Klasky Csupo: Difference between revisions

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** On the studio's re-opening video, (which can be seen [https://youtu.be/oJI5s7CNq20 here]), the variant is in 16:9 open-matte at 1080p high definition, it is cut to where the hand drops the magazine clippings, the background of the clippings is in a lighter shade of yellow, and after we hear the duck quacking twice, the logo flies off to the right of the screen. The "boing" sound effect is not heard.
** On the studio's re-opening video, (which can be seen [https://youtu.be/oJI5s7CNq20 here]), the variant is in 16:9 open-matte at 1080p high definition, it is cut to where the hand drops the magazine clippings, the background of the clippings is in a lighter shade of yellow, and after we hear the duck quacking twice, the logo flies off to the right of the screen. The "boing" sound effect is not heard.
*** This variant would later be remastered for 2021, which uses the same animation, but with glitchy computer screen effects placed over it. The Klasky-Csupo logo then zooms in at the last half-second before cutting to the right-facing, blue "energy blaster"-type muzzle flash.
*** This variant would later be remastered for 2021, which uses the same animation, but with glitchy computer screen effects placed over it. The Klasky-Csupo logo then zooms in at the last half-second before cutting to the right-facing, blue "energy blaster"-type muzzle flash.
* This logo comes in three versions: a standard 4:3 version (for TV shows and full-frame versions of their film output, though some films have slight letterboxing), a 1.55:1 widescreen version (matted to 1.85:1 for theatrical features released in the US (1.66:1 in Europe) and to 1.78:1 for both home video releases of those films), a 16:9 HD version (for the studio's reopening video and the remastered version) and a 2.35:1 scope version (seen at the end of ''The Wild Thornberrys Movie'').
* This logo comes in four versions: a standard 4:3 version (for TV shows and full-frame versions of their film output, though some films have slight letterboxing), a 1.14:1 open matte version (seen at the end of 35mm uncropped film scan prints of ''The Rugrats Movie'' and ''Rugrats in Paris: The Movie''), a 1.55:1 widescreen version (matted to 1.85:1 for theatrical features released in the US (1.66:1 in Europe) and to 1.78:1 for both home video releases of those films), a 16:9 HD version (for the studio's reopening video and the remastered version) and a 2.35:1 scope version (seen at the end of ''The Wild Thornberrys Movie'').
* A filmed variant exists on ''The Rugrats Movie'' and ''Rugrats in Paris: The Movie''. The animation is at a lower frame rate and in a more washed-out color scheme, moves at a much faster pace, and is zoomed in to fill the screen.
* A filmed variant exists on ''The Rugrats Movie'' and ''Rugrats in Paris: The Movie''. The animation is at a lower frame rate and in a more washed-out color scheme, moves at a much faster pace, and is either zoomed in to fill the screen or not on 35mm uncropped film scan prints.
* On the first two ''The Wacky Adventures of Ronald McDonald'' videotapes and airings of their Nicktoons with split-screen credits, the logo cuts to black just as the "boing" sound effect plays without fading out.
* On the first two ''The Wacky Adventures of Ronald McDonald'' videotapes and airings of their Nicktoons with split-screen credits, the logo cuts to black just as the "boing" sound effect plays without fading out.
* On NickSplat's airings of their shows, the logo starts when Splaat is on-screen, silent due to the credits being superimposed, and it's in warp speed. The logo also seems to glitch out, kind of like a TV screen. It is also worth noting that the filmed version logo is used, considering the graininess at the end of the logo.
* On NickSplat's airings of their shows, the logo starts when Splaat is on-screen, silent due to the credits being superimposed, and it's in warp speed. The logo also seems to glitch out, kind of like a TV screen. It is also worth noting that the filmed version logo is used, considering the graininess at the end of the logo.
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