this, Splaat's eyes are noticeably farther away from his mouth than usual when he speaks). There is a black background instead of a static purple background (since the logo transitions from black at the end of the credits); the logo blurs and cross-fades to the KC logo rather than disappearing like the TV turning off (along with the the the purple "'''Y'''" in "'''K'''L'''''a'''''S'''K'''Y" zooming in over the regular "Y") and, to top it all off, Splaat constantly looks at the viewer (in the normal logo, Splaat stares at the blocks, but the blocks are placed directly in the center of the screen, so it appears that Splaat is looking at the viewer) throughout his screen time and smiles as if he accomplished something before the logo wipes to black. On the studio's reopening video, (Which can be seen [https://youtu.be/oJI5s7CNq20 here]) the variant is in 16:9 full screen at 1080p high definition, it is cut to where the hand drops the magazine clippings, the background of the clippings is in a lighter shade of yellow, and after we hear the duck quacking twice, the logo flies off to the right of the screen. The "boing" sound effect is not heard. This variant would later be remastered for 2021, which uses the same animation, but with glitchy computer screen effects placed over it. The Klasky-Csupo logo then zooms in at the last half-second and phases off the screen via a blue laser.
* This logo comes in 3 versions: a standard 4:3 version (for TV shows and full-frame versions of their film output, though some films have slight letterboxing), a 1.55:1 widescreen version (matted to 1.85:1 for theatrical features released in the US (1.66:1 in Europe) and to 1.78:1 for both home video releases of those films), a 16:9 HD version (for the studio's reopening video and the remastered version) and a 2.35:1 scope version (seen at the end of ''The Wild Thornberrys Movie'').
* This logo comes in 3 versions: a standard 4:3 version (for TV shows and full-frame versions of their film output, though some films have slight letterboxing), a 1.55:1 widescreen version (matted to 1.85:1 for theatrical features released in the US (1.66:1 in Europe) and to 1.78:1 for both home video releases of those films), a 16:9 HD version (for the studio's reopening video and the remastered version) and a 2.35:1 scope version (seen at the end of ''The Wild Thornberrys Movie'').
* A filmed variant exists on ''The Rugrats Movie'' and ''Rugrats in Paris: The Movie''. The animation is choppier and in a more washed-out color scheme, and moves at a much faster pace.  
* A filmed variant exists on ''The Rugrats Movie'' and ''Rugrats in Paris: The Movie''. The animation is choppier and in a more washed-out color scheme, and moves at a much faster pace.  

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