Klasky Csupo: Difference between revisions

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{{YouTube|id=2jX7XmI_Bzk|id2=Vo9VWSJG3F4|id3=XWvT-odBVyk|id4=5B_82Y54Y0Y|id5=rh2JJu8hkB8|id6=dp4hpPH2PyM|id7=Ax7VcGCy67E|id8=rpJm9Zf5Kzg}}
{{YouTube|id=2jX7XmI_Bzk|id2=Vo9VWSJG3F4|id3=XWvT-odBVyk|id4=5B_82Y54Y0Y|id5=rh2JJu8hkB8|id6=dp4hpPH2PyM|id7=Ax7VcGCy67E|id8=rpJm9Zf5Kzg}}


'''Logo:''' A row of boxes pan across the screen at a rapid pace on a white background with a pattern of shapes that change frequently. Each box has a animation that becomes a letter. In the first box, blue cubic shapes form a green "K" in the Arial Bold Font, which is placed at the left. In the second box, a blue hat, first depicted as a top hat before it stretches into a peaked hat, turns into a boot, which then turns into an "L" in a font similar to Baskerville that is centered properly. In the third box, several orange lines come together to form a pattern that shrinks, turning into a choppy, lowercase "a" in the Shatter font that is positioned in the upper right corner of its box. In the fourth box, a light blue cone with rings surrounding it turns into a crayon with a layer on it, then into a silhouette of a lizard, followed by a silhouette of a snake, and lastly into an "S" in the Futura font that sits in the bottom left of its box. In the fifth box, a pink silhouette of a cow turns into a butterfly, then quickly reverts back into a cow, but from a different point of view, then turns into an alligator, and finally a "K" in the Letraset Process font, and is properly centered. In the sixth box, an acrobatic performer jumps upside down and forms a beige "Y", which hangs a little off the bottom right corner of its box. The remaining five squares have a scribble writing the stenciled "CSUPO" on them (in Helvetica); the first three letters are blue, the "P" is teal when it is being drawn but it becomes orange once complete, and the "O" is purple. After this, we zoom out, during which "INC." appears letter-by-letter in red. Then we see the complete logo, as shown below:  
'''Logo:''' A row of boxes pan across the screen at a rapid pace on a white background with a pattern of shapes that change frequently. Each box has a animation that becomes a letter, as described below:
* In the first box, blue cubic shapes form a green "K" in the Arial Bold Font, which is placed at the left.  
* In the second box, a blue hat, first depicted as a top hat before it stretches into a peaked hat, turns into a boot, which then turns into an "L" in a font similar to Baskerville that is centered properly.  
* In the third box, several orange lines come together to form a pattern that shrinks, turning into a choppy, lowercase "a" in the Shatter font that is positioned in the upper right corner of its box.  
* In the fourth box, a light blue cone with rings surrounding it turns into a crayon with a layer on it, then into a silhouette of a lizard, followed by a silhouette of a snake, and lastly into an "S" in the Futura Light font that sits in the bottom left of its box.  
* In the fifth box, a pink silhouette of a cow turns into a butterfly, then quickly reverts back into a cow, but from a different point of view, then turns into an alligator, and finally a "K" in the Letraset Process font, and is properly centered.  
* In the sixth box, an acrobatic performer jumps upside down and forms a beige "Y", which hangs a little off the bottom right corner of its box.  
 
The remaining five squares have a scribble writing the stenciled "CSUPO" on them (in Helvetica); the first three letters are blue, the "P" is teal when it is being drawn but it becomes orange once complete, and the "O" is purple. After this, we zoom out, during which "INC." appears letter-by-letter in red. Then we see the complete logo, as shown below:  


{{Huge|[{{color|Arial|K}}][{{color|darkblue|{{font|Times New Roman|L}}}}][{{color|gold|<small>'''{{font|Arial|a}}'''</small>}}][{{color|lightblue|{{font|Arial|S}}}}][{{color|pink|{{font|Arial|'''K'''}}}}][{{color|gold|Y}}]}}<br>{{Huge|[{{color|red|C}}][{{color|gold|S}}][{{color|blue|U}}][{{color|orange|P}}][{{color|darkblue|O}}]}}<small>{{color|pink|I N C.}}</small>
{{Huge|[{{color|Arial|K}}][{{color|darkblue|{{font|Times New Roman|L}}}}][{{color|gold|<small>'''{{font|Arial|a}}'''</small>}}][{{color|lightblue|{{font|Arial|S}}}}][{{color|pink|{{font|Arial|'''K'''}}}}][{{color|gold|Y}}]}}<br>{{Huge|[{{color|red|C}}][{{color|gold|S}}][{{color|blue|U}}][{{color|orange|P}}][{{color|darkblue|O}}]}}<small>{{color|pink|I N C.}}</small>
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'''Music/Sounds:''' Throughout the entire logo, a 24-note synth-cello line (sounding much like an old portable Casio keyboard) plays that adds vibrato to its last two notes. A catchy drum-machine loop (time signature possibly 5/4) and a strange film projector-like sound (sounding much like a bingo machine) play as well; the former stops once the logo zooms out, while the latter stops when the transition to black-and-white starts. Like the second [[Cartoon Network Productions]] logo, there are also corresponding sound effects with the actions of the letters as they pan:
'''Music/Sounds:''' Throughout the entire logo, a 24-note synth-cello line (sounding much like an old portable Casio keyboard) plays that adds vibrato to its last two notes. A catchy drum-machine loop (time signature possibly 5/4) and a strange film projector-like sound (sounding much like a bingo machine) play as well; the former stops once the logo zooms out, while the latter stops when the transition to black-and-white starts. Like the second [[Cartoon Network Productions]] logo, there are also corresponding sound effects with the actions of the letters as they pan:
* First K: There's no effect since the music hasn’t started yet.
* First K: There's no effect since the music hasn’t started yet.
* L: A rather abrupt “blocky” sound (possibly meant for the first letter).
* L: A rather abrupt “blocky” sound (possibly meant for the first letter).
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* The early variant of the logo music appears at the end of the song "Alanis", from Neil Cicierega's mashup album ''Mouth Sounds'' alongside many other logos.
* The early variant of the logo music appears at the end of the song "Alanis", from Neil Cicierega's mashup album ''Mouth Sounds'' alongside many other logos.
* The 1991 logo's jingle featured the "Handclap" as well as the "toms" and a Closed Hi-hat being played on the Roland TR-909 drum machine, as well as bass notes on a Casio keyboard. The 909 clap sounds were heard during the logo's sequence.
* The 1991 logo's jingle featured the "Handclap" as well as the "toms" and a Closed Hi-hat being played on the Roland TR-909 drum machine, as well as bass notes on a Casio keyboard. The 909 clap sounds were heard during the logo's sequence.
* It is rumored that Mark Mothersbaugh (the frontman of Devo and composer for ''Rugrats'') did this logo's music. It was actually done by [[Film Roman]] founder Phil Roman.
* It is rumored that Mark Mothersbaugh (the frontman of Devo and composer for ''Rugrats'') did this logo's music. It was actually done by [[Film Roman]] founder, Phil Roman.


'''Music/Sounds Variants:'''
'''Music/Sounds Variants:'''
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** In that very reply, it is also revealed that the logo was never tested on test audiences.
** In that very reply, it is also revealed that the logo was never tested on test audiences.
** In another reply, Andrew S. (here on AVID as BoyOnTheMoon) states how the logo as a whole is a metaphor for the studio's rise to fame from its humble beginnings, quoteː ''"They took nothing (like paper scraps),"'' (represented by how Splaat is created out of 2 paper cutouts) ''"and established their own distinct style that represents who they are (a face representing a style that literally says who they are)".''
** In another reply, Andrew S. (here on AVID as BoyOnTheMoon) states how the logo as a whole is a metaphor for the studio's rise to fame from its humble beginnings, quoteː ''"They took nothing (like paper scraps),"'' (represented by how Splaat is created out of 2 paper cutouts) ''"and established their own distinct style that represents who they are (a face representing a style that literally says who they are)".''
* Strangely, this logo appeared on early airings of the ''SpongeBob SquarePants'' episode "Wet Painters/Krusty Krab Training Video". This was an editing mistake made by Nickelodeon when they first began using split-screen credits; normally, Nick makes custom credits for each of its series and its producers. K-C was the only company at the time, besides [[Frederator Studios|Frederator]], that produced several Nicktoons, and Nickelodeon created a generic one for these shows [which mentioned Klasky and Csupo as producers and included Splaat], but, on the said episode of ''SpongeBob'', Nickelodeon accidentally used the K-C split-screen credits for that episode. This was fixed in 2006 and the [[United Plankton Pictures, Inc.|United Plankton Pictures]] logo has been seen on the episode ever since, but it's still one of the oddest editing mistakes ever made.
* Oddly enough, this logo appeared on early airings of the ''SpongeBob SquarePants'' episode "Wet Painters/Krusty Krab Training Video". This was an editing mistake made by Nickelodeon when they first began using split-screen credits; normally, Nick makes custom credits for each of its series and its producers. K-C was the only company at the time, besides [[Frederator Studios|Frederator]], that produced several Nicktoons, and Nickelodeon created a generic one for these shows [which mentioned Klasky and Csupo as producers and included Splaat], but, on the said episode of ''SpongeBob SquarePants'', Nickelodeon accidentally used the K-C split-screen credits for that episode. This was fixed in 2006 and the [[United Plankton Pictures, Inc.|United Plankton Pictures]] logo has been seen on the episode ever since, but it's still one of the oddest editing mistakes ever made.
* On the VHS releases of ''Rugrats in Paris'', the "computer voice" uttering the Klasky-Csupo name is actually closed-captioned. The same happens in ''The Wild Thornberrys Movie'', but Splaat's voice is referred to as a "computerized voice". Additionally, the sound effects after Splaat's disappearance are also closed captioned (including the lip-flapping sound being referred to as a "voice blubbering" and the duck quacking sound labeled as "novelty horn honks").
* On the VHS releases of ''Rugrats in Paris: The Movie'', the "computerized voice" uttering the Klasky-Csupo name is actually closed-captioned. The same happens in ''The Wild Thornberrys Movie'', but Splaat's voice is referred to as a "computerized voice". Additionally, the sound effects after Splaat's disappearance are also closed captioned (including the lip-flapping sound being referred to as a "voice blubbering" and the duck quacking sound labeled as "novelty horn honks").
* On October 2015 to May 2017 airings of ''Hey Arnold!'' on The Splat, this logo appeared instead of the [[Snee-Oosh]] logo for the same reason stated above. This was fixed by the time the programming block was rebranded into "NickSplat". Strangely, only TeenNick SD was affected by this error, as TeenNick HD had the correct logos.
* On October 2015 to May 2017 airings of ''Hey Arnold!'' on The Splat, this logo appeared instead of the [[Snee-Oosh]] logo for the same reason stated above. This was fixed by the time the programming block was rebranded into "NickSplat". Strangely, only TeenNick SD was affected by this error, as TeenNick HD had the correct logos.
* At the July 2012 Comic-Con venue in San Diego, California, the day before Klasky-Csupo was relaunched, Arlene Klasky mentioned that she found, as claimed, "a bunch of fan mashups" of their production logo, in which she also added that the mashups might have been created in part with how many people explained their experience with the logo as kids, and how it "scared" them, so she later decided to give the "robot" character a name: Splaat. Splaat was also given arms, legs, and a more noticeable ability to speak; his voice is done by Greg Cipes. The character was originally intended to be in an animated PSA, with Splaat stating his confusion about why these mashups exist, and then adding that he is, in fact, ''not'' a robot, but rather an ink splat, which is how his name originated. He stars in his own web series, which we can see [https://www.youtube.com/channel/UCdZ001zSMD4rJ57m2cOkcSw here]. You can see Splaat's PSA [https://www.youtube.com/watch?v=j90KFWrrHEQ here], or the full Comic-Con event [https://web.archive.org/web/20150627160035/http://geeknation.com/videos/sdcc-2012-klasky-csupo/ here]. It is also worth mentioning that, according to Klasky, this logo was ''not'' intended to be scary.
* At the July 2012 Comic-Con venue in San Diego, California, the day before Klasky-Csupo was relaunched, Arlene Klasky mentioned that she found, as claimed, "a bunch of fan mashups" of their production logo, in which she also added that the mashups might have been created in part with how many people explained their experience with the logo as kids, and how it "scared" them, so she later decided to give the "robot" character a name: Splaat. Splaat was also given arms, legs, and a more noticeable ability to speak; his voice is done by Greg Cipes. The character was originally intended to be in an animated PSA, with Splaat stating his confusion about why these mashups exist, and then adding that he is, in fact, ''not'' a robot, but rather an ink splat, which is how his name originated. He stars in his own web series, which you can see [https://www.youtube.com/channel/UCdZ001zSMD4rJ57m2cOkcSw here]. You can see Splaat's PSA [https://www.youtube.com/watch?v=j90KFWrrHEQ here], or the full Comic-Con event [https://web.archive.org/web/20150627160035/http://geeknation.com/videos/sdcc-2012-klasky-csupo/ here]. It is also worth mentioning that, according to Klasky, this logo was ''not'' intended to be scary.
*On a February 12, 2016 airing of the ''Rocko's Modern Life'' episode "Fish-N-Chumps/Camera Shy" on The Splat, this logo appeared instead of the [[Games Animation]] logo for, again, the same reasons stated above.
*On a February 12, 2016 airing of the ''Rocko's Modern Life'' episode "Fish-N-Chumps/Camera Shy" on The Splat, this logo appeared instead of the [[Games Animation]] logo for, again, the same reasons stated above.


'''Variants:'''
'''Variants:'''
* Video games from the company have a still, slightly bigger logo that completely skips Splaat. All of the boxes and letters in "'''K'''L'''''a'''''S'''K'''Y" (except for the "Y", which is smaller) are medium gray, the letters in "'''CSUPO'''" are white, and "'''INC.'''" (like in the first logo) is on the right of "CSUPO". The background can be either black or white.  
* Video games from the company have a still, slightly bigger logo that completely skips Splaat. All of the boxes and letters in "'''K'''L'''''a'''''S'''K'''Y" (except for the "Y", which is smaller) are medium gray, the letters in "'''CSUPO'''" are white, and "'''INC.'''" (like in the first logo) is on the right of "CSUPO". The background can be either black or white.  
* There is an alternate variant where the animation is cheaper (e.g. the liquid just waves like a flag, there is a black background instead of a static purple background (since the logo transitions from black at the end of the credits [which explains very few holes emerging from the center once the liquid background has splattered onto the screen], and the eyes of Splaat are flipped vertically instead of being animated to look down/up -- as a consequence of this, Splaat's eyes are noticeably farther away from his mouth than usual when he speaks). The logo then blurs and cross-fades to the KC logo rather than disappearing like a TV turning off (alongside the the the purple "'''Y'''" in "'''K'''L'''''a'''''S'''K'''Y" zooming in over the regular "Y") and, to top it all off, Splaat constantly looks at the viewer (in the normal logo, Splaat stares at the blocks, but the blocks are placed directly in the center of the screen, so it appears that Splaat is looking at the viewer) throughout his screen time and smiles as if he accomplished something before the logo wipes to black. On the studio's re-opening video, (which can be seen [https://youtu.be/oJI5s7CNq20 here]), the variant is in 16:9 full screen at 1080p high definition, it is cut to where the hand drops the magazine clippings, the background of the clippings is in a lighter shade of yellow, and after we hear the duck quacking twice, the logo flies off to the right of the screen. The "boing" sound effect is not heard. This variant would later be remastered for 2021, which uses the same animation, but with glitchy computer screen effects placed over it. The Klasky-Csupo logo then zooms in at the last half-second before cutting to the right-facing, blue "energy blaster"-type muzzle flash.
* There is an alternate variant where the animation is cheaper (the liquid just waves like a flag, there is a black background instead of a static purple background (since the logo transitions from black at the end of the credits [which explains very few holes emerging from the center once the liquid background has splattered onto the screen], and the eyes of Splaat are flipped vertically instead of being animated to look down/up; as a consequence of this, Splaat's eyes are noticeably farther away from his mouth than usual when he speaks). The logo (not the blocks) then blurs and cross-fades to the K-C logo rather than disappearing like a CRT  turning off (alongside the the the purple "'''Y'''" in "'''K'''L'''''a'''''S'''K'''Y" zooming in over the regular "Y") and, to top it all off, Splaat constantly looks at the viewer (in the normal logo, Splaat stares at the blocks, but the blocks are placed directly in the center of the screen, so it appears that Splaat is looking at the viewer) throughout his screen time and smiles as if he accomplished something before the logo fades to black. On the studio's re-opening video, (which can be seen [https://youtu.be/oJI5s7CNq20 here]), the variant is in 16:9 full screen at 1080p high definition, it is cut to where the hand drops the magazine clippings, the background of the clippings is in a lighter shade of yellow, and after we hear the duck quacking twice, the logo flies off to the right of the screen. The "boing" sound effect is not heard. This variant would later be remastered for 2021, which uses the same animation, but with glitchy computer screen effects placed over it. The Klasky-Csupo logo then zooms in at the last half-second before cutting to the right-facing, blue "energy blaster"-type muzzle flash.
* This logo comes in three versions: a standard 4:3 version (for TV shows and full-frame versions of their film output, though some films have slight letterboxing), a 1.55:1 widescreen version (matted to 1.85:1 for theatrical features released in the US (1.66:1 in Europe) and to 1.78:1 for both home video releases of those films), a 16:9 HD version (for the studio's reopening video and the remastered version) and a 2.35:1 scope version (seen at the end of ''The Wild Thornberrys Movie'').
* This logo comes in three versions: a standard 4:3 version (for TV shows and full-frame versions of their film output, though some films have slight letterboxing), a 1.55:1 widescreen version (matted to 1.85:1 for theatrical features released in the US (1.66:1 in Europe) and to 1.78:1 for both home video releases of those films), a 16:9 HD version (for the studio's reopening video and the remastered version) and a 2.35:1 scope version (seen at the end of ''The Wild Thornberrys Movie'').
* A filmed variant exists on ''The Rugrats Movie'' and ''Rugrats in Paris: The Movie''. The animation is a bit choppier and in a more washed-out color scheme, moves at a much faster pace, and is zoomed in to fill the screen.
* A filmed variant exists on ''The Rugrats Movie'' and ''Rugrats in Paris: The Movie''. The animation is a bit choppier and in a more washed-out color scheme, moves at a much faster pace, and is zoomed in to fill the screen.
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'''Music/Sounds Variants:'''
'''Music/Sounds Variants:'''
* The "boing" sound effect sometimes has a reverb effect applied to it.
* On the still video game variants, it's silent.
* On the still video game variants, it's silent.
* On ''The Rugrats Movie'' and ''Rugrats in Paris'', the audio is out-of-sync. To accommodate this, the ending sound effects are closer together and the quacking sound is sped-up, but not affecting the pitch (this also occurs on the cheaply animated alternate variant).
* On ''The Rugrats Movie'' and ''Rugrats in Paris'', the audio is out-of-sync. To accommodate this, the ending sound effects are closer together and the quacking sound is sped-up, but not affecting the pitch (this also occurs on the cheaply animated alternate variant).
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* When CBS aired ''The Rugrats Movie'' and ''Rugrats in Paris: The Movie'', a generic theme played over this logo.
* When CBS aired ''The Rugrats Movie'' and ''Rugrats in Paris: The Movie'', a generic theme played over this logo.
* On DVD and VHS releases of their Nicktoons as well as the pilot episode of ''As Told by Ginger'', the ending sound effects have a reverb trailing into the Nickelodeon "haypile". This can also be found on the VHS releases of ''The Wacky Adventures of Ronald McDonald'' starting with the third tape, “The Visitors From Outer Space”.
* On DVD and VHS releases of their Nicktoons as well as the pilot episode of ''As Told by Ginger'', the ending sound effects have a reverb trailing into the Nickelodeon "haypile". This can also be found on the VHS releases of ''The Wacky Adventures of Ronald McDonald'' starting with the third tape, “The Visitors From Outer Space”.
* There is a bizarre audio variant found on the Russian-language dub of ''As Told by Ginger'' which has a grumpy-sounding male voiceover speaking over the logo's music: "Klasky-Csupo (pronounced like "zupa"). Blblbllblblblbllblbl. (trying to imitate the lip flapping sound)" The timing varies depending on the episode, as does the tone, as different voiceovers were recorded for every episode this version appeared on (this can be identified through the exhausted-sounding voice in some episodes). In later episodes, the voiceover has a weird echo/reverb effect.
* There is a bizarre audio variant found on the Russian-language dub of ''As Told by Ginger'' which has a grumpy-sounding male voiceover speaking over the logo's music: "Klasky-Csupo (pronounced like "zupa"). Blblbllblblblbllblbl. (trying to imitate the lip flapping sound)". The timing varies depending on the episode, as does the tone, as different voiceovers were recorded for every episode this version appeared on (this can be identified through the exhausted-sounding voice in some episodes). In later episodes, the voiceover has a weird echo/reverb effect.
* Another audio variant found on the Russian-language dub of ''The Wild Thornberrys'' features a male voiceover (different from the one above) saying, "Film Klasky-Csupo Incorporated" after Splaat speaks.
* Another audio variant found on the Russian-language dub of ''The Wild Thornberrys'' features a male voiceover (different from the one above) saying, "Film Klasky-Csupo Incorporated" after Splaat speaks.
* On a Nickelodeon airing of ''Rugrats'' on March 4, 2000, the logo has the audio from the previous logo. Oddly enough, the audio itself was shortened down significantly causing the logo to be silent a bit after the finished product is formed.
* On a Nickelodeon airing of ''Rugrats'' on March 4, 2000, the logo has the audio from the previous logo. Oddly enough, the audio itself was shortened down significantly causing the logo to be silent a bit after the finished product is formed.
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{{YouTube|id=7cYdPc63FnU|id2=6KXezyQjUos|id3=Jm7B-jznvjc}}
{{YouTube|id=7cYdPc63FnU|id2=6KXezyQjUos|id3=Jm7B-jznvjc}}


'''Logo:''' We see a city silhouette, with a rooster on one of the buildings and a few palm trees on the right. The sun rises, revealing the city (which is green) and the rooster. The rooster wakes up and opens its eyes (from the previous logo, as evidenced by yellow edges around them). It crows loudly as its eyes bulge and the blocks in the K-C logo float around.
'''Logo:''' We see a city silhouette, with a rooster on one of the buildings and a few palm trees on the right. The sun rises, revealing the city (which is green) and the rooster. The rooster wakes up and opens its eyes (from the previous logo, as evidenced by yellow edges around them). It crows loudly as its eyes bulge and the blocks in the K-C logo float around, as described below:
* The "KLaSKY" blocks, close to the screen, fade in. They flicker as they scroll to the right.
* The "KLaSKY" blocks, close to the screen, fade in. They flicker as they scroll to the right.
* "LaS", tilted, glides to the right.
* "LaS", tilted, glides to the right.
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* "LaS" appears from the top-left corner and spins around.
* "LaS" appears from the top-left corner and spins around.
* A "K" spins in and out from the bottom-right corner.
* A "K" spins in and out from the bottom-right corner.
* Another "K", mirrored, zooms in and takes up part of the screen.
* Another "K" flipped, zooms in and takes up part of the screen.


When the rooster is finished screaming, the sun brightens, as the rooster mysteriously disappears, and the K-C logo appears in the center. It looks "grungier" than the one in the past three logos, with the word "KLaSKY" being set in Garish Monde, and "CSUPO" being set in Keedy Sans. The logo rumbles and flickers for the remainder as the sun's rays spin.  
When the rooster is finished crowing, the sun brightens, as the rooster mysteriously disappears, and the K-C logo appears in the center. It looks "grungier" than the one in the past three logos, with the word "KLaSKY" being set in Garish Monde, and "CSUPO" being set in Keedy Sans. The logo rumbles, sometimes having overlaid copies over it, and flickers for the remainder as the sun's rays spin.  


'''Variants:'''
'''Variants:'''
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* On later 4:3 prints of the 2003 film ''Rugrats Go Wild'' (both start and end), along with the film itself and the closing credits are in open matte, the logo zooms out to a much farther distance than usual.
* On later 4:3 prints of the 2003 film ''Rugrats Go Wild'' (both start and end), along with the film itself and the closing credits are in open matte, the logo zooms out to a much farther distance than usual.


'''Technique:''' Mostly CGI animation, but the rooster appears to be 2D-animated.
'''Technique:''' Mostly CGI, but the rooster appears to be 2D-animated.


'''Music/Sounds:''' A very loud early 2000s style techno theme, made using samples from Zero-G's ''Chemical Beats'' sample library, one of which can be heard [https://youtu.be/aUF4KjKvZF4?t=3883 here] at 1:04:43. A camera shutter sound can be heard when the sun brightens. Also, there's a "POP!" sound when the rooster opens its eyes, as well as the man's voice says "Wake up!". Like the first logo, there's a projector-like sound heard as the blocks fly around. A faint robotic whisper of the company name can be heard at the end. The music for this was done by co-founder Gábor Csupó.
'''Music/Sounds:''' A fading in early 2000s style techno theme, made using samples from Zero-G's ''Chemical Beats'' sample library, one of which can be heard [https://youtu.be/aUF4KjKvZF4?t=3883 here] at 1:04:43. A camera shutter sound can be heard when the sun brightens. There's a "POP!" sound when the rooster opens its eyes, as well as a robotic high-pitched male voice saying "Wake up!". Like the first logo, there's a similar-sounding projector-like sound heard as the blocks fly around. A faint robotic whisper of the company name can be heard at the end. The music for this logo was done by co-founder Gábor Csupó.


'''Music/Sounds Variants:'''
'''Music/Sounds Variants:'''
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'''Logo:''' On a white background, we see a very small Klasky Csupo logo in the same grungy font as the previous logo. Suddenly, Splaat comes in from the left side of the screen, and pushes the logo off the screen. Unlike the third logo, Splaat's eyes don't jiggle.
'''Logo:''' On a white background, we see a very small Klasky Csupo logo in the same grungy font as the previous logo. Suddenly, Splaat comes in from the left side of the screen, and pushes the logo off the screen. Unlike the third logo, Splaat's eyes don't jiggle.


'''Technique:''' 2D computer animation.
'''Technique:''' 2D animation.


'''Music/Sounds:''' The same sound effects from the end of the 3rd logo (without the boing) as well as some different sound effects when Splaat appears, such as a bonk sound, and a crash sound.
'''Music/Sounds:''' The same sound effects from the end of the 3rd logo (without the boing) as well as some different sound effects when Splaat appears, such as a bonk sound, and a crash sound.


'''Music/Sounds Variants:'''
'''Music/Sounds Variant:''' At the end of episode 1 of ''Scraatch-O-Rama'', "I'm RoboSplaat", before the logo appears, a DJ playing the turntable presses a hot cue on it that plays what seems to be a prototype version of the logo's audio. The cartoon sound effects of the 3rd logo start at the twang, the duck only quacks once, and the crashing sound is different. The glass shattering is absent, and instead is more like a bell twanging combined with a boing, and to top it all off, all of the logo's sounds play at a lower pitch (which is most likely the fault of the DJ playing the sounds slower than normal).
* At the end of episode 1 of ''Scraatch-O-Rama'', "I'm RoboSplaat", before the logo appears, the DJ playing the turntable presses a hot cue on it that plays what seems to be a prototype version of the logo's audio. The cartoon sound effects of the 3rd logo start at the twang, the duck only quacks once, and the crashing sound is different. The glass shattering is absent, and instead is more like a bell twanging combined with a boing, and to top it all off, all of the logo's sounds play at a lower pitch (which is most likely the fault of the DJ playing the sounds slower than normal, but still interesting).


'''Availability:''' It's a special logo created for the web series ''RoboSplaat''. However, it doesn't appear on the ''Rugrats'' 2021 reboot, which uses the 3rd logo instead. Uncertain if it will appear on future projects from the company.
'''Availability:''' It's a special logo created for the web series ''RoboSplaat''. However, it doesn't appear on the ''Rugrats'' 2021 reboot, which uses the 3rd logo instead. Uncertain if it will appear on future projects from the company.
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